Art La Fleur Movies

Sylvester Stallone gives comedy another try in this farce set in the 1930s. Angelo "Snaps" Provelone (Stallone) is the wealthy and powerful head of the Chicago mob, but his ailing father (Kirk Douglas) doesn't approve of his life in crime, and on his deathbed, Dad makes Snaps promise to go straight. Determined to honor his late father's wishes, Snaps decides to go into banking -- just as his life has fallen into chaos. Anthony Russano (Vincent Spano) informs Snaps that he's hijacked $50,000 of his money and wants to marry his daughter. Snaps discovers that his daughter Lisa (Marisa Tomei) is actually involved with the chauffeur, Oscar (Jim Mulholland), but Anthony's girlfriend Theresa (Elizabeth Barondes) has convinced her beau that Snaps is her father. Snaps hopes to use this misunderstanding as a way of getting his money back, but in the meantime, he has to deal with a wary banking board, rival mob boss Vendetti (Richard Romanus), prissy elocution coach Thornton (Tim Curry), and Snaps' one-time girlfriend Roxanne (Linda Gray). Oscar's stellar supporting cast includes Don Ameche, Chazz Palminteri, Harry Shearer, Eddie Bracken, Yvonne DeCarlo, and Bruce Davison. ~ Mark Deming, All Movie Guide

Mel Gibson and Robert Downey Jr. play a couple of what-the-hell flyboys flying contraband to Laos during the Vietnam War. Gibson doesn't seem to care about anything but the "guts and glory" aspects of the job, but Downey has serious questions about the moral implications of their mission. When a Laotian general expresses more concern over the wellbeing of an opium shipment than the men who are risking life and limb to fly it in, Gibson comes around to Downey's way of thinking. By film's end, Gibson is stuck in one of those character-building dilemmas so common to films of this nature: should he deliver his cache of weaponry, or should he dump it all to rescue a bunch of refugees? ~ Hal Erickson, All Movie Guide

Lee Majors stars as a policeman assigned to protect a onetime mob boss (Abe Vigoda) who has become the target of a hit man. ~ Jason Ankeny, All Movie Guide

After the phenomenal box-office and critical success of David Cronenberg's 1986 remake of The Fly, a series of big-budget remakes of '50s horror favorites rode in on its coattails in the late 1980s -- though none managed to rise above mere camp clones of their elders, albeit garnished with modern makeup effects in an attempt to draw modern teen horror-junkies. One remake that managed to live up to its cheesy inspiration was Chuck Russell's version of The Blob, in which the title goo crashes to earth and promptly begins digesting the residents of a small California town while growing to gargantuan proportions. The clean-cut teen hero originally portrayed by Steve McQueen (his first starring role) is replaced here with a rebellious outsider (Kevin Dillon) whose preppie rival (Donovan Leitch) for the affections of the cute heroine (Shawnee Smith) is quickly eliminated by the all-consuming space-gelatin. No sooner has the plasma menace set up house in the town sewers when a shadowy government Blob Squad shows up under the direction of the grandfatherly Dr. Meddows (Joe Seneca), to clean up the mess... or not. This high-spirited remake replaces the '50s "Daddy-O" conventions of the original with '80s cynicism -- not even likeable characters are spared from the slaughter -- and anti-government sentiment. It also pushes the gore envelope in ways unavailable to its low-budget parent -- e.g. the scene in which one victim is sucked through a sink drain was only hinted at in the 1958 film, but here viewers are treated to the entire bone-crunching ordeal. Though the quality of blob effects seems inversely proportional to the creature's size (some of the climactic "wall-of-blob" footage is painfully cheap-looking), the end result is more blob for the monster-movie fan's dollar. ~ Cavett Binion, All Movie Guide

The made-for-TV Three Kings stars Jack Warden, Lou Diamond Phillips and Stan Shaw as three patients in a Los Angeles-area mental institution. Dressed as the Three Wise Men for a Christmas pageant, the trio is suddenly struck with the delusion that they are really their Biblical counterparts. As TV cameras grind away, the three ersatz Kings ride out of the Pageant--on camels--and into the mean streets of LA. As the story draws to its conclusion, the three escapees find themselves providing Christmas cheer for a group of homeless people on the outskirts of the city. Aaron Spelling's original story veers dangerously close to being devoured by its own cuteness at times, but Stirling Silliphant's script for Three Kings keeps the whimsy in check and the sillier events reasonably credible. ~ Hal Erickson, All Movie Guide

Crime is the disease and Sylvester Stallone is the cure in Cobra, a high-octane rehash of the Clint Eastwood/Dirty Harry films, burnished to a 1980s action sheen. Stallone is Marion Cobretti, a cop called in when regular police methods have failed. Cobra is sent to get a cult of Charles Manson-like serial killers and to protect Ingrid (Brigitte Nielsen), a beautiful, statuesque witness who is set to testify against them. Cobra deposits Ingrid in an out-of-the-way town for safe-keeping, but a mole in the police department tips off the killers. The gang comes racing into town to get Ingrid, but Cobra is there waiting for them, ready to spring into action. ~ Paul Brenner, All Movie Guide

Tony Richardson, who in his days of prominence directed the Oscar-winning Tom Jones (1963), demonstrated in 1986's Penalty Phase that the intervening years did not dim his talent in the least. Peter Strauss stars as a liberal judge, in the midst of a re-election campaign. Strauss has been under fire from his enemies for being too soft on criminals. He intends to prove otherwise while presiding over the case of a vicious mass murderer and rapist (Richard Chaves). Shortly after a guilty verdict is reached, Strauss is tipped off anonymously that the defendant right's may have been violated during interrogation. While the jury enters "the penalty phase" wherein they must decide on proper punishment, Strauss undergoes a profound moral dilemma: Should he honor the letter of the law, thereby incurring public wrath and losing all hopes for being re-elected? Scripted by former lawyer Gail Patrick Hickman, the made-for-TV Penalty Phase was originally telecast November 18, 1986. ~ Hal Erickson, All Movie Guide

Filmed in 1982 in New York, this comedy hinges on a tried-and-true plot device: a man has less than a day to get married or he loses a fortune (no waiting for blood tests or licenses here!). When the fabulously wealthy W.D. Westmoreland (Jonathan Winters) dies, his grandson Luke (Art Hindle) discovers that he will inherit $250 million if he marries before he is 35. Since he turns thirty-five tomorrow, that leaves him less than 24 hours to find a bride and make it legal. Everything impedes his good intentions, including his father, who stands to inherit that money if Luke remains a bachelor. There are a lot of volunteers for Luke's open position of an immediate wife, but what makes matters even more complicated is he has developed an interest in a young, average-looking woman from the countryside. ~ Eleanor Mannikka, All Movie Guide

With the whimsical tagline "Jack Deth is back and he's never been here before," director Charles Band melds Blade Runner, The Terminator, and Jingle All the Way for this low-budget science fiction adventure. The story takes place in Angel City in the year 2247, when enforcer Jack Deth (Tim Thomerson) has just retired from the weekly grind after vanquishing villain Martin Whistler (Michael Stefani) and his roving cohorts, called "trancers." But Whistler and his trancers have gone back to Christmas 1985, with the insidious plan of exterminating the ruling council by killing off all the council members' ancestors. So Deth agrees to go back in time to get Whistler and the trancers all over again. To do so, he must transfer his memory into the body of one of his ancestors, who in this case has just had an erotic interlude with the perky and attractive Leena (Helen Hunt), who works as a Santa's elf at a shopping mall and gets to wear a skimpy, tight-fitting elf suit. Deth discovers that Whistler has taken over the body of the police inspector and has started transforming the Los Angeles population into trancers --including Santa Claus. With Leena's help, Deth sets out to even the score. ~ Paul Brenner, All Movie Guide

This standard, tongue-in-cheek, gangsters and good guys saga is carried on the star power and screen presence of Clint Eastwood as Lt. Speer, a taciturn, tough, play-it-by-the-book cop, and on Burt Reynolds as Mike Murphy, Speer's old friend in the force, now turned private eye but still a captivating rogue at heart. With a sub-text of playing their well-known screen personas off each other, Eastwood and Reynolds provide more than a surface interpretation of the characters that made them famous. After Murphy's partner is murdered, he focuses on pitting one mob boss against another in an attempt to have both mobsters kill each other. In the meantime, Lt. Speer -- who has never approved of Murphy's private detective business -- does not really know if Murphy is for or against the two top gangsters. Set in the era of speakeasies and Prohibition, an added layer of "film noir" can be discerned under the complex plot, verbal repartée, and episodes of toned-down violence (a kind of parody in themselves). Although this may not be the best film either star has made, it is still interesting to see them together on screen. ~ Eleanor Mannikka, All Movie Guide

In this drama, a police officer finds himself in trouble after he is promoted to lieutenant and assigned to investigate the deaths of several ex-prostitutes and finds himself falling in love with a former madam. ~ Sandra Brennan, All Movie Guide

Once more, a wise-guy teenager tries to prove he's smarter than any adult-and nearly destroys the whole world in the process-in WarGames. Computer-game aficionado Matthew Broderick inadverently taps into a hush-hush Pentagon computer, then proceeds to inaugurate his favorite game, "Global Thermonuclear War". What we know, but Broderick doesn't, is that the Pentagon, hoping to eliminate the chancy "human element" in the event of an actual war, has given its computer total, irreversable control over the launching of nuclear weaponry. Broderick and government official Dabney Coleman race against time to reverse the computer's resolve to send bombers to Russia. WarGames scored a hit, especially with teenage filmgoers. ~ Hal Erickson, All Movie Guide

Lensed on videotape, Emergency Room was the first presentation of the syndicated Commworld Prime Time Showcase. Sarah Purcell and LeVar Burton star in this hospital melodrama. Purcell plays the doctor in charge of the E.R., dealing not only with an onrush of patients but also with hospital red tape and an on-again, off-again romance with a fellow physician (Gary Frank). The guest cast includes Penny Peyser, Paul Stewart, Julie Sommars, Gary Lockwood and Conchata Ferrell. Most markets first saw Emergency Room in mid-July 1983. The film was barter-sponsored to local stations by Procter and Gamble, as was the second and last Commworld Prime Time Showcase effort, Desperate Intruder (see separate entry). ~ Hal Erickson, All Movie Guide