John La Fayette Movies

Six months after the death of patient Kaya McGinley (Alison Smith), whose illness was misdiagnosed by Chase (Jesse Spencer), a disciplinary hearing is held to probe the situation. Prior to being grilled by a panel of his superiors, Chase is questioned about the incident by Stacy (Sela Ward), as are House (Hugh Laurie) and Cameron(Jennifer Morrison)--and to say that their stories don't quite match up is putting it mildly. Making matters worse is the fact that Chase isn't being completely up-front about his relationship with Kayla. Also on the schedule is some behind-the-scenes chicanery involving a famous transplant surgeon (John Rubinstein) with a roving eye for the ladies. ~ Hal Erickson, All Movie Guide

A mother once neglected as child but possessed of a heart overflowing with love grows increasingly despondent as her beloved child begins to claim his independence in director Kevin Bacon's adaptation of Victoria Redel's best-selling novel. If loving too much were a crime, well-meaning but overbearing mother Emily (Kyra Sedgwick) would be spending life behind bars with no hope of parole. When Emily was a child, her parents were deeply in love with one another but tragically indifferent to their affection-starved daughter. Now a grown adult with a deep-rooted desire to bear a child, Emily goes to desperate lengths to conceive before eventually giving birth to an exceptionally gifted boy whom she names Paul. Emily's devotion to Paul burns brighter than a thousand suns as she creates a wondrous world of books, music, art, and games to share with her growing child, but her ever more desperate attempts to preserve the purity of their relationship reach a frantic fever pitch as a kindhearted local man opens his life to the pair and Paul prepares for his first year of school. ~ Jason Buchanan, All Movie Guide

Jimmy Smits returned to the big screen after a career-reviving stint on the TV series NYPD Blue with this emotional drama about the difficult relationship between a father and his sons. Smits plays Arturo Ortega, a man with lifelong dreams of being a contender in professional boxing. While Arturo had the knowledge, drive, and ambition to be a champ, his career proved short-lived, and, after a brief fling with success, he's a forgotten man. However, Arturo has instilled his passion for boxing in his three sons, who grow up learning the fine art of prizefighting. All three boys begin competing in the ring, with Arturo as their manager and coach, but Johnny (Jon Seda) quickly shows so much promise that other managers and promoters want to take over his contract and put him on the fast track to the championship. Arturo feels betrayed when Johnny wants to work with another manager, while his other two sons resent Johnny for turning his back on his father and wish Arturo had the same belief in their talents in the ring. The debut feature from director Carlos Avila and screenwriter Phil Berger, Price of Glory also features Maria Del Mar, Ron Perlman, Paul Rodriguez, and Clifton Collins Jr.. ~ Mark Deming, All Movie Guide

It's been said that nothing can bring two men closer together than a dollar placed between them, and a large family finds themselves becoming far closer than they'd like over several million dollars in this satiric comedy. Uncle Joe McTeague (Kirk Douglas) is an elderly man with a multi-million dollar fortune that he made in the scrap metal business and has no immediate heirs. While Joe has no children, he has plenty of relatives, most of whom don't really like him but want to curry his favor in hopes of inheriting his money when he dies (and Uncle Joe is just shrewd enough to know this). However, Uncle Joe has hired a "nurse," Molly Richardson (Olivia D'Abo), who considers modeling bikinis in Joe's Jacuzzi to be therapeutic. The family is afraid that Molly will end up with the lion's share of Joe's money after they've been bending over backwards to earn his approval, so they bring in a ringer. Daniel McTeague (Michael J. Fox) is one of the only members of the family that Uncle Joe actually likes; a professional bowler of no particular skill, Daniel is the son of the family's black sheep, a leftist activist who decided years ago and wanted nothing to do with Uncle Joe. But Joe has a soft spot for Daniel and his imitation of Jimmy Durante, so the family tracks him down and has him come to visit his uncle. The idea is that if Daniel can get on Uncle Joe's good side, he'll be rewarded in his will, and then Daniel will share his fortune with the rest of the family. So Daniel and his wife Robin (Nancy Travis) move to be closer to Uncle Joe, but Daniel soon discovers that he doesn't like his family much more than Uncle Joe does. Greedy also features Phil Hartman, Ed Begley, Jr., Bob Balaban, Jere Burns, and Kirsten Dunst as some of the venal members of the extended McTeague Family; incidentally, the name "McTeague" is a reference to the lead character in Erich von Stroheim's silent epic Greed. ~ Mark Deming, All Movie Guide

This is the third film based on Tom Clancy's high-tech espionage potboilers starring CIA deputy director Jack Ryan. Harrison Ford, returning to the Ryan role after his first go-round in 1992's Patriot Games, is assigned to a delicate anti-drug investigation after a close friend of the President (a Reaganesque Donald Moffat) is murdered by a Colombian drug cartel. When Ryan discovers that the President's wealthy friend was in league with the cartel, the President's devious national security adviser (Harris Yulin) and an ambitious CIA deputy director (Henry Czerny) send a secret paramilitary force into Colombia to wipe out the drug lords. The force is captured and then abandoned by the President's lackeys. It falls to Ryan to enter Colombia and rescue them, aided only by a renegade operative named Clark (Willem Dafoe), with both his life and career on the line. ~ Don Kaye, All Movie Guide

A suicide found in the desert with 500,000 dollars cash stuffed in a briefcase makes Sheriff Ray Dolezal (Willem Dafoe) curious. What was the dead man up to? Sensing that if he follows the money, he'll find crime at the end of the trail, Dolezal assumes his identity. He soon discovers the dead man was a paid informant for an FBI agent (Samuel L. Jackson) trailing an arms dealer (Mickey Rourke) who works with an intermediary (Mary Elizabeth Mastrantonio). Dolezal begins to suspect that he's being set up to take a big fall when the money is stolen from him and the dead man's girlfriend (Maura Tierney, in an early role) gets killed after she tells him that her beau had a partner in a scheme to steal the money from the FBI. Will his enemies discover his real identity? Will the FBI agent turn on him? Will he get back the money? ~ Nick Sambides, Jr., All Movie Guide

The first mainstream animated feature film directly aimed at African American audiences, Hyperion Productions' Bebe's Kids is based on a comedy routine by the late Robin Harris. Voiced by Faison Love, Harris endures a "date from hell" when he goes out with the lovely Jamika. His romantic rendezvous is ruined when he is stuck with Jamika's son-as well as Bebe's kids, three little horrors spawned from three different fathers. The worst of the batch is unhousebroken baby Peewee. The film manages within its 74 minute timeframe to skewer such topics as Hip-Hop music, urban riots and whitebread theme parks. Further proof that this is not a Disney flick was provided by the folks from the Motion Picture Production Code office, who bestowed a PG-13 rating upon the film. Bebe's Kids was released theatrically in tandem with the cartoon short Itsy Bitsy Spider, which was later spun off into a TV series. ~ Hal Erickson, All Movie Guide

In this sequel to Watchers, an extremely intelligent dog attempts to warn his human buddy, Paul Ferguson (Marc Singer), that a deadly monster is on the loose. When the monster comes after the duo, they must find a way to stop it. ~ Iotis Erlewine, All Movie Guide

This episode focuses on Blue Moon employees Bert Viola (Curtis Armstrong) and Agnes Dipesto (Allyce Beasley). Bert wants to attend a Viola family reunion, but Agnes has been sequestered with the jury for the murder trial of one John Gibson--and of course, Agnes is the sole holdout who believes in Gibson's innocence. Out of desperation, Bert decides that the only way to get Agnes out of the jury room is to solve the murder himself! In a dream sequence, the Moonlighting regulars are recast as the principals in John Gibson's alleged crime. ~ Hal Erickson, All Movie Guide

To Heal a Nation is the true story of Jan Scruggs (Eric Roberts), a decorated veteran of the Vietnam War. In 1979, Scruggs, employed by the US Department of Labor, becomes obsessed with the dream of erecting a monument to those who died in Vietnam. In pursuit of this dream, Scruggs and his fellow fundraisers run up against bureaucratic indifference and public hostility-not to mention the reservations of certain veterans who disapprove of the monument's "radical" design. On November 13, 1982, the Vietnam Veterans Memorial is erected in Washington DC-an intensely emotional moment, vividly recreated by combining dramatizations with actual news footage. Originally presented as GE Theater TV production, To Heal a Nation debuted May 29, 1988. ~ Hal Erickson, All Movie Guide

An impoverished adolescent outcast becomes a deadly, vengeful killer against his tormentors after he finds a super-secret anti-matter gun lying in an Arizona stream bed. ~ Sandra Brennan, All Movie Guide

The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."

The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, All Movie Guide