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Nikolai Kryuchkov Movies

Specializing in portraying an idealized version of the Average Man, Nikolai Kryuchkov was one of the Soviet Union's most popular movie stars of the 1930s, 1940s, and 1950s. Acting was his passion and he was always complimented on his professionalism and willingness to be the role model offscreen that he was in the movies. Learning his craft at the Moscow Young Workers theater, where he studied under Nikolai Khmelev and Igor Savchenko, Kryuchkov was discovered for films by Boris Barnet who cast him as Senka the Shoemaker in Okraina/Patriots (1933). Senka, as with the other characters in which he would specialize, was a modern socialist, optimistic about his life, always looking to improve, and eager to work hard. Initially, due in large part to the fact that he was so recognizable, the actor was sometimes criticized for not so much acting as simply playing himself, but Kryuchkov denied it, claiming that his goal was to add perspective to his characters by filtering them through his personality rather than totally immersing himself into them. By the late '30s he was averaging three films a year, but his career really took off after he starred as Klim Yarko, a model of Soviet youth, in the propaganda-filled classic comedy Traktoristy/The Tractor Drivers (1939). The role earned him the USSR State Prize in 1940. In the early '50s, he changed his acting style and philosophy. While his characters were as bright and interesting as previously, he added a psychological complexity and subtle ambiguity that made them more compelling. Notable films from this period include Zhestokost/Cruelty (1959) and Sud/The Trial (1962). He continued playing more dramatic roles through the 1960s. One of his best-known films from the 1970s was Gorozhane/City Dwellers (1976), in which he played a taxi driver. Over his career, Nikolai Kryuchkov won many important awards, including one from the All Union Film Festival for Your Home Address (1972). In 1965, he was honored by the Soviet Government when he was named People's Artist of the USSR; in 1980, Kryuchkov received his country's highest civilian award when he was designated a Hero of Soviet Labor. ~ Sandra Brennan, Rovi
1935  
 
Oppressed women stand together against their enemies in this historical drama from the Soviet Union. In 1919, a group of Ukrainian women are left to fend for themselves when their husbands go away to fight the White Russian forces. Enemy factions soon seize the village, and the women are put to work in a mine performing back-breaking labor. When the occupation troops are forced to flee the village, they hastily decide to destroy the mine, but the women band together to stop them. With the exception of leading lady Emma Tsesarskaya, the women in the film are actual Ukrainian peasants who had not acted professionally before. Lyubov I Nenavist received only a limited release in 1935, as Soviet authorities felt the characters were not heroic enough, but it was well-received in its screening at a retrospective of Soviet films presented at the 2000 Locarno Film Festival. ~ Mark Deming, Rovi

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Starring:
Emma TsesarskayaAlexander Chistyakov, (more)
 
1933  
 
The Patriots is set in a Russian provincial village during World War I. Hans Klering plays a German prisoner of war, put to work in the village's cobbler shop. The film takes its sweet time articulating the relationship between the prisoner and his largely benign captors. Patriots is essentially a plea for tolerance; being a Russian film of the 1930s, of course, there are none more tolerant than the Soviets. A bilingual production (Russian and German), The Patriots is available on video in an English-subtitled version. ~ Hal Erickson, Rovi

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Starring:
Sergei KomarovYelena Kuzmina, (more)