Paul Barge Movies

When she discovers her husband has come home with a mistress, Anne (Joanna Shimkus) leaves her home in Paris and spends the night in her office where she meets Francois (Michel Piccoli), an architect who, without asking any questions, invites her on a trip to the South of France. The two make the trip but become lost in the mountains and are put up for the night by a kindly baker. A visit to a sculptor friend allows Anne to tell her troubles to someone who cares. Francois overhears the conversation but says nothing to her. When they arrive in the South, Anne spies her husband's car, but he is nowhere to be found. Francois and Anne end up at the architect's house where they make love, but in an ironic twist, their romantic liaison is shattered when the man's wife returns home, and Anne considers returning home to her unfaithful husband. ~ Dan Pavlides, Rovi

In 1951, French writer Jean Genet presented a screenplay called "Les Rêves Interdits/L'Autre Versant du Rêve" to actress Anouk Aimée as a wedding gift. He then proceeded to sell the rights three times without telling her. Eventually the script was reworked by Marguerite Duras and filmed by British director Tony Richardson as Mademoiselle, with Jeanne Moreau in the title role. In its final form, Mademoiselle tells the story of a repressed schoolteacher who visits a veritable plague of deliberate "accidents" on the people of her rural French village. She sets fires, poisons animals, and causes floods -- all in a fit of thwarted passion for an immigrant woodcutter. Though Marlon Brando was originally set to play the role of the Italian craftsman, the part went to Ettore Manni when the production schedule shifted. Umberto Orsini plays Antonio, the woodcutter's forlorn son, whom Mademoiselle maliciously humiliates out of perverse desire for his father. A notoriously difficult shoot, Mademoiselle was filmed consecutively with The Sailor From Gibraltar, another collaboration between Richardson, Moreau, and Duras. As for Genet, he despised the casting of Moreau; nevertheless, she would go on to star in Querelle, another adaptation of the author's work. ~ Brian J. Dillard, Rovi

The Paris demimonde of 1900 is the setting for Casque d'Or. Georges Manda (Serge Reggiani), an honest woodworker, falls in love with Marie (Simone Signoret), the "moll" of minor crook Roland (William Sabatier). Gangster boss Felix Leca (Claude Dauphin) orders Georges and Roland to fight a duel to the death over the girl, as prescribed by the "code of the apache." Felix then pins the blame for Roland's death on Georges' boyhood chum, Raymond (Raymond Bussières), knowing that the woodworker will nobly accept the blame; this will leave Marie alone, which is what the lustful Felix has wanted all along. When Georges learns he's been set up as a dupe, he escapes from the police and kills Felix. Casque D'Or was based on the true-life Leca-Manda scandal, wherein an otherwise decent man was guillotined for shooting down a gangster boss in broad daylight. Since the scandal was common knowledge in France, the downbeat ending of this film was hardly unexpected but still extremely moving. Completed in 1951, Casque D'Or was a failure on its first release but then built up an excellent word-of-mouth reputation abroad. The film was released in the U.S. in 1956 as Golden Marie. ~ Hal Erickson, Rovi