Alice Krige Movies

Sally Hawkins and Rupert Penry-Jones star in this adaptation of the Jane Austin classic about a lovelorn woman who receives a second chance for true happiness. Anne Elliot was just nineteen when she fell hopelessly in love with dashing naval officer Frederick Wentworth, so when her family attempted to convince her that she was making a terrible mistake the smitten young woman hastily broke off her engagement. That decision has haunted her ever since, and despite the fact that nearly a decade has passed not a day goes by that Anne doesn't long for Frederick's embrace. Now, eight years later, Frederick has returned a highly decorated, and extremely wealthy military man. As every eligible woman in Anne's district swoons over the handsome and successful naval officer, the crestfallen young woman still holds out hope that Frederick will somehow find it in his heart to look beyond her youthful indecision, and give her a second shot at true love. ~ Jason Buchanan, All Movie Guide

In the tradition of Behind the Camera: The Unauthorized Story of Three's Company and Growing Up Brady comes the telemovie Dynasty: the Making of a Guilty Pleasure: a slightly tongue-in-cheek docudrama that purports to tell the scintillating story behind the scenes of ABC's nine-season prime time soaper about the Carringtons and the Colbys. The feature (produced by ABC itself) reflects on the parent network's own lust after a serial drama in the face of drowning competition from Dallas. To solve this issue, producer Aaron Spelling (here played by Nicholas Hammond) and show creators Richard and Esther Shapiro (Ritchie Singer and Pamela Reed) conceive of a modern American dress version of I, Claudius about the corrupting influences of wealth and power in the Reagan era. The suits devise the scheming character of Alexis Carrington Colby and bring Joan Collins (Alice Krige) in to play her as a kind of feminine equivalent of J.R. Ewing. The main thrust of the story involves the program's rise to one of the top-tiered series on television, followed by its inevitable fall when it disrespects and underestimates its regular audience. John Bart portrays John Forsythe, Melora Hardin plays Linda Evans, and Robert Coleby is Rock Hudson. ~ Nathan Southern, All Movie Guide

Alma (Molly Parker) proposes the formation of a bank in Deadwood, with Sol (John Hawkes) as chief officer. She also has a bout of morning sickness in the presence of Sol and Ellsworth (Jim Beaver). When Sol reports the news to Seth (Timothy Olyphant), he's less than thrilled. Merrick (Jeffrey Jones) gives a very informative tour of the camp to Mary Stokes (Carla Bianchi), the new schoolteacher. When Ellsworth approaches Trixie (Paula Malcomson) to discuss Alma's predicament, she proposes an interesting solution. Al (Ian McShane), feeling stronger, holds meetings with several prominent people in camp. Trixie tells him about the bank. E.B. (William Sanderson) reluctantly tells him about the apparent partnership between Cy (Powers Boothe), Wolcott (Garret Dillahunt), and Jarry (Stephen Tobolowsky). Miss Isringhausen (Sarah Paulson) tells him the fascinating story of how Alma admitted to hiring Al to kill her husband. Al quickly recognizes that Isringhausen is working for the Pinkerton Agency. They want to pay Al to implicate Alma in Brom's death, after which they'll let him escape with their money. He asks for some time to think about it. Al also meets with Lee (Philip Moon) in an effort to gauge how much "juice" he's got. Steve (Michael Harney), angry at Seth for stopping him from tarring and feathering the innocent Fields (Franklyn Ajaye), plans his own unique form of vengeance involving the sheriff's horse. Jarry is angry at Cy because Cy didn't protect him from the angry mob. Merrick pays a price for his refusal to print Jarry's notice. Cy, perhaps realizing his advantage has slipped a bit, makes insinuations to Wolcott about his reputedly violent dealings with the whores. When Cy threatens to inform Wolcott's employer, George Hearst, Wolcott is provoked to take drastic action. ~ Josh Ralske, All Movie Guide

This three-hour TV biopic of actress Natalie Wood emulates Citizen Kane by beginning at the end -- the tragically ironic drowning death of the water-phobic actress in 1981 -- then recounts her life story in flashback. Justine Waddell plays the adult Natalie, with younger performers Elizabeth Rice, Candice Moore, and Nadia Scappa portraying the actress in various stages of childhood, adolescence, and puberty. Although little Natasha Gurdin's Russian-born mother and father (here played by Colin Friels and Alice Krige) had drive and ambition, it was the girl herself who energetically and enthusiastically promoted her career as a child star named "Natalie Wood," and it was Natalie herself who demanded that producer stop casting her in cute-kid and ingenue roles and take her seriously as an adult -- even before she technically was one. Naturally, the film recounts Natalie's marriage to actor Robert Wagner (Michael Weatherley), the breakup of the union as she pursued affairs with the likes of Warren Beatty (Matthew Settle), and Wood and Wagner's ultimate reconciliation and remarriage. One might assume that the "mystery" of the film's title is Natalie's death by drowning -- to this day, no one quite knows how she managed to end up in the water -- but it also manifested in the enigma of Natalie herself, a woman who despite her aggressive and unending pursuit of fame and stardom might well have willingly given it all up just to be a wife and mother. In fine old Hollywood-biography tradition, the movie boasts an endless parade of celebrity lookalikes impersonating such friends and colleagues of Natalie Wood as James Dean, Edmund Gwenn, Marilyn Monroe, and directors Irving Pichel, Elia Kazan, and Nicholas Ray, as well as several real-life celebs offering their reflections on the film's protagonist, notably Margaret O'Brien, Robert Vaughn, and Henry Jaglom. Directed by no less than Peter Bogdanovich, The Mystery of Natalie Wood first aired over ABC on March 1, 2004. ~ Hal Erickson, All Movie Guide

Attila the Hun, fabled leader of a band of nomadic warriors who fearlessly took on the might of the Roman Empire, has his life story brought to the screen in this two-part miniseries. Attila (Gerard Butler) raised an army from the people of Caspia, and in time created a fighting force so strong that they received an annual tribute from the leaders of Rome as an inducement not to attack. Not all Romans were happy with this situation, and in time it was decided that General Aetius (Powers Boothe), a brave yet unscrupulous leader who attempted to usurp the rule of Empress Placidia (Alice Krige), was the only man who could confront Attila on his own terms. Aetius recognized Attila's skills as a leader, and decided the best way to prevent him from invading Rome was to lead him into an alliance, as Rome and the Huns joined forces against a third nation. But despite their mutual respect, it soon became apparent that only one man could be the undisputed leader in a meeting between Rome and the Huns. Attila also features Tim Curry as Theodosius, Simmone Jade MacKinnon as N'Kara, and Reg Rogers as Valentinian. Attila was first aired on the USA Cable Network on January 30 and 31, 2001.
~ Mark Deming, All Movie Guide

The seven-year saga of Star Trek: Voyager ended with the two-part "time-straddling" adventure "Endgame." "Endgame, Pt. 1" begins some ten years after Voyager was able to return to earth, having spent 23 long years in the Delta Quadrant. Presiding over a reunion with her surviving crew, an elderly, white-haired Kathryn Janeway (Kate Mulgrew), now a Starfleet Admiral, seems strangely unhappy and distant -- especially when someone brings up the name of Seven of Nine. "Borrowing" some downloaded information from Cmdr. Barclay (Dwight Schultz), Janeway travels back in time to help her younger self return home via a quicker route than the Delta Quadrant -- and, she hopes, to spare several of her colleagues from their ultimate dismal fates. Hopscotching between the future and the present, "Endgame, Pt. 1" originally aired on May 23, 2001. ~ Hal Erickson, All Movie Guide

Lots of women get the feeling that their boyfriends become different people after they've married them, but one finds herself dealing with a much bigger problem than leaving socks around the house or not taking out the trash in this supernatural thriller. Kristie (Laura Harris) is a sweet but slightly naïve young woman who is soon to marry the man she loves, Marc St. Clair (Richard Lintern), a television reporter. On the night of their wedding, Marc leads Kristie away from the wedding reception and takes her virginity near a strange stone monument in the woods. Kristie is a bit surprised by this behavior and even more startled when she discovers she's pregnant. Nine months after her wedding day, Kristie's son, Dylan, is born and the new mother is thrilled, but as the child grows older, she begins to sense that things aren't right. Marc seems to take an obsessive interest in his son, while even more surprisingly, his boss, Elizabeth (Alice Krige), is nearly as interested as Marc. In time, when Dylan begins to display telekinetic powers and Kristie discovers Elizabeth has given him a book of Satanic prophesy, Kristie begins to wonder what sort of a person Marc really is -- and whose child did she really bear? ~ Mark Deming, All Movie Guide

George Sluizer (The Vanishing) directed this German-British-Belgian thriller about politico James Morton (John Hurt) who relocates in Brussels as the British commissioner to the Euro parliament, leaving his wife Isabelle (Alice Krige) behind. As British and German chemical outfits are about to merge, Metro Chemical researcher Hans Konig (Armin Mueller-Stahl) tips him that his company is creating weapons and is run by a former Nazi. Morton stops the merger, but information leaks trigger Konig's arrest for industrial espionage and the bombing of Morton's apartment, followed by more corporate intrigue. Shown at the 1998 Berlin Film Festival. ~ Bhob Stewart, All Movie Guide

Set in a blazing land where the sun ceaselessly shines, this dramatic fantasy examines love's darker aspects. After years of incarceration as a political prisoner, Peter Glahn (Nigel Whitney, who had his name removed from the credits because another actor redubbed his lines) finally returns to Mandragora via ship. During the voyage, he encounters the glamorous Julianna (Pascale Bussieres), and falls deeply in love. Before he can act upon it, the radiant beauty mysteriously disappears. Once home he goes to see his sister Amelia (Shelley Duval) on the family ostrich farm. Poor homely Amelia is pining for the love of snake-in-the-grass Dr. Solti (R.H. Thompson) who is busy controlling the lives of Juliana and Zephyr (Alice Krige), a fisherman's widow. Solti toys with these women, but he is actually in love with a statue of Venus, a magical sculpture that seems strangely drawn towards Zephyr. Continuing frustration causes Amelia's smouldering passion for Solti to erupt into a conflagration of grisly violence. A challenging film from idiosyncratic Canadian filmmaker Guy Maddin. ~ Sandra Brennan, All Movie Guide

Brian Dennehy not only stars in this made-for-TV drama, but also serves as director and executive producer. Accused of raping his associate Rebecca Daly (Alice Krige), powerful attorney Eddie Brannigan (Brian Dennehy) elects to defend himself in court. Dismissing Rebecca's charges, Eddie insists that he merely "seduced" the willing woman, and that she is trying to make a name for herself at his expense. As the litigation proceeds, Eddie and Rebecca each build up a strong and vocal army of public supporters--while Brannigan's son Eddie Jr. (Reed Diamond) finds himself uncomfortably caught in the middle. Its title tinged with irony considering the outcome of the story, Indefensible: The Truth About Edward Brannigan was originally telecast November 25, 1997, on CBS. ~ Hal Erickson, All Movie Guide