David Kriegel Movies

Monica (Roma Downey) and the angels set out for the small Nevada town of Wells, where Nicole Blake (Laurel Holloman) and her 10-year-old daughter Danni (Holliston Coleman) are treated like lepers because of Nicole's single-mother status. When her mom is injured on the job, Nicole embarks upon a journey in search of the father she has never met, using an old Christmas card from a Mr. "Jackson" as her only clue. In the course of events, Nicole innocently causes a lot of trouble between a man and his wife, then latches on to a friendly handyman who seems to fit the description of her long-lost dad. But in the end, it is Tess (Della Reese) who brings Danni's family together, by way of the sheerest of coincidences! ~ Hal Erickson, All Movie Guide

A matchmaking apparition attempts to ensure that her niece marries the right man in this supernatural romantic comedy. In Clay (Christopher Atkins), Nicolette (Reebie Sullivan) is certain she's found the perfect mate for her pretty niece Nikki (Kim Reeves). But Nikki is far too focused on her own career to even consider romance, and when Nicolette assumes the role of cupid from the great beyond, her goal-oriented niece is more than a little annoyed. ~ Jason Buchanan, All Movie Guide

One of the most intensely dramatic episodes in the history of NYPD Blue begins as the ex-wife (Debra Monk) of Andy Sipowicz (Dennis Franz) prepares to defend herself against a DWI charge. As this plot strand plays itself out (with indications that the story is far from over), Bobby Simone (Jimmy Smits) emerges from heart-transplant surgery. At first, his recovery seems imminent, but complications quickly ensue. Ultimately, Bobby's wife, Diane (Kim Delaney), is given the bad news: it is only a matter of time. While fans of NYPD Blue were well aware that this episode (which earned two Emmy awards) represented the final appearance of series star Jimmy Smits, few were prepared for its shattering conclusion. ~ Hal Erickson, All Movie Guide

Mike Figgis' grim drama documents a romantic triangle of sorts involving prostitute Sera (Elisabeth Shue), failed Hollywood screenwriter Ben (Oscar-winner Nicolas Cage), and the constant flow of booze which he loves more dearly than life itself. Arriving in Las Vegas with the intention of drinking himself to death, Ben meets Sera, and they gradually begin falling for one another. From the outset, however, Ben warns Sera that no matter what, she can never ask him to quit drinking, a condition to which she grudgingly agrees. A darkly comic tragedy, Leaving Las Vegas charts the brief romantic convergence of two desperately needy people who together find a brief flicker of happiness. ~ Jason Ankeny, All Movie Guide

Six screenwriters, all real-life friends, each wrote one of the sequences in this romantic comedy-drama that unfolds at a half-dozen parties and celebrations. During a cross-country trip, Joe (Eric Stoltz) proposes to his girlfriend Sarah (Meg Tilly) with his best friend Frank (Craig Sheffer) looking on. At the couple's rehearsal dinner, Sarah confesses privately to Frank her attraction to him, but what she doesn't know is that Frank is in love with her. They share a kiss, which leads to an argument between Joe and Frank at their next meeting, a weekly poker game with their buddies. At a video shoot, a dinner party, another poker game, and a few more celebrations, the friendship between the three of them is challenged by the nascent attraction between Frank and Sarah. In the meantime, the all-male poker game is invaded by Athena (Parker Posey) and Lauren (Joey Lauren Adams), and a party guest, Sid (Quentin Tarantino), delivers a memorable treatise on the homoerotic subtext of Top Gun (1986). ~ Karl Williams, All Movie Guide

This is the first mainstream film to deal with the harrowing true story of a Uruguayan rugby team whose plane crashed in the Andes mountains in October of 1972 and who were forced to resort to cannibalism to survive more than two months of isolation. (The only other film to tackle the subject, Rene Cardona's Survive! was a seedy little mess that delighted in exploiting the cannibalism aspect.) The events depicted are primarily based on the novel of the same name by Piers Paul Read. The interview-style prologue features an uncredited John Malkovich as one of the survivors, whose spiritual ruminations on the disaster kick off the film's main action. We are briefly introduced to the characters before disaster strikes, in the film's most horrifying set-piece -- the depiction of the crash in grueling detail. The handful of survivors who manage to extricate themselves from the twisted wreckage seem incapable of working through their panic as they hope against all odds that a rescue party will locate them. One of the survivors, Nando (Ethan Hawke), awakens from a coma and makes a remarkable recovery -- enough to demonstrate level-headed leadership after team captain Antonio (Vincent Spano) begins to lose his nerve. As the weeks wear on and rations are depleted, the survivors are forced into a moral dilemma: the only remaining source of food seems to be the bodies of the dead. Those who choose for religious reasons not to consume their former companions must face the realization that they will soon starve or freeze to death. In the end, three men who choose survival above all else find the strength to set out on a treacherous mission to a ridge, where hopefully one of them will make it to civilization. Director Frank Marshall infuses the proceedings with sufficient intensity to keep the story moving, but the film fails to fully explore the often-recounted spiritual aspects of the ordeal as established in the opening monologue. Ironically, the writers' apparent attempts to remain true to Read's account of events -- resulting in some rather odd stretches of dialogue -- impede the drama even more than the Hollywood glamorization of the story's nominal "heroes," who remain rugged and handsome despite months of malnutrition and severe frostbite. ~ Cavett Binion, All Movie Guide

Fed up with being at the mercy of school bully Razor (David Kriegel), Ben (Jeremy Miller) signs up for karate lessons. Alas, his self-confidence is dealt a fatal blow when he is bested in an impromptu karate session--by his own mother Maggie (Joanna Kerns). Tracey Gold (Carol) does not appear in this episode, which is highlighted by a looney "chop-socky" movie parody. ~ Hal Erickson, All Movie Guide

It was impossible back in September of 1991 to objectively critique the TV movie Us. The film had been intended as the pilot for a new series, to be produced, directed and written by its star Michael Landon. Landon had died of a lingering illness only six months earlier, thus the film was heralded by the publicity people as "His final gift to us all." One publication, which had devoted no fewer than three cover stories in a row to Landon in his final weeks, labelled as "compassionate" this story of a man released from prison after 18 years for a crime he didn't commit, who now needed to touch base with his long-estranged family. Removed from the understandable emotionalism surrounding its premiere, it must be noted that Us was fair to middling at best. Its premise of having Landon and his family stage a reunion while on a cross-country trip was a viable one, but in execution Us was far below Michael Landon's usual standard. ~ Hal Erickson, All Movie Guide