Michael Kramer Movies

A substantial improvement on its predecessor, this in-name-only sequel retains only a few characters from the original To Die For, standing alone as an effective vampire tale in its own right. The complex plot revolves around the facilities of vampire Doctor Max (Michael Praed), whose stores of whole blood provide temporary food supplies for wayward bloodsuckers in need of a fix. Into Max's clinic arrives young Danny (Jay Underwood) and his sister Nina (Rosalind Allen), whose adopted baby is suffering from an unknown affliction. While Danny eventually falls under the seductive spell of the translucent-looking Celia (Amanda Wyss), Max's predatory brother Tom (Steve Bond) sets his sights on Nina's unprotected neck, leading to a confrontation with Max over the fate of Nina and her child, revealed to be a human/vampire half-breed, of whom Max is the father. Events are further stirred by the arrival of manic vampire hunter Martin (Scott Jakoby), who is obsessed with destroying them all. This slick and stylish production belies its low budget with technical panache (aside from occasional cost-cutting measures in the special effects department), which includes superb photography, razor-sharp editing, and a script that provides dimension and believable motivations for its characters without skimping on scares. ~ Cavett Binion, All Movie Guide

In 1982, Crippen High School was the scene of a gruesome series of dismemberment murders, but the killer was never identified. Five years later, Cosmic Pictures arrives at the long-abandoned campus to make a low-budget horror movie based on the tragedy, and suddenly the terror begins anew. The police department arrives at the school to find the building and grounds covered in gore and human body parts, the remains of the unfortunate film crew. The only survivor of this new massacre is the screenwriter, Arthur (Richard Brestoff), who tries to explain the horrifying events to the authorities. The troubled production's leading lady is angered over the demeaning nature of her role, the producer and director argue over the film's lack of artistic merits, and when cast members start disappearing, everyone else assumes that they're just quitting out of disgust. Who is the culprit? Is it the school's principal, appearing as himself in the film for the sake of realism? The janitor, who hopes to parlay his cameo into a pornography career? Or maybe Steven (Brendan Hughes), who was a student at Crippen during the original murder spree and finds himself reluctantly cast as the hero? This self-referential slasher parody features George Clooney in a small part as the film's first victim, and The Brady Bunch's Maureen McCormick as a policewoman with a lust for blood and hot dogs. ~ Fred Beldin, All Movie Guide

The protagonists of Over the Edge are the teen-aged offspring of the residents of a planned suburban community. This bland little town has been designed with conformity in mind, and with no thought of making the kids' lives worth living. Even worse, there is very little opportunity for any of the teens to grow "out" of the community and live elsewhere. Consequently, the kids rebel by drinking themselves sick, dealing in drugs, and indulging in deadly violence. Inasmuch as the local cops are predisposed to beat the teens into submission, the kids retaliate by directing their frustrations at the Law; the results are tragic, to be sure, but in no way predictable. Over the Edge struck as sensitive a nerve with young 1970s moviegoers as Rebel Without a Cause did with their 1950s forebears. Matt Dillon made his screen debut in Over the Edge, distinguishing himself in an ensemble cast that also includes Vincent Spano, Andy Romano and Ellen Geer. The screenplay was written by Charles Haas and Tim Hunter; the soundtrack songs feature the Ramones. ~ Hal Erickson, All Movie Guide