Rocky Krakoff Movies

The star of this animated 23-minute version of Mark Twain's The Prince and the Pauper is Mickey Mouse...and Mickey Mouse. The bare bones of Twain's mistaken-identity plotline are adhered to, with several delightful slapstick sidetrips along the way. Supporting Mr. Mouse are such Disney stalwarts as Minnie Mouse, Donald Duck, Goofy, and Black Pete (as the villain, natch.) The film is a delightful hark back to such Disney cartoons of yore as Brave Little Tailor (1938) and Mickey and the Beanstalk (1947), though there are plenty of contemporary references to keep a 1990s audience happy. When originally released to threatres before The Rescuers Down Under, The Prince and the Pauper included a "count-down" clock to bridge the intermission time between the cartoon and the main feature. ~ Hal Erickson, All Movie Guide

This is an eerily prescient family adventure starring Kate Capshaw as Andie, a frustrated NASA astronaut who's never actually been into outer space. Her husband, flight controller Zach (Tom Skerritt), is sympathetic, but he can't influence her place in the rotation. Andie is assigned to train a group of intelligent high school students at the summer science camp called Space Camp, which is run by NASA and supervised by her husband. There she meets her campers: Kevin (Tate Donovan), a blasé, horny teenager; Tish (Kelly Preston), an airhead with a photographic memory; Kathryn (Lea Thompson), an arrogant pilot; obnoxious youngster Max (Joaquin Phoenix); and scientist-in-training Rudy (Larry B. Scott). While testing the solid booster rockets aboard a real shuttle, the team is blasted into space accidentally. Without enough air, the discordant team pulls together, each discovering hidden talents. The "Challenger" space shuttle disaster in January 1986 was bizarrely similar to the events depicted in Spacecamp, with far more horrific results. Its release date pushed back several months because of the tragedy, the film was still a painful reminder to the public of the national calamity, and it consequently grossed only about $10 million at the box office. ~ Karl Williams, All Movie Guide

One of the more effectively spooky and financially successful horror films of the '80s got an inevitable sequel with this effects-heavy installment. The Freeling family is trying to grapple with the devastation wrought by the ghosts and ghouls that destroyed their lives. The insurance company doesn't believe their story about what happened to their house, so Steve (Craig T. Nelson), Diane (JoBeth Williams), and their kids, Carol Anne (Heather O'Rourke) and Robbie (Oliver Robins), have been reduced to living in the home of Diane's mother, Jess (Geraldine Fitzgerald). Unfortunately for the Freelings, however, their new residence, just like their last, is situated on a haunted patch of unholy ground. A century before, the mad cult leader Kane (Julian Beck) slaughtered his followers nearby, and his evil spirit has returned in an effort to kidnap Carol Anne. When the Freelings realize what's happening, they call upon the psychic medium Tangina Barrons (Zelda Rubinstein) to help them again, and they also receive aid from a kindly Native American spiritualist, Taylor (Will Sampson). Noticeably absent from the sequel was older daughter Dana, who had been played by actress Dominique Dunne; Dunne was killed in 1982 by her obsessed boyfriend. ~ Karl Williams, All Movie Guide

Director Lynne Littman has created an effective, understated portrayal of the cost of a nuclear war in human terms, in a film as far removed from the fake hyperbole of action and disaster movies as the natural world is from cartoons. Set in the small California town of Hamlin, the Wetherly family and their everyday concerns open the story. The trivia that fills their secure, ordinary existence disappears when a TV show is interrupted with the announcement that nuclear bombs have exploded in the major cities on the East Coast, and then the entire scene is erased in an increasingly white, blank movie screen -- meant to show that nuclear blasts have been detonated in California as well. Over 1000 people die in the first month from radiation sickness, but the mother in the Wetherly family (Jane Alexander) displays great inner strength as she cares for orphaned children the family has taken under its wing and goes on sustaining those that remain in her own family. At one point, she quietly conveys to her daughter the happiness of intimacy between two adults, knowing her daughter will not live to experience adult love. As these individuals and the children cope with day-to-day existence, there is never any intrusion of overt horrors, the focus remains on the individuals and the way in which they adjust to the inevitable. ~ Eleanor Mannikka, All Movie Guide