Marge Kotlisky Movies

Howard Franklin wrote and directed this film noir character study based on the famed New York Daily News photographer Weegee. Joe Pesci plays a character named Bernstein, a freelance photographer for the New York City tabloids of the 1940s. His life is dedicated to his work; with a police radio under the dashboard of his car and a darkroom in his trunk, he quickly and efficiently races to the scene of crimes, accidents and murders to snap photographs of gangsters, politicians, cops, and prostitutes, which he promptly delivers to the newspapers. His knack for arriving at a crime scene before the police earns him the nickname the Great Bernzini. The trouble begins for Bernstein when he agrees to look up a gangster for Kay (Barbara Hershey), the sexy owner of a fancy Manhattan nightclub. After making inquiries, Bernstein traces the man Kay is looking for, but he turns up dead. When he informs the police, he becomes a suspect in the murder; it also turns out that the FBI is interested the case. Bernstein then uncovers an elaborate conspiracy concerning gas rationing, the mob, and the government. ~ Paul Brenner, All Movie Guide

The third film written and directed by playwright David Mamet, this combination of crime drama and character study stars several of Mamet's stock players. Joe Mantegna stars as Bobby Gold, a detective with a gift for negotiation who, along with his partner Tim Sullivan (William H. Macy), accidentally stumbles upon a crime scene -- the murder of an elderly Jewish woman in her corner store. When it turns out that the victim was politically well-connected and Jewish, Bobby's superiors assign him the case because he's also Jewish. The problem is that Bobby isn't very religious and he resents being taken off a higher profile drug investigation involving a dealer, Randolph (Ving Rhames). Bobby's also highly skeptical when the murdered woman's family claims that her death was not a simple robbery but an anti-Semitic hate crime. As he gets deeper into his case, however, Bobby discovers that a larger conspiracy may be afoot, and he begins to question his own ethnic roots. ~ Karl Williams, All Movie Guide

Inheriting the Cleveland Indians baseball team from her late husband, covetous ex-showgirl Margaret Whitton wants to move the franchise to Miami, primarily to take advantage of the many personal perks she's been promised by that city. But Cleveland won't yield its lease on the Indians unless the year's attendance falls below 800,000. Figuring that chances for this are already good given Cleveland's inability to win a pennant, Whitton tries to make doubly certain that the fans won't turn out by ordering the club manager to put together the worst team possible. The new players include hasbeen Tom Berenger, blind-as-a-bat pitcher Charlie Sheen, self-protective free agent Corbin Bernsen, and Wesley Snipes, who is constitutionally incapable of hitting straight. Surprisingly, this band of misfits begins winning games, so Whitton decides to break their spirit by forcing them to fly from game to game in a World War II prop plane, assigning them a rickety old bus for road games, and divesting them of their precious whirlpool. Still, the team's talent and esprit de corps grows, especially after "Wild Thing" Sheen dons a pair of glasses and is able to see where he's lobbing his 100-mile-an-hour pitches. Once the players are told that Whitton plans to dump them all whether they win the pennant or not, the team defiantly adopts an "us against the you-know-what" attitude. In a nailbiting 20 minute climax, the Indians face down their hated Yankee rivals in the pennant playoff game. The film's conclusion ties up several loose plot ends, notably the off-and-on romance between the irresponsible Berenger and his "ex" Rene Russo. Though set in Cleveland, Major League was filmed virtually in its entirety in Milwaukee, with the Brewers' play-by-play announcer Bob Uecker giving a terrific performance as the Indians' drink-besotted color commentator. The film represented not only the fictional comeback of the Cleveland Indians, but the actual comeback of producer/director David S. Ward, who'd been in a professional slump for several years. Though containing few surprises, Major League was a box-office smash, inspiring a 1992 sequel, inventively titled Major League II. ~ Hal Erickson, All Movie Guide

On the eve of her sister's wedding, suburban teenager Samantha (Molly Ringwald) suffers silently as her family forgets her birthday. Even worse, some total dork (Anthony Michael Hall) keeps propositioning her with sophomoric innuendo when she really craves romantic attention from high-school hunk Jake (Michael Schoeffling). Moving from Samantha's family home as it's invaded by outre relatives to a high-school dance where nothing seems to go her way, this bittersweet teen comedy traces the hopes and disappointments of not only Samantha, but also a host of incidental but memorable characters, from a hapless Japanese exchange student to a prom queen and a posse of barely pubescent nerds. A climactic party scene at which these various strata of young America overcome their rigid hierarchies sets the stage for resolutions both tender and torrid. ~ Brian J. Dillard, All Movie Guide

In Thief, James Caan plays Frank, a professional jewel thief who wants to marry Jessie (Tuesday Weld) and settle down into a normal life. In order to achieve his dream of a family, Frank--who is used to working solo--has to align himself with a crime boss named Leo (Robert Prosky), who will help him gain the money he needs to begin his domestic life. Frank plans to retire after the heist, yet he finds himself indebted to Leo and he struggles to break free. Thief is the first feature film from director Michael Mann and it seethes with his stylish, atmospheric direction. Though his cool approach may put off some viewers, it's a distinctive and effective story-telling approach, and Caan's performance ranks among his very best, making Thief a crime movie like few others. ~ Stephen Thomas Erlewine, All Movie Guide