Elias Koteas Movies
Stone-jawed and puppy-eyed, Elias Koteas has the enviable ability to call on both his distinctive looks and talent to portray a variety of complex, often troubled characters. Koteas is one of Canada's most prominent and well-respected actors, and during the late '90s, he began to amass international critical attention for his work in a number of high profile films, including David Cronenberg's Crash (1996) and Terrence Malick's The Thin Red Line (1998).Koteas, who is of Greek ancestry, was born in Montreal on March 11, 1961. His father was a mechanic for the Canadian National Railways and his mother worked as a hatmaker; Koteas himself planned to be an architect until his teenage introduction to acting changed his plans. He was particularly inspired by Nick Nolte's performance in the TV miniseries Rich Man, Poor Man; little did Koteas know that two decades later, he would be starring opposite Nolte in The Thin Red Line.
After beginning his education at Montreal's Vanier College, Koteas left to study at New York's prestigious American Academy of Dramatic Arts in 1981. Following his graduation, he went to New York's Actors Studio, where he studied under Ellen Burstyn and Peter Masterson. The actor made his film debut in the Mary Steenburgen drama One Magic Christmas in 1985 and went on to do supporting work in a variety of films that included Francis Ford Coppola's Gardens of Stone (1987), Some Kind of Wonderful (1987), Coppola's Tucker: The Man and His Dream (1988), and She's Having a Baby (1988). In 1989, he earned a Genie Award nomination (Canada's equivalent of the Oscar) for his portrayal of the title character of Malarek: A Street Kid Who Made It; two years later, he earned additional acclaim for his performance as a voyeuristic insurance adjustor in Atom Egoyan's The Adjuster. It was for his portrayal of an embittered DJ in another of Egoyan's films, Exotica (1994), that Koteas garnered his second Genie nomination; following this critical success, he began to appear in an increasing number of high profile productions.
Koteas was subsequently featured to great effect as the creepy Vaughan in David Cronenberg's controversial Crash (1996), and he invested his brief but pivotal role as Holly Hunter's mystery man in the acclaimed Living out Loud (1998) with memorable charisma. In The Thin Red Line, he managed to stand out from his accomplished co-stars -- who included Nolte, Sean Penn, John Cusack, and Ben Chaplin -- as Captain Storos, an alienated, idealistic soldier who refuses his superior's orders to send his men on a suicidal attack plan. ~ Rebecca Flint Marx, All Movie Guide
Set in Washington D.C. during the Vietnam War era, Gardens of Stone concentrates on the trials and tribulations of the Arlington National Cemetery home guard. James Caan plays career soldier Sgt. Clell Hazard, who has come to the sad conclusion that Vietnam is unwinnable and that America should withdraw as soon as possible. His attitude is contrasted to that held by Private Jackie Willow (D.B. Sweeney), who wants nothing more in life than to go into battle for his country. Though Hazard cannot officially dissuade Willow from this yearning, he pulls a few surreptitious strings to change the lad's mind, including encouraging a renewed romance between Jackie and his former girlfriend Rachel (Mary Stuart Masterton). After so many big-budgeters, Coppola determined that Gardens would be a deliberately "small" picture, concentrating on personalities rather than opulence; the director's father, Carmine Coppola, supplied the music, while Peter Masterton and Carlyn Glynn, the real-life parents of Mary Stuart Masterton, play Mary's on-screen dad and mom. Gardens of Stone was adapted by Ronald Bass from the novel by Nicholas Proffitt. ~ Hal Erickson, All Movie Guide
- Starring:
- James Caan, Anjelica Huston, (more)
In a gender-reversed version of his previous hit Pretty in Pink, John Hughes retreads all-too- familiar ground in Some Kind of Wonderful, the story of a sensitive, young would-be artist, Keith (Eric Stoltz), who vies for the affection of his high school's popularity queen, Amanda (Lea Thompson), seemingly out of some deep-rooted insecurity regarding his social ineptitude. He enlists the help of his butch best friend and fellow misfit, Watts (Mary Stuart Masterson), unaware that she secretly pines for him. While she goads him to give up his pointless pursuit of Amanda, he encounters one other small obstacle -- Amanda's rich bully of a boyfriend, Hardy (Craig Sheffer), who threatens Keith with a face rearrangement. Undeterred, Keith decides he will, by any means necessary, escort his dream girl to the prom -- but not before he buys her expensive jewelry with the money from his college fund in order to impress her. (Hughes expects the audience to side with Keith when his father protests.) Some Kind of Wonderful is pure fantasy, but the plot is too tired and flawed for it to be completely satisfactory escapism. Still, the performances are all-around good and the ending is slightly more likeable than its predecessor's. Hughes decided to use the original Pretty in Pink ending, which had been dropped from the original after poor audience response at the advance screenings. ~ Jeremy Beday, All Movie Guide
- Starring:
- Eric Stoltz, Mary Stuart Masterson, (more)
The "magic" in One Magic Christmas is often (and surprisingly) of the "black" variety. Like Jimmy Stewart before her, worn-out wife and mother Mary Steenburgen wishes that she'd never been born. And like Stewart, Steenburgen is visited by a guardian angel, in this case the western-garbed Harry Dean Stanton. Instead of granting Steenburgen's wish, Stanton shows her what life would be like without Christmas--and that vision is as grim as anything you're ever likely to see in any Holiday film. Throughout the horrendous tragedies heaped upon Steenburgen, we are comforted in the knowledge that Stanton is working in concert with Steenburgen's young daughter. Steenburgen learns her lesson of course, but what a ride! ~ Hal Erickson, All Movie Guide
- Starring:
- Mary Steenburgen, Gary Basaraba, (more)











