David Oliver Movies

Universal's standing Show Boat sets get another workout in the 60-minute B-picture Mississippi Gambler. On the trail of mob hitman Mathews (Douglas Fowley), reporter Johnny Forbes (Kent Taylor) journeys from New York to Mississippi. Here he finds big-time gangster boss Carvel (John Litel), long thought dead but actually living pseudonymously as a respectable plantation owner. Despite his civilized veneer, Carvel continues mastermining his criminal empire, including a chain of gambling emporiums. With the help of leading ladies Beth (Frances Langford) and La Verne (Claire Dodd), Forbes manages to trap Carvel in his own den. Shemp Howard shows up as a zany taxi driver, doing a lot more for the film than it does for him. ~ Hal Erickson, All Movie Guide

Bob Hope plays a famous movie star who does his best to avoid the pre-war draft, but ends up in uniform all the same. Hope marries Dorothy Lamour, the daughter of Army colonel Clarence Kolb, in hopes that this union will help him sidestep military service. Stuck in boot camp, Hope is a class-A screw-up until redeeming himself during a sham battle--though his "heroic" commandeering of a tank began as yet another boo-boo. Still not entirely certain that Hope could carry a film by himself, Paramount teamed him with Eddie Bracken and Lynne Overman--a sort of Abbott and Costello plus One. Despite the efforts to make Bob Hope part of an ensemble, it is clear from the first frame to the last who is truly the star of Caught in the Draft. ~ Hal Erickson, All Movie Guide

In this upbeat drama, a lovely European heiress is disturbed to discover from her lawyer that her father made his fortune by cheating his own partner. This precipitates her hasty return to the US where she meets the partner's granddaughter. The heiress then moves into the girl's boarding house and gives her a million dollars. Unfortunately, her newfound wealth causes the girl, untold trouble as her lover, a proud musician, refuses to marry a woman with more money than he. The girl solves the problem by donating her fortune to charity. ~ Sandra Brennan, All Movie Guide

Considering that it was adapted from a Broadway musical by Richard Rodgers, Lorenz Hart and George Abbott, The Boys From Syracuse must rank as a disappointment, though it manages to remain entertaining throughout its surprisingly brief 74-minute running time. Like its theatrical predecessor, the film was inspired by Shakespeare's A Comedy of Errors ("After a play by William Shakespeare long, long after" reads the opening title). In ancient Ephesus, young tyrant Antipholus (Allan Jones) sentences elderly merchant Aegeon (Samuel S. Hinds) to death unless the latter can come up with a handsome ransom. What Antipholus doesn't know is that Aegeon is his own father; he also doesn't know that he has a twin brother, also named Antipholus (and also played by Allan Jones) who has just arrived from Syracuse in search of dear old daddy. Further complicating matters is that Antiopholus of Ephesus and Antipholus of Syracuse both have slaves named Dromio (Joe Penner)-likewise identical twins! The mistaken-identity angle is played to the hilt, with A. of E.'s wife Adriana (Irene Hervey), A. of S.'s girlfirend Phyllis (Rosemary Lane), and Dromio of Ephesus' main squeeze Luce (Martha Raye) ending up just as confused as everyone else. Only four of the original Rodgers & Hart songs were retained-"This Can't Be Love", "Falling in Love with Love", "Sing for Your Supper", and "Oh, Diogenes"-while two new ones were written for the film. Most of the best jokes are based on anachronisms, with Dromio the slave organizing a labor union (complete with placards), a cheering section at an execution shouting "Give him the ax", and a parchment newspaper bearing such headlines as "Ephesus Blitzkriegs Syracuse". Originally purchased by Universal as a vehicle for the Ritz Brothers, The Boys from Syracuse isn't any great shakes, but it would certainly be well worth seeing again (last telecast in the 1970s, it seems to have fallen off the face of the earth in recent years!) ~ Hal Erickson, All Movie Guide

Rachel Crothers' thoughtful stage play Susan and God was tastefully adapted for the screen by Anita Loos. Joan Crawford stars as Susan, whose unquestioning devotion to various religious organizations causes a great deal of strain between herself and her family. When Susan embraces a "New Thought" theological movement, she decides to apply the tenets of this new philosophy to patch up the unhappy marriages within her own social circles. She succeeds only in making things worse, and in further harming her own relationship with husband Barrie (Fredric March) and daughter Blossom (Rita Quigley). But it is the unadorned, unpretentious religious faith of little Blossom that ultimately brings Susan and Barrie together again. When Susan and God was first released in 1940, Joan Crawford's performance was occasionally compared unfavorably to that of Gertrude Lawrence, who created the role of Susan on Broadway; it was suggested by some that Crawford patterned her portrayal exactly on Lawrence's, right down to the line delivery. Modern audiences, denied the opportunity to see Lawrence's interpretation, are less inclined to downgrade Crawford's work, which rates among her best. ~ Hal Erickson, All Movie Guide

In this drama, a despondent fellow contemplates suicide after he is abandoned by his last girlfriend. To ensure that his poor sister will receive maximum benefits from his life insurance policy, he hires a hitman to assassinate him. Unfortunately, he meets a new girl and changes his mind. Unfortunately, the killer, whom the hero has never met, doesn't know this. ~ Sandra Brennan, All Movie Guide

In his starring film for Universal Pictures, W.C. Fields plays circus manager and all-around flim flam man Larson E. Whipsnade. When he's not trying to fleece the customers or elude the sheriff, Whipsnade busys himself trying to break up the romance between his daughter Vicky (Constance Moore) and carnival ventriloquist Edgar Bergen (playing himself). He also carries on a running feud with Bergen's nattily attired dummy Charlie McCarthy ("I'll slash you into venetian blinds!"). Bergen's other dummy is Mortimer Snerd, who occasionally comments upon the action in his own thickheaded fashion. Anxious to arrange a marriage between Vicki and the wealthy Roger Bel-Goodie III (James Bush), Whipsnade disposes of Bergen and his dummies by sending them aloft in a hot-air baloon. Attending a party at the Bel-Goodie mansion, Whipsnade makes a pest of himself by constantly referring to snakes, a subject that invariably causes Mrs. Bel-Goodie (Mary Forbes) to swoon. He also engages in a zany ping-pong tournament with socialite Ronnie (Ivan Lebedeff). But it is Vicki, and not Whipsnade, who breaks up the engagement by telling off her pompous fiance. At that very instant, Bergen, having escaped from the balloon, arrives to claim Vicki and to help Whipsnade escape the sheriff once more. A partial remake of the W.C. Fields silent Two Flaming Youths, You Can't Cheat an Honest Man was scripted by Fields under the pseudonym "Charles Bogle." As published in the 1973 compendium W.C. Fields by Himself, the original screenplay was to have had dramatic overtones, including the death of Fields' trapeze-artist wife and a climactic soul-baring scene wherein Fields expresses his genuine love for his daughter. All this was jettisoned when it was decided to capitalize on the Fields-Charlie McCarthy "feud" then blazing on radio's Chase and Sanborn Show. While nowhere near as funny as Fields' subsequent Universal feature The Bank Dick, You Can't Cheat an Honest Man still contains a generous supply of laughs. Our favorite line: "Somebody's taken the cork out of my lunch." ~ Hal Erickson, All Movie Guide

Several second-echelon Universal contractees earn their paychecks in the two-week wonder State Police. John King stars as Sergeant Dan Prescott, a state trooper assigned to a coal-mining community. A group of gangsters have insinuated themselves into the town's labor-management confrontations, playing one side against the other for their own gain. Prescott tries to beard gangster boss Trigger Magee (Larry Blake) in his den, a gaudy roadhouse, and the results are explosive, to say the least. Predictably, the film is highlighted by a high-speed chase; not so predictably, the chase occurs in the middle of the film rather than the climax. Second-billed William Lundigan is the only member of the youthful cast to go on to a substantial starring career, though leading lady Constance Moore did pretty well for herself in future Universal productions. Comedy relief is provided by David Oliver, who'd risen from the ranks of Universal's newsreel cameramen. ~ Hal Erickson, All Movie Guide

In this lively musical western, a cowboy's wife heads for Reno for a quickie divorce. Meanwhile her husband finds himself in competition with a suave Easterner who has fallen in love with her. The cowboy is dismayed and embarrassed when the city-slicker easily out rides him during a bronc-riding exhibition. Fortunately, for the red-faced cowboy, his wife comes back and happiness ensues. Songs include: a snippet from "La Boheme", "I Gave My Heart Away", "Ridin' Home" and "Tonight Is The Night" (Jimmy McHugh, Harold Adamson). ~ Sandra Brennan, All Movie Guide

In this socially conscious drama a sextet of juvenile delinquents flee a crime screen in their seedy ghetto and wind up getting invited to a posh mansion by a wealthy criminal. Their attempts to accustom themselves to the opulent surroundings nearly results in the destruction of the manse. Eventually they boys decide that they must return to the city and pay for their crime. ~ Sandra Brennan, All Movie Guide

Ever youthful Tom Brown once more plays a campus football hero in Swing That Cheer. Undeniably talented on the gridiron, Bob Potter (Brown) is equally undeniably an arrogant pain in the posterior. So swell-headed does Potter become that he can never admit to himself that his blocking-back teammate Larry Royal (Robert Wilcox) is equally reponsible for Bob's success. To teach his pal a lesson, Larry feigns an injury and pulls out of the Big Game, forcing Bob to go it alone. Predictably, our hero will have to ingest a bit of humble pie before he can lead his team to victory. ~ Hal Erickson, All Movie Guide

The slick Universal programmer Secrets of a Nurse was based on a Collier's Magazine story by distinguished journalist Quentin Reynolds. This story in turn was based on a true incident, in which a gangster "returned from the dead" to save an innocent young man from the electric chair. The nurse of the title is Katharine McDonald (Helen Mack), in love with prizefighter Lee Burke (Dick Foran). As Burke recovers from a beating inflicted by crooked gamblers, Katharine must fend off the advances of shady criminal attorney John Dodge (Edmund Lowe). Hoping to rid the world of his romantic rival for good and all, Dodge arranges for Burke to be framed for murder. Convicted and sentenced to death, Burke walks the dreaded "last mile", as miles away Katharine struggles to revive a mortally wounded gambler who may be able to save her sweetheart from electrocution. ~ Hal Erickson, All Movie Guide

Former musical comedy star Edward N. Buzzell called the shots on the Universal programmer As Good as Married. John Boles plays a wealthy businessman whose inability to keep his love life in order threatens both his financial and emotional well-being. Faithful secretary Doris Nolan is determined to save Boles from himself. She marries him "in name only" to keep him away from his arduous lady friends, and to provide him with an income tax deduction. Love, of course, isn't supposed to enter into the picture, but you know how these things turn out. As Boles' architect friend, Walter Pidgeon plays the "Ralph Bellamy" part of the guy who loses the girl. For an essentially minor comedy, As Good as Married boasts an impressive behind-the-camera talent lineup: F. Hugh Herbert co-adapted the screenplay from "an idea" by Norman Krasna. ~ Hal Erickson, All Movie Guide