David Kossoff Movies

Aimed at the ten- to 15-year-old demographic, this six-episode British series offered an entertaining if not entirely accurate overview of celebrated comedian Charlie Chaplin's formative years. Though fairly explicit in detailing the alcoholism of Chaplin's music hall headliner father Charles Chaplin Sr. (Ian McShane) and the mental illness of Charlie's mother Hannah (Twiggy), the series had a predilection for broad, unsubtle comedy, suggesting that the Chaplin family's various tiltings with landlords, policemen, and orphanage officials were actually "dress rehearsals" for Charlie's famous two-reel comedy films (one sequence with David Kossoff was a virtual carbon copy of Chaplin's 1916 short The Pawnshop). Also, the chronology of events was sometimes fuzzy or misleading, especially concerning such famous Chaplin associates as vaudeville entrepreneur Fred Karno and fellow comic Stan Laurel. Otherwise, Joe Geary was excellent in the title role, as was Lee Whitlock as Charlie's protective half-brother Sydney. Originally telecast in England beginning on January 25, 1989, Young Charlie Chaplin was subsequently seen in America as part of the PBS Wonderworks anthology. ~ Hal Erickson, All Movie Guide

Bernard Lee plays an irresponsible British warrant officer who loses his post in Warsaw. Lee is reassigned to a navy underwater weapons establishment in Portland. Humiliated, he falls for the entreaties of enemy spy William Sylvester, who recruits him to steal secret papers. Lee convinces a female coworker (Margaret Tyzack) that Sylvester is a NATO agent; thus, the woman is unwittingly sucked into the spy ring. The British turncoat outsmarts himself when he begins spending more money than he makes, arousing the suspicions of the government. Ring of Spies was based on the real-life Portland espionage scandal which dominated British headlines throughout the very early 1960s. ~ Hal Erickson, All Movie Guide

From Richard Lester, the director of 1980's Superman II and the 1964 A Hard Day's Night, comes this less-successful sequel to the The Mouse that Roared. The Prime Minister of the Duchy of Grand Fenwick (Ron Moody) is in a bind because he has no money to renovate his castle and there is a serious problem with his small country's main export, wine. The stuff tends to explode. So the Prime Minister asks the U.S. for aid to develop space research, knowing full well they are not going to give him money to remodel his castle. Once the U.S. grants a cool million to the country, Russia adds in a used rocket, and things start popping. Like it or not, the Duchy is suddenly involved in space research and contributing to the madness is the discovery that its unique wine makes good rocket fuel. ~ Eleanor Mannikka, All Movie Guide

Lilli Palmer stars as a nun in a World War 2-era Italian convent. At the risk of her own life and those of her cloistered colleagues, Palmer hides a group of Jewish orphans from the Nazis. She then attempts to shepherd the kids to the safety of foster homes. Danger looms in the form of Nazi colonel Albert Lieven, who isn't quite as sympathetic as the nuns. Costar Sylvia Syms has some of the film's best scenes. There's little in Conspiracy of Hearts that we haven't seen before, but the actors manage to inject humor, warmth and pathos into the all-too-familiar proceedings. ~ Hal Erickson, All Movie Guide

Based on a British TV comedy, this is the tale of a London couple who inherit a pub in the country, only to find that their troubles are just beginning. Someone doesn't seem to want to make their business a success, but their invention should stop all that nonsense. ~ Tana Hobart, All Movie Guide

Reminiscent of the film noir detective films like The Maltese Falcon, The House of Seven Hawks is really the same type of bird. Aptly directed by Richard Thorpe, the story features Robert Taylor as John Nordley, the captain of a charter-boat service on the British sea coast. Nordley's problem is that he tends to ignore regulations, and when a passenger is murdered on board, his already tarnished reputation is no help in trying to prove his innocence. As the mystery of the murder is unraveled, the story jumps back to the end of World War II and a cache of valuable diamonds that suddenly disappeared. Nordley had been trying to track down the whereabouts of this treasure trove -- would that be connected to his passengers death? ~ Eleanor Mannikka, All Movie Guide

The economy of the teeny-tiny European duchy of Grand Fenwick is threatened when an American manufacturer comes up with an imitation of Fenwick's sole export, its fabled wine. Crafty prime minister Count Mountjoy (Peter Sellers) comes up with a plan: Grand Fenwick will declare war on the United States. Grand Duchess Gloriana (Peter Sellers again) is hesitant: how can meek little Grand Fenwick win such a conflict? Mountjoy explains that the plan is to lose the war, then rely upon American foreign aid to replenish Grand Fenwick's treasury. Bumbling military officer Tully Bascombe (Peter Sellers yet again) leads his country's ragtag army into battle. They cross the Atlantic in an ancient wooden vessel, then set foot on Manhattan Island, fully prepared to down weapons and surrender. But New York City is deserted, due to an air raid drill. While wandering around, Sellers comes upon atomic scientist David Kossoff and the scientist's pretty daughter Jean Seberg. Kossoff has been working on the deadly "Q Bomb," a football-sized weapon with the destructive capacity of a hundred hydrogen bombs. Suddenly seized with patriotic fervor, Tully captures Kossoff, his daughter and the bomb and brings them all back to Grand Fenwick. Tully has "won" the war-precisely what he'd been told not to do. The upshot of this "victory" is that every world power converges upon Grand Fenwick to claim the Q Bomb for themselves. The satire is heavy-handed at times, but The Mouse That Roared contains several unforgettably hilarious moments, including one startling "false ending." One of the best gags involves the Columbia Pictures logo--a bit frequently cut from TV showings, worse luck. Based on one of the many "Grand Fenwick" novels by Leonard Wibberly, The Mouse That Roared was a success, yielding a Peter Sellers-less sequel, 1963's Mouse on the Moon. ~ Hal Erickson, All Movie Guide

Based on the Rumer Godden novel An Episode of Sparrows, Innocent Sinners stars June Archer and Christopher Hey as the title characters. Neglected by her mother, contentious little Lovejoy (Archer) runs off to an abandoned London building, where with the help of several street urchins she begins to build a tiny garden as a home-away-from-home. Misunderstood by the film's adult authority figures, Lovejoy is carted off to a charity home, from which she is rescued by her new friends, including street-smart Tip (Hey). Among the few sympathetic grownups in the film are David Kossoff and Barbara Mullen as a pair of likeable restauranteurs, and Flora Robson and Catherine Lacey as the standard golden-hearted old crones. ~ Hal Erickson, All Movie Guide

Lensed in England, The Iron Petticoat has been out of circulation for so long that it's difficult to determine whether it is a long-lost classic or the unmitigated disaster many have claimed it to be. Essentially a rehash of Ninotchka, the film stars Bob Hope as Chuck Lockwood, an American military officer assigned to "de-Communize" defecting Russian aviator Vinka Kovelonko (Katharine Hepburn). Meanwhile, Vinka tries to win Chuck over to the glories of the People's Republic. The film remains on a fairly subtle comic level until its unecessarily slapsticky finale, which, in to paraphrase one reviewer, caused many film fans to completely "give up Hope." Those who've seen The Iron Petticoat are astounded at how well Bob Hope and Katharine Hepburn worked together, especially since it has been well documented that the two stars were decidedly not close chums off screen. The film sparked a now-famous war of words between Hope and scriptwriter Ben Hecht, both of whom took out long, rambling trade-paper ads to lambaste each other for "ruining" the project. ~ Hal Erickson, All Movie Guide

Already a popular TV comedian in 1956, Benny Hill heads the cast of the zany comedy-mystery Who Done It? Eschewing his usual double entendres in favor of pure-and-simple slapstick, Hill plays a would-be private eye named Hugo. Before he quite knows what's happening, Hugo is up to his neck in espionage intrigue. Belinda Lee plays Hugo's dewey-eyed blonde assistant, George Relph is cast as a flustered Scotland Yard inspector, and David Kossof and George Margo portray a couple of sinister Iron Curtain spies. Who Done It? was scripted by T. E. B. Clarke, a mainstay of the droll Ealing comedies of the early 1950s. The film remained unreleased in the US until the late 1970s, when it was put on the market to cash in on the international success of The Benny Hill Show. ~ Hal Erickson, All Movie Guide

Wicked as They Come stars Arlene Dahl as Kathy Allen, whose sour attitude on life has been formed by a sexual assault in her childhood. Rising out of the shabbiness of the Lower East Side, Kathy ruthlessly climbs the social and financial ladder by using and then abandoning a series of gullible older men. When she finally gets what she wants out of life, it still isn't enough, and it is this insatiability that leads to her downfall. Extensive location filming in London and Paris adds an exotic touch to this predictable melodrama. Wicked as They Come is based on Portrait in Smoke, a novel by Bill Ballington. ~ Hal Erickson, All Movie Guide

Julie Harris repeats her stage portrayal of the irrepressible Sally Bowles in John Van Druten's I Am a Camera. Set in pre-Hitler Berlin, the film details the curious, chaste relationship between Sally, an entertainer at a bawdy nightclub, and fledgling writer Christopher Isherwood (Lawrence Harvey). Shelley Winters co-stars as Natalia Landauer, whose impending marriage to a wealthy young Jewish man is imperiled by the anti-Semitism which envelops Berlin as the Nazis gain political power. If all this sounds familiar to you, it is because I Am a Camera is the non-musical precursor to the Broadway musical hit Cabaret. Both properties were based on Christopher Isherwood's Berlin Stories. Those familiar with the film version of Cabaret will notice that certain plot elements have been watered down in Camera. Examples: Isherwood's homosexuality is left unmentioned, save for Lawrence Harvey's opaque opening comment that he is "a confirmed bachelor;" and Sally Bowles' third-act abortion is changed into a false-alarm pregnancy. Also, Julie Harris' dynamic but rather overbaked interpretation of Sally is not nearly as memorable as Liza Minelli's Oscar-winning interpretation of the character in Cabaret. Still, I Am a Camera is well directed and deftly adapted for the screen (by John Collier); and even taking into consideration Ms. Harris' hamminess, she remains one of the most fascinating stage personalities of the mid-20th century. ~ Hal Erickson, All Movie Guide

Comparatively little known, the British A Woman for Joe is an excellent showcase for leading lady Diane Cilento (later better known as Mrs. Sean Connery). The actress is cast as Mary, a carnival performer hired by fairground impresario Joe Harrap (George Baker). Mary was employed at the behest of midget George Wilson (Jimmy Haroubi), the real brains behind Harrap's sideshow. Mary is instantly attracted to Joe, which does not rest well with the jealous, manipulative George. The plot is resolved by a sudden death during one of George's performances. What could have been an exercise in tawdriness is redeemed by the colorful camerawork of Georges Perinal. ~ Hal Erickson, All Movie Guide