Stephen Barclay Movies

The second of William Boyd's self-produced "Hopalong Cassidy" films, Fool's Gold maintains the standards set by the first (Devil's Playground), though it's a step down from the vintage Cassidy films of the late 1930s-early 1940s. Once again, Hoppy (Boyd) is teamed with California Carson (Andy Clyde) and Lucky Jenkins (Rand Brooks). Our three heroes try to help Hoppy's old army buddy, whose son has been keeping company with a gang of crooks. Posing as a disgraced army captain, Cassidy infiltrates the gang and tries to save the boy from himself-if he can avoid detective by The Professor (Robert Emmet Keane), erudite leader of the criminals. Originally released at 63 minutes, Fool's Gold was cut to 54 minutes for its TV release, through the simple expedient of lopping off the entire first reel! ~ Hal Erickson, All Movie Guide

This ambitious independent production was packaged by producer W. Lee Wilder, brother of Billy Wilder, and distributed by Republic. The title character, played with relish (and a bit of mustard) by Erich Von Stroheim, is an arrogant vaudeville artiste specializing in a trick-gunshot act. A dyed-in-the-wool misogynist, Flamarion at first pays little attention to his beautiful assistant Connie (Mary Beth Hughes)-just as well, since Connie is already married to Flamarion's other assistant, Al Wallace (Dan Duryea). Bored with marriage, Connie begins playing up to her boss, the result being the "accidental" death of Al during Flamarion's act. Having committed murder for Connie's sake, Flamarion fully expects to be sexually compensated-but he doesn't know the treacherous Connie as well as the late Al did. Future cult favorite Anthony Mann's direction is rather perfunctory, suggesting perhaps that he was somewhat intimidated in the presence of the flamboyant Von Stroheim. ~ Hal Erickson, All Movie Guide

A women's prison provides the setting for this drama that centers around a naive small-town woman framed by a man whom she met in a nightclub in the big city. She is not welcomed by the inmates and immediately the prisoners are divided. The conflict ends in murder. In the end, the innocent woman's lawyer comes to her rescue and she is at last, freed. Included are two stirring songs sung by the inmates in the prison's rec room. ~ Sandra Brennan, All Movie Guide

This "Red Ryder" entry stars Gordon "Wild Bill" Elliot as Ryder. The heroine (Linda Stirling) is having troubles with the freight company that she owns. Time and again, her coaches are beset by hooded thieves. With Red Ryder on the job, the robbers haven't got a chance, but they put up a fight anyway. Featured in the cast are series stalwarts Bobby Blake as Little Beaver ("You betchum, Red Ryder") and Alice Fleming as The Duchess. Director Wallace Grissell maintains his usual standard of nonstop action. ~ Hal Erickson, All Movie Guide

Newspaper reporter Marion Hargrove's best-selling novel was adapted to the screen by MGM as a vehicle for Robert Walker. The story is basically a series of humorous anecdotes about Hargrove's tenure at boot camp in the early days of World War II. Keenan Wynn is terrific as Hargrove's topkick, and Robert Benchley is no less superb as the father of Hargrove's girl friend (Donna Reed). See Here, Private Hargrove not only secured the stardom of Robert Walker, but launched Marion Hargrove on a lengthy career as a Hollywood screenwriter (his son, Dean Hargrove, has carried on the tradition into TV). The film was followed by a lesser 1946 sequel, What Next, Corporal Hargrove?, which followed the leading character to France. ~ Hal Erickson, All Movie Guide