John Barclay Movies

In this highly acclaimed adaptation of Sinclair Lewis' novel, Walter Huston plays Sam Dodsworth, a good-hearted, middle-aged man who runs an auto manufacturing firm. His wife Fran (Ruth Chatterton) is obsessed with the notion that she's growing old, and she eventually persuades Sam to sell his interest in the company and take her to Europe. He agrees for the sake of their marriage, but before long Fran has begun to think of herself as a cosmopolitan sophisticate and thinks of Sam as dull and unadventurous. Craving excitement, Fran begins spending her time with other men and eventually informs Sam that she's leaving him for a minor member of royalty. While in Italy, Sam runs into Edith Cortright (Mary Astor), an attractive widow whom he first met while sailing to Europe. Edith seems to understand Sam in a way his wife does not, and they fall in love. However, Sam impulsively breaks off their relationship, only to discover in her absence just how deeply he cares for her. Dodsworth was nominated for seven Academy Awards, including Best Picture, Best Actor (Walter Huston), and Best Supporting Actress (Maria Ouspenskaya), though only art director Richard Day walked away with an Oscar. ~ Mark Deming, All Movie Guide

1941's Dr. Jekyll and Mr. Hyde is the second sound version of the Robert Louis Stevenson "doppelganger" tale. This time Spencer Tracy plays the benevolent Dr. Jekyll, whose experiments in releasing the evil impulses within himself transform him into the bestial Mr. Hyde. The problem here is that while Tracy is convincing enough as Hyde, we have trouble accepting him as the kindly Jekyll--exactly the opposite of the 1931 version, in which Fredric March was credible as both Jekyll and Hyde (in fairness to Tracy, it must be noted that he didn't want to play the role and had to be forced into it). MGM decreed that no publicity pictures be released showing Tracy in his Hyde makeup, thereby building up audience anticipation. It's just as well that MGM kept these pictures under wraps: Tracy's Hyde looks less like the Living Personification of Evil than like a man who's been on a three-day bender. The most fascinating aspect of this version of Dr. Jekyll and Mr. Hyde is the casting of the two leading ladies. Ever since the 1920 John Barrymore version of this story, it has been de rigeur to symbolize the schism between Jekyll and Hyde by giving him both a "good" and "evil" girlfriend. Originally, MGM adhered to typecasting by assigning the good girl to Ingrid Bergman and the bad one to Lana Turner. But Bergman begged the studio to be allowed to play the more wicked of the two ladies; as a result, hers is by far the best performance in the picture. Neither as lively as the 1920 version nor as innovative as the 1931 remake, MGM's Dr. Jekyll and Mr. Hyde is weighted down with tiresome dialogue and over-obvious symbolism (catch that dream sequence in which Ingrid Bergman and Lana Turner make like racehorses!) Despite its shortcomings, Dr. Jekyll and Mr. Hyde was infinitely preferable to the next remake, Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953). ~ Hal Erickson, All Movie Guide

Disapproving of his son Grove's romance with Japanese girl Mitsuo (Nobu McCarthy), wealthy Hudson Nichols (Ralph Dumke) hires a private detective to frame Mitsuo for the theft of his wife's valuable pearls. He tells the mortified girl that he won't press charges if she will give up Grove (Steve Terrell). Surprisingly, it is not Nichols who turns up murdered, but instead Mitsuo's uncle (Rollin Mariyama), who orginally strung the pearls and whose death has been arranged to look like hara-kiri. Whatever the case, Mitsuo is arrested and Perry (Raymond Burr) agrees to handle her defense. Future Star Trek costar George Takei appears in a supporting role. ~ Hal Erickson, All Movie Guide

Noted character actor L.Q. Jones (who would later direct the cult classic A Boy and His Dog) produced this low-budget horror item about a small Southwestern town torn asunder by the mysterious disappearances of several of its children. Jones plays the town sheriff, who joins forces with some of the locals to find the perpetrators and uncovers a diabolical plot concocted by a coven of elderly devil-worshippers who plan to use the children's bodies as receptacles for their own souls, enabling them to live again in younger bodies. To this end, they use their supernatural abilities to slay any meddling adults by turning the kids' toys into deadly war machines. Creepy opening and closing sequences and a bravado performance from Strother Martin (as the king-daddy Warlock) are the film's strongest assets. ~ Cavett Binion, All Movie Guide

Richard Fleischer directed this nightmarish science fiction vision of an over-populated world, based on the novel by Harry Harrison. In 2022, New York City is a town bursting at the seams with a 40-million-plus population. Food is in short supply, and most of the population's food source comes from synthetics manufactured in local factories -- the dinner selections being a choice between Soylent Blue, Soylent Yellow, or Soylent Green. When William Simonson (Joseph Cotten), an upper-echelon executive in the Soylent Company, is found murdered, police detective Thorn (Charlton Heston) is sent in to investigate the case. Helping him out researching the case is Thorn's old friend Sol Roth (Edward G. Robinson, in his final film role). As they investigate the environs of a succession of mad-from-hunger New Yorkers and the luxuriously rich digs of the lucky few, Thorn uncovers the terrible truth about the real ingredients of Soylent Green. ~ Paul Brenner, All Movie Guide