Jered Barclay Movies
- 1991
In this made-for-cable TV psychological thriller, a sister must prove that her brother's new girl, a nurse, is a deeply troubled psycho-killer who would rather see her lovers die than fall into another woman's clutches. ~ Sandra Brennan, Rovi
- 1991
- NC17
Russell's avowed purpose with Whore was to avoid the glamorous depiction of prostitution common to such slick Hollywood products as Pretty Woman. As played by Theresa Russell (no relation to Ken), the eponymous character lives a hellish existence. Relating her story directly to the camera, Russell introduces us to her no-good former husband (Jason Saucier), her brutish pimp (Benjamin Mouton), and the kinkiest of her "johns." Her one true friend, a bag man named Rasta (Antonio Fargas), also saves her life -- but not her soul. The film exists in three versions: an 82-minute R cut, an 82-minute NC-17 cut, and the 92-minute European version, which sometimes carries a rating, sometimes merely a disclaimer. ~ Hal Erickson, Rovi
- Starring:
- Theresa Russell, Benjamin Mouton, (more)
- 1991
- R
Part of a pointless string of sequels ostensibly based on the werewolf novels by Gary Brandner, this entry deserves credit for taking the creatively dead series in an interesting new direction. Set in the barren rural town of Canton Bluff, the story centers on the enigmatic figure of Ian (Brendan Hughes), a likable but severely solitary drifter who takes a job making repairs to the local church. Eschewing human contact, Ian seems unnaturally leery of the impending full moon, a fear shared by a man named Harker (Bruce Payne), the owner of a sleazy traveling carnival. Aware that Ian is a genuine werewolf, Harker is able to blackmail the young man into working for his carnival, where he is put on display with other human oddities. To further complicate matters, Harker is revealed to have a monstrous secret of his own -- he's a vampire, who sees Ian's condition as a cover for preying on the blood of local folk. In a nod to Tod Browning's Freaks, Ian joins forces with the other carnival freaks to destroy their evil master. Director Hope Perello's taut, suspenseful debut makes clever references to classic horror films without lapsing into parody or imitation, and the production has a classy look and feel, helping to shrug off the unpleasant stigma normally associated with the otherwise mediocre Howling franchise. ~ Cavett Binion, Rovi
- Starring:
- Brendan Hughes, Bruce Payne, (more)
This routine film catalogues what happens to a teen's life when he is wrenched from an easy existence in affluent, East Coast suburbia and dropped into the lean, mean streets of a downscale L.A. suburb. James Spader is Morgan Hiller, displaced with his parents and brother when his father loses some of the wealth to which they were accustomed and the family moves to California. Morgan soon attracts Frankie (Kim Richards), the girlfriend of Nick (Paul Mones), a high school tough who does not appreciate Frankie's change of heart. The antagonism between Morgan and Frankie mounts as they both approach a high-noon showdown. Aside from some musical numbers which seem to have wandered in from another film about teen singers and dancers, the story is compelling and the film is notable for one of the early performances of Robert Downey in a subsidiary role. ~ Eleanor Mannikka, Rovi
- Starring:
- James Spader, Kim Richards, (more)
- 1963
While sitting in a barber's chair, Carlos Rodriguez (Alex Montoya) is killed by impatient customer Duke Miller (Perry Lopez. The only person who could possibly identify Duke as the murderer is Joe Cartwright-who, unfortunately, was unconscious during the tragedy. Feeling responsible for Rodriguez' death, Joe personally escorts Carlos' son Paco (Raphel Lopez) to his grandparents in Mexico. Upon his arrival in the town of Juarez, Joe enters another barbershop-where Duke Miller is waiting for a final showdown. First shown on February 3, 1963, "The Last Haircut" was written by Charles Lang. ~ Hal Erickson, Rovi
- Starring:
- Lorne Greene, Pernell Roberts, (more)
Based on the 1934 play by Lillian Hellman, The Children's Hour is set at an exclusive girl's school managed by best friends Audrey Hepburn and Shirley MacLaine. When student Karen Balkin is punished for one of her many misdeeds, the mean-spirited youngster rushes to her wealthy aunt Fay Bainter, and, randomly choosing a phrase she has undoubtedly read in some magazine, accuses Hepburn and MacLaine of having an "unnatural relationship." As Balkin's lies grow in viciousness, the student's parents withdraw their children from the school. Hepburn and MacLaine sue Bainter for libel, only to lose their case when MacLaine's aunt Miriam Hopkins refuses to testify as a character witness. The trial takes its toll on the relationship between Hepburn and her boyfriend James Garner. When Bainter discovers that her niece has been lying, she tries to make amends, but it is too late. Director William Wyler had also helmed the first film version of Children's Hour, 1936's These Three, which due to censorship restrictions of the time did without the lesbian angle (the little girl's accusations involved a supposed romantic triangle between the two ladies and a male friend). Miriam Hopkins, who plays a supporting role in The Children's Hour, originally essayed the Shirley MacLaine role in These Three. ~ Hal Erickson, Rovi
- Starring:
- Audrey Hepburn, Shirley MacLaine, (more)
