Fred Kohler Movies

Since the United States was officially neutral in the Spanish Civil War, the struggle of the Loyalists against Franco's forces didn't find much favor in Hollywood; this drama, produced by Walter Wanger, was one of the few films to deal with the conflict, albeit in watered-down terms. Marco (Henry Fonda) is a simple farmer driven from his land by troops of invading soldiers; in an act of defiance, he makes a speech declaring the need for freedom from tyranny, and soon Marco's fellow peasants are following him as their leader. Marco becomes a member of the Loyalist forces, and his strong words and fierce beliefs allow him to rise through the ranks and become a key member of the struggle. While stationed in a city under blockade, Marco becomes acquainted with Norma (Madeleine Carroll), who serves as a spy for armies allied with Franco; her sympathies are less with his policies than for the safety of her family, who live in an occupied territory. Despite their differences, the two become close when they're trapped in a building during a bombing raid; eventually Norma finds herself swayed by Marco's impassioned call to stop the murder of the innocent people of Spain. While producer Wanger was one of the few people in Hollywood who felt strongly enough about the situation in Spain to put it on film, the resulting picture doesn't say much about the specific political issues involved in the fight against Franco, and the troops Marco and his men encounter wear uniforms designed not to resemble those of any actual countries, for fear of offending nations that sided with Franco. Despite this, Blockade was deemed a strong enough leftist tract to be used against screenwriter John Howard Lawson when he was blacklisted in the 1950s. ~ Mark Deming, All Movie Guide

Cecil B. DeMille's The Buccaneer stars Fredric March, complete with curly hair, pencil moustache and florid "Sacre Bleu!" French accent, as 18th century pirate Jean Lafitte. Operating out of a "buccaneer's haven" of the coast of New Orleans, Lafitte plunders all passing ships for their wealth, but refuses to attack any vessel flying the American flag. During one seafaring skirmish, he rescues Dutch maiden Gretchen (Franziska Gaal) from a sunken ship. Gretchen falls madly in love with the dashing Lafitte, but he has eyes only for aristocratic Louisana belle Annette (Margot Grahame). During the War of 1812, Lafitte is offered a pardon by Andrew Jackson (Hugh Sothern) if he and his pirates will fight on the American side. As good as his word, Lafitte stands shoulder to shoulder with Jackson as they ward off the British at the Battle of New Orleans. During a Victory Ball in his honor, Lafitte is confronted with evidence that he unknowingly caused the death of Annette's younger sister Marie (Louise Campbell) during a previous act of piracy. The assembled guests are all for hanging Lafitte on the spot, but General Jackson offers the pirate an hour's head start out of New Orleans, provided he never set foot on American soil again. This naturally costs Lafitte the love of Annette; fortunately, Gretchen is awaiting him on board his ship with open arms. From the opening scene in which Dolly Madison (Spring Byington) rescues the Declaration of Independence during the burning of Washington to the closing clinch between Lafitte and Gretchen, The Buccaneer is one of DeMille's most exhilarating films. It was remade less successfully in 1958 under the direction of Cecil B's son-in-law Anthony Quinn, who played the supporting role of Beluche in the original film. ~ Hal Erickson, All Movie Guide

In this youth-oriented western, a young man's father is wrongfully accused of murder. Unfortunately, his pa can't prove it and so flees into the rugged mountains. He brings his boy with him. In those lonely hills lives a sad, but wealthy young woman. Love blossoms between the son and the girl as the son struggles to clear his father's name and bring the real villains to justice. ~ Sandra Brennan, All Movie Guide

One is immediately aware that The Plainsman is a Cecil B. DeMille production in the opening scene, wherein President Abraham Lincoln (Frank McGlynn Sr.), on the verge of signing crucial legislation which will determine the future of the American West, is dragged away from his Cabinet by a scolding Mrs. Lincoln (Leila McIntyre), who informs her husband that he'll be late for the theater! The story proper picks up in the years just following the Civil War, as crooked arms dealer John Lattimer (Charles Bickford) schemes to sell a huge shipment of repeating rifles to the Indians. Constantly thwarting Lattimer's schemes is lawman Wild Bill Hickok (Gary Cooper), who soon forms a strong alliance with Indian scout Buffalo Bill Cody (James Ellison). Rambunctious Calamity Jane (Jean Arthur) is crazy about Wild Bill, but he refuses to have anything to do with her, contemptuously wiping his mouth whenever he kisses her. He prefers the company of winsome Louisa (Dorothy Burgess), but gallantly steps aside when Louisa marries Buffalo Bill. Upon learning that a band of Indians armed with Lattimer's rifles have attacked a military garrison, Wild Bill tells General Custer (John Miljan), who in turn sends Buffalo Bill to the garrison with a consignment of weapons. Wild Bill then tries to arrange a peace conference with Indian chief Yellow Hand (Paul Harvey), but is sidetracked when he sees Calamity Jane being captured by two Indian braves. Riding to her rescue, Wild Bill is himself captured and tortured in the hope that he'll reveal the whereabouts of Buffalo Bill and his weapons. He refuses to talk, but Calamity, horrified at the agony endured by Wild Bill, tells all. Her breach of confidence leads indirectly to Custer's death at the Little Big Horn (not seen, but described by a young Indian played by DeMille's then son-in-law Anthony Quinn), whereupon Wild Bill disgustedly breaks off all communication with her. Hoping to make up for her past sins, Calamity warns Wild Bill that Lattimer has come to town a-gunning for him. Wild Bill makes short work of Lattimer, only to be shot in the back by the villain's snivelling confederate Jack McCall (Porter Hall). As he breathes his last, Wild Bill forgives Calamity for revealing the whereabouts of the ammunition; with tears in her eyes, Calamity plants a kiss on Wild Bill's lips that he'll never wipe off. As can be seen, accuracy is not the strong suit of The Plainsman; DeMille, like Buffalo Bill before him, was more interested in putting on a helluva good show than offering a dry history lesson. Unfortunately, the film often promises more than it can deliver, thanks to DeMille's insistence upon filming more of his big scenes indoors and relying far too heavily on grainy process screens. Still, the DeMille version of The Plainsman is infinitely more entertaining than the 1966 remake with Don Murray and Abby Dalton. ~ Hal Erickson, All Movie Guide

Made with the full cooperation of the real-life Texas Rangers (who never met a publicity gimmick they didn't like), this sprawling historical western stars Fred MacMurray as Jim Hawkins, one of three outlaws working the Lone Star State in the years following the Civil War. Both Hawkins and his partner in crime Wahoo Jones (Jack Oakie) decide to go straight, but their bandit pal Sam McGee (Lloyd Nolan) has not quite seen the light. Eventually, Jim and Wahoo join the fledgling Texas Rangers, an organization dedicated to bringing law, order and honest government to their state, while McGee cuts a swath of terror with his new gang. When the two reformed outlaws are assigned to bring in their old friend Sam, Jim balks but Wahoo accepts. In the film's most talked-about scene, McGee smilingly puts a hole through Wahoo's stomach with a gun he has hidden under a table. Now motivated by revenge (although he couldn't say as much in a post-Production Code film), Jim vows to bring McGee to justice, dead or alive, but preferably the former. Released to coincide with the Texas Centennial, The Texas Rangers was remade in 1949 as Street of Laredo; there was also a 1940 sequel, The Texas Rangers Ride Again. ~ Hal Erickson, All Movie Guide

Fabled Broadway comedian Joe Cook, who hadn't been seen on screen since 1930's Rain or Shine, essayed the title role in 1937's Arizona Mahoney. As in his earlier film, the star plays a travelling circus entrepreneur, said "circus"consisting of an elephant, a goose, and a rusty old cannon. When Arizona Mahoney's partner Randall (Robert Cummings) decides to settle in one spot -- the better to woo heroine Sue Bixby (June Martel) -- Mahoney does the same, attempting to prove his mettle as a rootin' tootin' cowpoke. His efforts are largely laughed at until, almost by accident, Mahoney manages to round up a gang of rustlers (with, of course, the help of his prize elephant). Alas, Joe Cook was quite ill during filming of Arizona Mahoney, and died not long afterward. ~ Hal Erickson, All Movie Guide

This drama focuses upon a beleaguered surgeon. He is first involved with a social-climbing fiancee who constantly puts him down. Then he suffers amnesia and wakes to find himself in Scranton, Pennsylvania. Though he cannot remember his name, his medical skills remain intact and he is able to find work as a steel mill doctor helping injured workers. There he encounters a thug who wants to destroy the mill and kill him. After the good doctor saves the life of the thug's son, the bad-guy has a change of heart and spares the doctor. ~ Sandra Brennan, All Movie Guide

In this drama, a prominent Broadway producer's daughter inherits a fortune when her father dies. Included in the estate is a nightclub managed by an unscrupulous louse who teams up with the sneaky executor to steal her inheritance. Fortunately, after meeting his pretty young victim, the manager changes his tune and decides to help her. ~ Sandra Brennan, All Movie Guide

Mae West is Goin' to Town in this elegant post-Production Code vehicle. West plays Cleo Borden, a nouveau riche cattle rancher who hopes to crash into high society. Though she is willing to subject herself to "refinement" lessons, she still has a high old time puncturing the pretensions of those around her: when aristocratic Ivan Valadov (Ivan Lebedeff) haughtily announces that he is the backbone of his family, West gives him the once-over and replies "Then your family'd better see a chiropractor." Through the connections of her husband-by-convenience Fletcher Colton (Monroe Owsley), Cleo is able to move freely among the glitterati of Southhampton but is forced to rely on her tried-and-true "street smarts" when she crosses swords with haughty villainess Grace Brittony (Marjorie Gateson) at a Buenos Aires race track. Through it all, aristocratic British engineer Edward Carrington (Paul Cavanaugh) awaits the opportunity to claim Cleo for his own -- as if anyone could ever "own" our fiercely self-reliant heroine. The film's highlight is a society operatic gala, in which Mae West delivers a serious (and most effective) rendition of "My Heart at Thy Still Voice" from Samson and Delilah. In a more characteristic vein, the star gets down and dirty (well, at least semi-dirty) with "He's a Bad Bad Man, But He's Good Enough for Me." ~ Hal Erickson, All Movie Guide

In this off-beat outdoor adventure, a courageous Mountie braves the elements and many dangers to deliver mail to remote Northwestern outposts. ~ Sandra Brennan, All Movie Guide

Produced by Mitchell Leichter's low-rent Beaumont Pictures, this inexpensive but fairly effective oater was the first of four to star veteran silent leading man Conway Tearle. Tearle plays "Trigger" Jim Malloy who, newly released from prison, goes in search of the men who sent him to prison. Wounded by one of the villains (the ubiquitous Fred Kohler), "Trigger" Jim is nursed back to health by lovely widow Janet Moorehead (Claudia Dell) and is even elected sheriff. A veteran leading man who had entered films in 1914, New York-born, British-raised Conway Tearle (born Frederick Levy) might have been an odd choice for B-Western stardom but the energetic actor almost pulled it off and was defeated only by subpar production values. Tearle's steed, Black King, was billed, grandiosely, as "the Horse With a Human Brain." ~ Hans J. Wollstein, All Movie Guide

When a lawman infiltrates an outlaw gang, he discovers that his own father is the group's leader. ~ All Movie Guide