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Marian Kociniak Movies

1999  
 
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Legendary Polish filmmaker Andrzej Wajda adapts a nationally treasured epic poem to the silver screen. For 400 years, Lithuania and Poland were linked, until the country was partitioned in 1795 by aggressive nations at its borders -- Russia, Prussia, and the Austrian empire. At that point, the formerly huge nation simply ceased to exist. Yet one hope remained for the patriotic Poles yearning for autonomy -- France. Napoleon promised to restore the Polish homeland if they, in turn, helped him defeat Russia. Thousands of Poles were part of the French force that reached the gates of Moscow before being forced into a long and bloody retreat. The film itself centers on two families who live in the Russian-controlled part of Poland: the Horeszkos, who ardently favor independence, and the Soplicas, who support Russia. In 1792, the last household lord of the Horeszkos was killed by Jacek Soplica; as a result, the latter was rewarded with the former's castle by the Russian colonizers. Twenty years later, the region is rife with rumors of Napoleon's imminent invasion. A destitute Count (Marek Kondrat) and heir to the Horeszko family estate almost throws his lot in with the richer and more powerful Soplica clan before he stumbles upon Gervais (Daniel Olbrychski), who reminds him of the treacherous murder of his ancestor. Meanwhile, Tadeusz (Michal Zebrowski), the rakish nephew of Judge Soplica (Andrzej Seweryn), who symbolizes all that is good and right about Poland, is confronted with a choice upon returning from university. He can either give his heart to the beautiful, pure, 14-year-old Sosia (Alicja Bachleda-Curus), a distant cousin of the Horeszkos who is living with the Soplicas, or he can opt instead for the worldly, sophisticated, St. Petersburg-educated Telimena (Grazyna Szapolowska), who is related to both clans. This film, which in many ways sums up Wajda's long and illustrious career, was a massive success in its native Poland. ~ Jonathan Crow, Rovi

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Starring:
Boguslaw LindaDaniel Olbrychski, (more)
 
 
1982  
PG  
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In 1982, legendary Polish filmmaker Andrzej Wajda fled his homeland and relocated in France to direct this powerful story about the ethical boundaries of power and leadership, which had many parallels to Poland's volatile political situation in the late 1970s and early 1980s. Danton (Gérard Depardieu) and Robespierre (Wojciech Pszoniak) were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies. Wajda remained in France until 1989, when the collapse of Communist rule made it possible for him to return to his homeland. ~ Mark Deming, Rovi

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Starring:
Gérard DepardieuWojciech Pszoniak, (more)
 
1973  
 
Janosik, legendary hero of the Tatra Mountains, is the subject of this opulently produced Polish adventure film. The best (and most banal) way to describe Janosik is as a Polish Robin Hood--at least, this film leads us to believe that his principal purpose in life is to rob from the evil land barons and redistribute the wealth to the poor peasants. Marek Perepeczko cuts a dashing figure in the Errol Flynn-ish leading role. There's not much more to say about Janosik except that it's exciting and (according to contemporary Polish film critics) reasonably accurate. The film was originally released in 1974, then made available to non-European markets three years later. ~ Hal Erickson, Rovi

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1970  
 
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The tertiary and final installment in director Tadeusz Chmielewski's wacky, farcical series on the adventures of a hapless Polish soldier during World War II, How I Unleashed World War II, Vol. 2 sees Private Franek Dolas assuming female drag as a nurse and hiding out aboard a medical boat en route to Italy. Discovered and apprehended by the Nazi forces, Dolas is misidentified as a German soldier and shuttled off to the front lines, then manages to make it back to Poland - for a hero's welcome. ~ Nathan Southern, Rovi

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Starring:
Marian KociniakWirgiliusz Gryn, (more)
 
1970  
 
Add How I Unleashed World War II, Vol. 1 to Queue Add How I Unleashed World War II, Vol. 1 to top of Queue  
Originally produced in 1970, Tadeusz Chmielewski's epic-length period comedy Jak Rozpetalem Druga Wojne Swiatowa (AKA How I Unleashed World War II clocked in at just shy of 4 hours; Chmielewski divided the complete opus into three consecutive parts. Volume One opens on Pvt. Franek Dolas, a Polish soldier, on the eve of the 1939 Nazi invasion and occupation of Poland. In lieu of marching off to the front lines and protecting his mother country, Dolas accidentally misses his train stop and ends up in Germany. He trepidly insults a German soldier, then erroneously comes to believe that he himself is responsible for starting the entire war. Desperate and terrified, Dolas makes a series of waggish attempts to get home. ~ Nathan Southern, Rovi

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1970  
 
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Volume two of director Tadeusz Chmielewski's epic period comedy Jak Rozpetalem Druga Wojne Swiatowa (AKA How I Unleashed World War II) finds the story's hapless soldier, Pvt. Franek Dolas, hiding on a ship during a u-boat bombardment. Rescued by the French, Dolas is drafted by the Foreign Legion and ends up in Syria - at a greater distance from the front lines of the war than he ever imagined possible. ~ Nathan Southern, Rovi

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Starring:
Marian KociniakWirgiliusz Gryn, (more)
 
1967  
 
A group of workers building a dam combine forces for the good of the country to complete the project in this adventure drama dripping with thick socialist propaganda. A party official who follows the rules to the extreme tries to motivate the workers. When the workers suggest everyone throw away their money to prove a point, only the director casts his cash to the wind. The workers gain respect for their new boss and take up a collection to cover his losses when he proves he is true to the socialist ideology for the good of the people. ~ Dan Pavlides, Rovi

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Starring:
Wieslaw GolasFranciszek Pieczka, (more)