Ruth Kobart Movies

Three likable losers attempt "a momentary shift in lifestyle" by becoming part-time thieves in this comedy. Russ (Vincent Gallo) is living with his family, who don't get along especially well, and he fools around with the teenage girl who lives next door. Jerry (Adam Trese) is married to Betty (Linda Gay Hamilton), who -- unlike her husband -- has a job and wants to keep it, even if that means having an affair with her boss. And Sid (William Forsythe) has a soft spot for dogs, which helped derail his plans for a taxi service for senior citizens. All three guys are out of work and need quick money; Russ comes up with a plan to rob a jewelry store, but things go haywire when they accidentally break into a bakery instead, though they at least make off with a large supply of doughnuts. Despite their initial failure as criminals, the would-be thieves raise their sights and plan to knock over an armored car, but they soon discover just how far out of their league they really are. Palookaville was based on a series of short stories by Italian writer Italo Calvino. ~ Mark Deming, Rovi

A sleeper hit that received a lukewarm reception from critics but was a success with audiences, Sister Act (1992) was star Whoopi Golberg's first bona fide smash after her Oscar victory for Ghost (1990). Goldberg stars as Deloris Van Cartier, a Reno lounge singer who accidentally witnesses a brutal murder carried out by her gangster boyfriend Vince (Harvey Keitel). Under the protection of a detective (Bill Nunn) who's trying to bring down Vince's criminal operation, Deloris is placed in protective custody at a San Francisco convent. Masquerading as a nun renamed Sister Mary Clarence, Deloris shakes up the established order of the sisters' lives, particularly enlivening their choral efforts. Although running constantly afoul of the Mother Superior (Maggie Smith), the new, jazzed-up musical act becomes a huge hit in the community, even drawing the attention of the Pope, but also alerting Vince to Deloris' whereabouts. Although credited to the pseudonymous Joseph Howard, Sister Act was actually written by Paul Rudnick and Carrie Fisher. The film was followed by a sequel, Sister Act 2: Back in the Habit (1993). ~ Karl Williams, Rovi

"The German Air Force is not at all what it used to be," says Anne Bancroft's Countess, about 16 minutes into The Hindenburg, pausing and then adding, "But then, nothing is these days." That seems to sum up the ponderous, irony-laden script and plot of Robert Wise's movie, which is posited -- in true post-Watergate fashion -- upon notions of conspiracy and cover-up behind the destruction of the German airship. The movie opens with a handy Universal newsreel that gives a vestpocket history of lighter-than-air flight, and that carries us to 1937 Germany. Colonel Franz Ritter (George C. Scott), a former hero pilot now working for military intelligence, finds himself assigned to the flight of the Hindenburg as chief of security; reports and rumors about the destruction of the zeppelin have circulated both in Germany and America, and the Nazi government takes these very seriously. What Ritter walks in on is a "Grand Hotel" of the air, several dozen passengers and crew whose ranks contain enough red herrings to keep Ritter (and us) jumping through hoops for most of the first half of the film, when we're not watching glorious shots of the zeppelin in flight. The answer to the script's presentation of the plot against the airship,and theidentityof the bomber and his motivations, are actually presented in the first 15 minutes, but there are so many false leads, subplots, and blind alleys put before us that the solution will probably pass by unnoticed. In the meantime, Ritter dances around with his ex-paramour (Bancroft), scheming businessmen (Gig Young), and passengers with skeletons in their closets (Alan Oppenheimer), an entertainer (Robert Clary) with a knack for offending loyal Nazis, several officers and crew with known "political" differences with the Nazi Party, a Gestapo man (Roy Thinnes) who's got an agenda of his own, and two genuine mystery men (Burgess Meredith, Rene Auberjonois) who don't seem to have any reason for traveling on this particular voyage. It's all a little tiring, or would be, if the setting and special effects weren't that interesting, and the cast wasn't so entertaining to watch in these relatively thankless roles. ~ Bruce Eder, Rovi

Petulia is Richard Lester's ode to the Swinging Sixties: a time of psychedelic instability when neither those who were square, nor those who were hip, really had it right. George C. Scott is Archie Bollen, a divorced San Francisco doctor in the midst of "discovering himself." Julie Christie is Petulia Danner, a peculiar young beauty recently married into an established family. Archie's sterile apartment and detached, bemused manner exemplify his inability to emote. Petulia's forward nature and desperate tenderness betray her fear of her sullen, abusive, pretty-boy husband (Richard Chamberlain). The physician and the newlywed embark on a schizophrenic love affair amid Pepsi references, automated motels, roller derbies, and a cameo by Big Brother and the Holding Company -- but they never achieve the daring to truly change their lives. ~ Aubry Anne D'Arminio, Rovi