Nadine Ellis Movies

An old-fashioned cop emerges to foil a high-tech attack on the country's computer infrastructure as Bruce Willis brings back one of the biggest action franchises in screen history. It's been over a decade since audiences last saw New York cop John McClane (Willis), but now, as the world's greatest criminal mastermind (Timothy Olyphant) attempts to cripple the entire country with an innovative act of technological terrorism, only one cop can insure that the integrity of the system stays intact. In this, the fourth installment of the long-running action series, Underworld director Len Wiseman picks up the torch formerly carried by directors John McTiernan and Renny Harlin to helm a script penned by Mark Bomback. ~ Jason Buchanan, All Movie Guide

Jack (Kiefer Sutherland) is forced to conduct a brutal interrogation of Paul (James Frain), with Audrey (Kim Raver) looking on. Paul pleads ignorance, explaining that he owns so much property and is involved with so many buildings that he can't keep it all straight. He eventually remembers that a man named "Harris Barnes" bought out the company that owned the building in question, and Jack soon learns that Barnes is the alias of one Habib Marwan (Arnold Vosloo). He heads to Marwan's office. Curtis (Roger R. Cross) has been captured, and is interrogated by a man named Forbes (Richard Marcus), who foolishly leaves his henchman to finish Curtis off. Marwan has taken control of the override himself, and is operating it from an office full of co-workers who have no idea what he's up to. When Jack finds out that Curtis, who took Marianne to the same building, isn't answering his phone, he knows to expect trouble. Tony interrogates Dina (Shohreh Aghdashloo), who eventually admits that all the terror cells reported to Marwan, but never had contact with each other. She also reveals that Marwan is controlling the override himself from the office building. While Driscoll (Alberta Watson) continues to deal with her unruly daughter, Maya (Angela Goethals), CTU teams converge on the office building to find Marwan and the override and stop the meltdowns. ~ Josh Ralske, All Movie Guide

Thirteen-year-old Jenna (Shana Dowdeswell) has had enough with the trials of adolescence. In addition to being saddled with a devoted-but-nerdy best friend, Matt (Sean Marquette), she falls victim to one of the dangers of playing Seven Minutes in Heaven with the coolest kids in school: being stranded without a willing make-out partner. Humiliated, Jenna buries herself in the aformentioned make-out closet, wishing she could skip the whole adolescence bit and move straight into adulthood, and miraculously wakes just weeks away from her 30th birthday. Of course, a lot has changed since going to bed the night before, not the least of which being an impressive set of womanly curves. The new, older Jenna (Jennifer Garner) is a successful magazine editor with friends in high places and a lion's share of potential suitors -- including a hockey-playing boyfriend and a swarthy married man. The problem is that her mind hasn't matured with her body; Jenna not only finds living on her own more terrifying than cool, but is quick to dismiss any male over the age of 14 as "gross." Half excited, half mortified, Jenna seeks out Matt (Mark Ruffalo), whom she learns she had spurned as a teenager in an effort to join the popular crowd. Gary Winick directed, from a script by Josh Goldsmith and Cathy Yuspa; Gina Matthews produced. Choreographer Michael Peters - who died in 1994 - received posthumous credit, as his choreography from the Michael Jackson Thriller video is used in one scene. ~ Tracie Cooper, All Movie Guide

Larry Gigli (Ben Affleck) is a low-level Los Angeles mob enforcer. His volatile boss, Louis (Lenny Venito), hires Gigli to kidnap Brian (newcomer Justin Bartha), the mentally handicapped younger brother of a federal prosecutor who's about to bring Louis' boss to trial in New York. Gigli gets the kid home without a hitch. Then a beautiful woman (Jennifer Lopez) shows up at his door. She says her name is Ricki, and Gigli soon learns that the nervous Louis has hired her to keep an eye on him. "In every relationship," Gigli soon finds himself expounding to his unwanted partner, "there's a bull and a cow." His efforts to maintain control of the situation are further hampered by the brief appearance of the insane Detective Stanley Jacobellis (Christopher Walken) and a forced visit to his overbearing mother's (Lainie Kazan) house. To make matters worse, when Gigli expresses his attraction to Ricki, he learns that she's a lesbian. She, meanwhile, proves herself considerably more capable than the lunkheaded Gigli, winning their war of words and even scaring off a rowdy group of high school kids. As Gigli and Ricki continue to look after the young, innocent Brian, they find themselves increasingly attracted to one another. But their potential budding romance is put on hold when Starkman (Al Pacino) arrives from New York, angry about how his affairs are being handled. Director Martin Brest, in his first film since 1998's Meet Joe Black, returns to the crime comedy genre that made his reputation. Brest also wrote the script for Gigli, his first since 1979's Going in Style. Stars Affleck and Lopez began a well-publicized romantic relationship on the set of the film. ~ Josh Ralske, All Movie Guide