Patric Knowles Movies
Born in England of Irish stock, Patric Knowles had a few seasons' stage experience under his belt when he made his simultaneous British and American film debuts in 1936. Settling in Hollywood, Knowles signed with Warner Bros., where he alternated between full leads and stalwart "other man" support. He was often co-starred with Errol Flynn, presumably as "serious" ballast to Flynn's flamboyance. At Universal in the 1940s, Knowles was the studio's resident utility hero, forever providing a shoulder for the terrified heroine to cry on in such horror films as The Wolf Man (1941), The Strange Case of Dr. Rx (1942) and Frankenstein Meets the Wolfman (1943); he also proved a good-humored foil to the antics of Abbott and Costello (Who Done It? [1942], Hit the Ice [1943]) and Olsen and Johnson (Crazy House [1943]). Free-lancing from 1946 until his retirement in 1973, Knowles could always be counted on for dignity and dependability, never more so than as Lindsey Woolsey, Mame Dennis' erstwhile through-the-years suitor, in Auntie Mame. In his last decades, Patric Knowles continued accepting film and TV character parts, wrote a novel (Even Steven), lectured at colleges, and even guested in a Kellogg's cereal commercial. Years after his retirement, Knowles often volunteered to work for the Motion Picture Country Home. ~ Hal Erickson, All Movie Guide- 1942
Irene Dunne plays a flibbetygibbet socialite who inherits a farm in Arizona. She can't seem to manage either her money or her private life, thus seeks advice from outside sources. Irene falls in love with fledgling Manhattan psychiatrist Patric Knowles, and marries him in the hope that he'll solve all her problems. Lady in a Jam was advertised as one of the most expensive comedies ever made; the studio was banking on the reputations of star Irene Dunne and director Gregory LaCava to draw crowds. But when the film failed (it shifted emotional gears a bit too often for 1942 film fans), both the lady and the gentleman found their careers in "a jam"--from which Dunne recovered but LaCava didn't. ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Dunne, Patric Knowles, (more)
- 1942
The fifth film in Universal's "Frankenstein" series goes for the box-office gold by combining two--count 'em, two!--of the studio's star monsters. We all thought that Larry Talbot (Lon Chaney Jr.), alias The Wolf Man, had been shot dead in his own starring film in 1941, but the opening scenes of Frankenstein vs. the Wolf Man prove us incorrect. Brought back to the land of the living, the anguished Talbot commiserates with gypsy lady Maria Ouspenskaya, who advises him that the only way he'll stay dead is to confer with Dr. Frankenstein. The good doctor has passed on, but his equipment is intact. With the help of scientist Patric Knowles and Frankenstein descendant Ilona Massey, Talbot attempts to have the life forces sucked from his body and transferred to that of Frankenstein's monster. The latter character is played by Bela Lugosi, who'd turned the same role down in 1931 because he felt it was beneath his dignity. By 1943, however, Lugosi was in no position to refuse the part of the lumbering monster. The actor was relieved to learn that the monster would have the power of speech, a leftover from 1942's Ghost of Frankenstein; likewise held over from that previous film was the monster's blindness, which would give Lugosi an opportunity to do some swell sightless emoting. But when the preview audience heard the Monster bemoaning his fate in Lugosi's voice, they laughed till they cried. As a result, Universal ordered that all of Lugosi's dialogue be cut. Worse still, the studio also cut all expository dialogue alluding to the monster's blindness, so the film as it stands finds poor Lugosi flailing about with his eyes closed for no apparent reason. At least Lon Chaney Jr. was permitted to portray his Wolfman character without molestation, and this he does very well. So successful was this "monster rally" that Universal rapidly concocted two follow-ups, House of Frankenstein and House of Dracula, both of which added Dracula (John Carradine) to the witches' brew. ~ Hal Erickson, All Movie Guide
- Starring:
- Lon Chaney, Jr., Ilona Massey, (more)
- 1941
"Even a man who is pure at heart/And says his prayers by night/May become a wolf when the wolf-bane blooms/And the moon is full and bright." Upon first hearing these words, Larry Talbot (Lon Chaney) dismisses them as childish folderol. After all, this is the 20th Century; how can a human being turn into a werewolf? Talbot soon learns how when he attempts to rescue Jenny Williams (Fay Helm) from a nocturnal attack by a wolf. Collapsing, Talbot discovers upon reviving that Jenny is dead-and, lying by her side, is not the body of a beast, but of a gypsy named Bela (Bela Lugosi). The son of fortune teller Maleva (Maria Ouspenskaya), Bela was a lycanthrope, or "wolf man." And now that he has been bitten by Bela, Talbot is cursed to suffer the torments of the damned whenever the moon is full. Arguably the best of the "original" Universal horrors (original in the sense that it was not based on an existing literary property, a la Frankenstein, Dracula and The Invisible Man), The Wolf Man boasts one of the most stellar casts ever to grace a "B" picture: Lon Chaney Jr., Claude Rains, Evelyn Ankers, Ralph Bellamy, Warren William, Patric Knowles, Maria Ouspenskaya and Bela Lugosi. The man-to-wolf transformation sequences -- one of which took a full 24 hours to film -- are thoroughly convincing, thanks to the cosmetic genius of Jack P. Pierce (Chaney had wanted to emulate his father by developing his own werewolf makeup, but existing union rules would not permit this). Alas, after this powerhouse opening volley, the Wolf Man character was relegated to a series of cheap sequels, teaming him with other Universal shock stars: Frankenstein Meets the Wolfman (1943), House of Frankenstein (1944) and House of Dracula (1945). The final ignominy was Abbott and Costello Meet Frankenstein (1945), in which Lawrence Talbot (Chaney again), having been cured of lycanthropy in House of Dracula, reverts to his werewolf status -- and has to endure the one-liners of Lou Costello to boot! ~ Hal Erickson, All Movie Guide
- Starring:
- Lon Chaney, Jr., Claude Rains, (more)
Spanning 50 years, director John Ford's How Green Was My Valley revolves around the life of the Morgans, a Welsh mining family, as told through the eyes of its youngest child Huw (Roddy McDowall). Over the years, the family struggles to survive through unionization, strikes, and child abuse. As they do so, their hometown and its culture begins to slowly decline. Donald Crisp portrays Gwilym, the patriarch of the Morgan household, who dreams of a better life for young Huw. Based on the novel of the same name by Richard Llewellyn, How Green Was My Valley won five Academy Awards in 1941, including Best Director, Best Supporting Actor (Crisp), Best Art Director, Best Cinematography, and Best Picture (beating Citizen Kane). The book was later adapted into a 1975 BBC miniseries. ~ Matthew Tobey, All Movie Guide
- Starring:
- Walter Pidgeon, Maureen O'Hara, (more)
- 1940
This sequel to 1934's Anne of Green Gables stars Anne Shirley as Anne Shirley, the plucky Canadian orphan girl created by novelist Lucy Maude Montgomery. Now all grown up, Anne takes on the job of vice-principal of the only school in Windy Poplars Unfortunately, she must contend with the opposition of the community's most powerful and contentious family, the much-hated Pringles. Helping matters a bit is the fact that handsome Tony Pringle (James Ellison) falls in love with Anne. It takes a near-tragedy to wash away all misunderstandings, prejudices and hypocricies and restore happiness and stability to the community. Based on L. M. Montgomery's novel Anne of Windy Willows, Anne of Windy Poplars was remade for Canadian television in 1985. ~ Hal Erickson, All Movie Guide
- Starring:
- Anne Shirley, James Ellison, (more)
- 1940
Musical comedy favorite Elsie Janis, who gained renown in WW1 as "The Sweetheart of the AEF", returned to the screen after a long absence in Republic's Women in War. The story is the old chestnut about two volunteer Red Cross nurses, Pamela (Wendy Barrie) and Gail (Mae Clarke), both in love with dashing aviator Larry (Patric Knowles). The producers brought the storyline up-to-date by plunking it in the middle of the London Blitz, German air raids and all. As a result, Women in War was one of the first Hollywood productions to recreate the Nazi bombing of London, which it did with commendable credibility. Top-billed Elsie Janis plays O'Neill, "den mother" of the volunteer nurses; surprisingly, she is afforded no singing opportunities, but manages to light up the screen all the same. ~ Hal Erickson, All Movie Guide
- Starring:
- Elsie Janis, Wendy Barrie, (more)
- 1940
A creaky remake of the 1932 film of the same name, Bill of Divorcement tells of the effect an emotionally disturbed father's homecoming has on this household. Adolphe Menjou, a longtime mental patient, is released after 20 years' confinement and returns home. Only vaguely aware of the time lapse, Menjou meets his daughter (Maureen O'Hara), and attempts a reunion with his wife (Fay Bainter), who is on the verge of divorcing her long-absent husband and remarrying. Thanks to undue pressure from friends and family, the wife very nearly takes her husband back, much against her will. But the daughter steps in and volunteers to sacrifice her own future to take care of her father, thereby allowing mother to chart her own course of happiness. Incredibly dated in its attitudes toward divorce and insanity, Bill of Divorcement worked somewhat better in its 1932 version, thanks to the charisma and chemistry of John Barrymore as the father and newcomer Katharine Hepburn as the daughter. For many years, the 1940 Bill of Divorcement was retitled Never to Love when shown on TV. ~ Hal Erickson, All Movie Guide
- Starring:
- Maureen O'Hara, Adolphe Menjou, (more)
- 1940
Festooned with flashbacks, Married and in Love is a minor domestic drama given Tiffany treatment by director John Farrow. Helen Vinson plays a vain, selfish woman, unhappily married to Patrick Knowles. Impulsively, Helen decides to kick over the traces an elope with college sweetheart Alan Marshal. It so happens that Marshal is also married, to Barbara Read. The events leading up to Helen and Alan's rash behavior are detailed with a complexity that rivals Citizen Kane. All Married and In Love would have needed to move into the A-picture category was a more bankable cast. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Marshal, Barbara Read, (more)
- 1939
In this comedy, newlyweds soon discover that life in the fast lane is not as fun as it seems. As they both work for the same advertising agency, they can well afford the high life. They joyfully spend all their money on fast cars, country clubs, and booze. They begin to change their lifestyle after they encounter three social freeloaders who proceed to suck the newlyweds dry. Realizing that their life has caused them to fall deeply in debt, the lovers adopt a saner, slower lifestyle. ~ Sandra Brennan, All Movie Guide
- Starring:
- Stuart Erwin, Marjorie Weaver, (more)
- 1939
In this crime drama, a shyster lawyer makes his living earning acquittals for his guilty clients. Most recently he freed a powerful crime lord. He comes to regret this when his daughter falls in love with the gangster. Despite his efforts to dissuade the criminal from pursuing the relationship, the gangster does. The desperate lawyer then kills the gangster and soon finds himself on trial for murder. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lee Tracy, Barbara Read, (more)
- 1939
Three years after the second Thin Man entry, MGM brought back the property by popular demand with Another Thin Man. As ever, William Powell and Myrna Loy star as sophisticated sleuths Nick and Nora Charles, with the added filip of 8-month-old Nick Charles Jr. At the invitation of munitions manufacturer Colonel MacFay (C. Aubrey Smith), the Charleses spend a weekend at MacFay's Long Island estate. The Colonel is certain that his shady ex-business associate Phil Church (Sheldon Leonard) plans to do him harm, a prognostication that apparently comes true when murder rears its ugly head. Though he's promised to cut down on his drinking (after all, he's a daddy now), Nick spends an inordinate amount of time sorting out the clues and identifying the actual murderer-who, of course, is the least likely suspect (and in fact is played by an actor who seldom if ever harmed a fly in any other film). Adding to the merry mayhem is the Charleses' efforts to find a good baby-sitter, resulting in an onslaught of "help"-and additional babies!--courtesy of Nick's old Underworld cronies. ~ Hal Erickson, All Movie Guide
- Starring:
- William Powell, Myrna Loy, (more)
- 1939
Often cited as a "model" B picture, Five Came Back is set in motion when the twelve-seat passenger plane "Southern Star" crashes into a treacherous South American jungle. With a hostile tribe of headhunters drawing ever closer, pilots Bill (Chester Morris) and Joe (Kent Taylor) race against time to repair the crippled plane and rescue themselves and the nine other survivors. It soon becomes tragically apparent that the damaged aircraft will be able to carry only five of the marooned party. It now comes down to a question of who will survive, or who deserves to: Spineless socialite Judson Ellis (Patric Knowles), his embittered wife Alice (Wendy Barrie), elderly scientist Spengler (C. Aubrey Smith), Spengler's devoted spouse Martha (Elizabeth Risdon), trollop Peggy (Lucille Ball), condemned anarchist Vasquez (Joseph Calleia), Vasquez' detective-captor Crimp (John Carradine), likeable mob henchman Pete (Allen Jenkins), or gangster's son Tommy (Casey Johnson)? Suffice to say that the ending is determined by random acts of courage, cowardice, and unexpected self-sacrifice. Scripted by Nathaniel West and Dalton Trumbo and brilliantly directed by John Farrow, Five Came Back was a major critical and financial success for the beleagured RKO. Director Farrow remade the film in 1956 as Back From Eternity. ~ Hal Erickson, All Movie Guide
- Starring:
- Chester Morris, Lucille Ball, (more)
- 1939
According to RKO Radio's publicity folks, Beauty for the Asking was supposed to have been an expose of the lucrative beauty-parlor "racket". What emerged on screen, however, was a pedestrian romantic triangle involving socialite Denny Williams (Patric Knowles), his wealthy wife Flora (Frieda Inescort), and pretty beautician Jean Russell (Lucille Ball). Spurned by Williams, Jean finds consolation by developing a revolutionary facial cream that makes her a millionairess. Ironically, her financial backer in this endeavor is none other than her romantic rival Flora. Among the screenwriters was Paul Jarrico, later blacklisted for his allegedly Communistic sentiments; the only thing remotely radical in Beauty for the Asking, however, is the notion that 28-year-old Lucille Ball could play a cosmetic tycoon. ~ Hal Erickson, All Movie Guide
- Starring:
- Lucille Ball, Patric Knowles, (more)
- 1938
Choreographer Bobby Connolly and prolific screenwriter Crane Wilbur teamed up on the direction of Warner Bros.' The Patient in Room 18. Patric Knowles delivers a delightfully comic performance as Lance, an outwardly normal young man obsessed with detective stories. When his obsession threatens to lapse over into lunacy, Lance is sent to the hospital for a nice long rest. It isn't long before he gets mixed up in a genuine murder mystery, using his second-hand knowhow to solve the case. Up-and-coming Ann Sheridan is quite amusing as Lance's nurse and confidante, while the murderer is played by a fellow who is usually cast as the murder victim. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Sheridan, Patric Knowles, (more)
- 1938
In this North Woods adventure a courageous Canadian Mounted Policeman takes on the outlaws who robbed a freighter heading for Edmonton. After the heist, the crooks got away with furs and gold leaving an innocent trapper to take the blame. Just as the hapless trapper is to be lynched the Mountie shows up and saves him. He then gallops off after the real culprits and by the story's ends fulfills the Mountie's creed. ~ Sandra Brennan, All Movie Guide
- Starring:
- Dick Foran, Gloria Dickson, (more)
In order to avoid the material copyrighted by Douglas Fairbanks Sr. for his 1922 Robin Hood, the scripters of this Flynn version relied on several legendary episodes that had never before been filmed, notably the battle between Robin and Little John (Alan Hale Sr., who played this part three times in his long career) and the "piggy-back" episode between Robin and Friar Tuck (Eugene Pallette). The film ties together the various ancient anecdotes with a storyline bounded by the capture in Austria of Richard the Lionheart (Ian Hunter) on one end and Richard's triumphant return to England on the other. Robin Hood is already an outlaw at the outset of the film, while Maid Marian (Olivia de Havilland) is initially part of the enemy camp, as one of Prince John's (Claude Rains) entourage. Marian warms up to Robin's fight against injustice (and to Robin himself), eventually becoming a trusted ally. James Cagney was originally announced for the role of Robin Hood, just before Cagney left Warner Bros. in a salary dispute. William Keighley was the original director, but he worked too slowly to suit the tight production schedule and was replaced by Michael Curtiz (both men receive screen credit). A lengthy opening jousting sequence was shot but removed from the final print; portions of this sequence show up as stock footage in the 1957 Warners film The Story of Mankind. The chestnut-colored Palomino horse ridden by de Havilland in the Sherwood Forest scenes later gained screen stardom as Roy Rogers' Trigger. ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Olivia de Havilland, (more)
- 1938
A standard-issue "screwball comedy" of the 1930s, Four's a Crowd starred a quartet of Warner Bros' biggest stars: Errol Flynn, Olivia DeHavilland, Rosalind Russell and Patric Knowles. Flynn plays a publicity agent hired to stir up "good press" for a nasty millionaire (Walter Connolly). Errol accomplishes this by going back to his old job as editor of a newspaper owned by Knowles, then using the paper to elucidate Connolly's virtues. Along the way, he romances Olivia de Havilland, who plays Connolly's daughter, and Rosalind Russell, portraying--surprise, surprise--Knowles' star reporter. Much to the amazement of the audience, Flynn ends up not with his frequent costar DeHavilland but with Russell. Fast-moving and chucklesome, Four's a Crowd was nothing new; chances are it would never have been made had it not been for the success of the vaguely similar MGM comedy Libelled Lady (36), which likewise had a quadruple-barreled starring lineup (Spencer Tracy, Jean Harlow, William Powell and Myrna Loy). ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Olivia de Havilland, (more)
- 1938
This being a Republic picture, it should come as no surprise that Storm Over Bengal was filmed in its entirety in the San Fernando Valley. Within its concise 65 minutes, the film manages to accommodate a Bengal Lancers main plot, a romantic subplot, the obligatory coward who makes good, intrigue aplenty from a villainous Indian potentate, and an outsized climactic battle between the rebels and the British forces. Patric Knowles, previously one of the leads in the British-India epic Charge of the Light Brigade, heads the cast. Worth noting is the presence in the cast of Richard Cromwell as secondary romantic lead Neil Allison and Douglass Dumbrille as the despicable Khan. Three years earlier, Cromwell had been tortured by Dumbrille's minions in Lives of a Bengal Lancer, and he undergoes much the same treatment here-"just to make him feel at home" observed film historian Roger Dooley. ~ Hal Erickson, All Movie Guide
- Starring:
- Patric Knowles, Richard Cromwell, (more)
- 1938
The 1938 filmization of Myron Brinig's novel The Sisters stars Bette Davis, Jane Bryan and Anita Louise as Louise, Grace and Helen Elliot. The daughters of turn-of-the-century druggist Henry Travers and his wife Beulah Bondi, the Elliot girls all meet their future husbands at a 1904 ball in honor of President Teddy Roosevelt. Special emphasis is given the relationship between Louise and reckless, irresponsible newspaperman Frank Medlin (Errol Flynn). Feeling trapped by his marriage, Medlin turns to drink and philandering. When Frank eventually runs off to Singapore, Louise is too proud to hold her husband by informing him that she's pregnant. Caught up in the 1906 San Francisco earthquake (superbly conveyed with a single interior shot of a collapsing apartment), Louise wanders around dazedly until she finds shelter in an Oakland brothel (though it is not so specified). She loses her baby, but is consoled by her employer Ian Hunter, who falls in love with her. The original book ended with Louise giving up her unhappy marriage for a joyous relationship with her boss; the film ends with Louise being reunited with the suddenly sobered Frank (despite the protests of both Bette Davis and Errol Flynn). A prime example of Hollywood Soap Opera, The Sisters also yielded an amusing reel of outtakes, the best of which shows Bette Davis breaking up Errol Flynn by sighing "I've just had a baby in the ladies' room." ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Bette Davis, (more)
- 1938
Number seven in Warner Bros.' "Torchy Blaine" series was Torchy Blaine in Chinatown, with Glenda Farrell and Barton MacLane returning as fast-talking gal reporter Torchy and her ever-lovin' police lieutenant boyfriend Steve McBride. Actually, there's very little of Chinatown in the storyline, which deals with trio of (apparently) Chinese jade smugglers/extortionists. Torchy suspects that two recent murders were phonies, and sets about to prove it, thereby stumbling upon the smugglers (who turn out to be Caucasians) and nearly getting herself murdered for real. As usual, Steve McBride is around to rescue our heroine when the going gets tough, with dumb sergeant Gahagan (Tom Kennedy) offering no help whatsoever. Torchy Blane in Chinatown was a remake of the obscure 1930 mystery Murder Will Out, which starred Jack Mulhall and Lila Lee. ~ Hal Erickson, All Movie Guide
- Starring:
- Glenda Farrell, Barton MacLane, (more)
- 1937
Bette Davis and Leslie Howard play an egotistical Broadway acting team famous for their romantic scenes. In truth, Davis and Howard are crazy about each other, but they spend so much time bickering that they never get around to marriage. The relationship is complicated by young heiress Olivia De Havilland, a fan who worships the ground Howard walks on. Howard tries to scare off the star-struck young lady by threatening her with seduction, but it turns out she enjoys the prospect of being seduced. Everything is straightened out by the climax, though Davis and Howard never quite get to the altar. It's Love I'm After is all the more enjoyable when one recalls the "serious" movie romances carried on by Leslie Howard with both Bette Davis (in The Petrified Forest) and Olivia De Havilland (in Gone with the Wind). ~ Hal Erickson, All Movie Guide
- Starring:
- Leslie Howard, Bette Davis, (more)
- 1937
An American actress gets herself a titled husband in this routine comedy from Warner Bros. Unable to get work in her home country, Laurine Lynne (Beverly Roberts) travels to Vienna where her press agent, Joe Craig (Allyn Joslyn), convinces her to marry royalty. The lucky fellow is Prince Rupert (Patric Knowles), an impoverished nobleman now working as a waiter. Do the two of them fall in love despite this marriage of convenience? Of course they do, and in less than 60 minutes of screen time. M.K. Jerome and Jack Scholl provided three less-than-memorable songs to the rather trite proceedings: "Shall We Dream?," "Five Little Maids," and "Echo Mountain." ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Patric Knowles, Beverly Roberts, (more)
- 1936
John Gillespie is a publisher enduring a crisis: his partner has left town with all the firm's money, and Gillespie will be ruined if he cannot come up with capital quickly. With no other resources, he turns to his wealthy Aunt Mary, who is decidedly unsympathetic to his plight and refuses to loan him the money. Full of despair, Gillespie hails a taxi -- and discovers a windfall of £2,000 therein. Wary of what could happen, he hides it in a rented room and decides not to take his wife into his confidence, telling her that he has taken the room to conduct business. In the midst of all this, his aunt is discovered dead under suspicious circumstances, with her safe found to have been broken into. Gillespie is interviewed by the police and -- nervous and afraid that he would have to give up the £2,000 he discovered in the taxi if he tells them the truth --he is unable to account for his actions and is promptly arrested. With a charge of murder soon to be leveled at him, Gillespie finds himself relying on the efforts of a former servant to help prove his innocence. ~ Craig Butler, All Movie Guide
- 1936
In this mid-19th century costume romance, a Scottish minister's daughter falls in love with an army officer. Their love is destroyed by the woman's jealous sister. During the Crimean War, the woman joins Florence Nightingale on the front and serves as an army nurse. There she again sees her beloved. This time she saves his life and happiness ensues. ~ Sandra Brennan, All Movie Guide
- 1936
Two's Company was based on Sydney Horler's stage comedy Romeo and Julia. The film's storyline is developed in parallel fashion, with the antics of American businessman B. G. Madison (Henry Holman) and his family and associates mirrored and sometimes anticipated by the behavior of Madison's British counterpart, The Earle of Warke (Morton Seiten), and his entourage. The ongoing rivalry between Madison and the Earle wreaks havoc on the romance between Madison's daughter Julia (Mary Brian) and Warke's son Jerry (Patric Knowles). Both families behave in stereotypical fashion, skewering both American and British manners and mores with fine impartiality. Two's Company was very much designed for a dual market, right down to the comedy relief: Ned Sparks for the American fans, Gordon Harker for the British patrons. ~ Hal Erickson, All Movie Guide
- Starring:
- Ned Sparks, Olive Blakeney, (more)
