Patric Knowles Movies

Based on the autobiographical book by Agnes Newton Keith, Three Came Home stars Claudette Colbert as Mrs. Keith. Trapped in Borneo during the Japanese invasion, Mrs. Keith and her British husband (Patric Knowles) are penned up in a prison camp along with several other subjects. Despite the humanitarian views of camp commander Col. Suga (Sessue Hayakawa), Mrs. Keith is subject to torture, starvation, and humiliation at the hands of the guards, with Suga helpless to intervene lest he incur the wrath of his own superiors. Three Came Home contains several unforgettable moments, including a comic interlude between the male and female prisoners that ends abruptly with a barrage of Japanese bullets, and the heartwrenching scene wherein Suga learns that his family has been killed in a bombing raid. Since lapsing into the public domain in 1977, Three Came Home has popped up innumerable times on cable television. ~ Hal Erickson, All Movie Guide

One of the more popular movie-review paperbacks sums up Paramount's Isn't it Romantic? with a terse "No." There's actually more to the film than that, but not much. Set in Indiana in the 1890s, the story revolves around an diehard Confederate soldier named Major Euclid Cameron (Rolan Culver), who refuses to acknowledge that the South lost the Civil War. Cameron also regards himself as an aristocrat who will never sully his hands with work, which is why he and his family are flat broke. It is up to the Major's three pretty daughters-Candy (Veronica Lake), Susie (Mona Freeman) and Rose (Mary Hatcher)-to make ends meet financially, even if it means marrying for money rather than love. Pearl Bailey transcends the stereotypical role of the Cameron's housekeeper Abigail with her soulful renditions of such forgettable tunes as "I Shoulda Quit When I Was Ahead" (a bit of advice that could have profited the film's producers!) ~ Hal Erickson, All Movie Guide

This story of two young hopefuls who come to Hollywood is merely a thin device to feature almost every star working for Paramount Studios in 1947. Mary Hatcher plays Catherine Brown, a woman of humble origins who arrives in Hollywood, where she meets another wanna-be movie star, Amber La Vonne (Olga San Juan). They work their way through the Paramount studios, trying to impress every important person. Mostly, the film is a cavalcade of songs by various stars that take place at several studio and Hollywood locations, including the famous Brown Derby restaurant. Many of the film's songs were written by Frank Loesser. Dorothy Lamour and Alan Ladd sing "Tallahassee"; Bing Crosby and Bob Hope play golf and sing a duet, "Harmony"; the Original Dixieland Jazz Band plays "Tiger Rag"; and a host of other top performers of the era appear in brief cameos. ~ Michael Betzold, All Movie Guide

Set during WWII, this taut and suspenseful espionage outing chronicles the courage of a brand-new cadre of specially trained American O.S.S. agents who parachute into France to destroy the vital Corbett Mallon tunnel to stop the German invaders from shipping supplies to their troops. One of the spies is a woman, and this bothers the group leader, who doubts her abilities. She soon proves herself, and the two embark on several exciting adventures before and after the completion of their mission. Along the way, the two manage to fall in love. Unfortunately, their commitment to duty is necessarily greater than their love and one of them will make a great sacrifice. ~ Sandra Brennan, All Movie Guide

This second film version of Somerset Maugham's classic novel stars Paul Henreid as a clubfooted, introverted medical student--an Englishman in the novel, but not in the hands of the mittel-European Mr. Henried. Eleanor Parker is featured as Mildred, the vulgar, brassy cockney waitress in whom Henreid is foolishly enamored. The role of Mildred had made Bette Davis a star in the 1934 version of Bondage; the magic didn't happen for poor Ms. Parker, who'd spend several years in variable parts before achieving full stardom. The subject matter of the original Maugham novel, which explored how sexual obsession can ruin an otherwise rational man, was missing in the 1946 version thanks to timorous studio censors. To quote Alexis Smith, who played the second female lead, "The remake of Of Human Bondage shouldn't have been made." This 1946 version would disappear completely from view upon the occasion of the third filmization of Of Human Bondage in 1964, wherein Kim Novak was pathetically miscast as Mildred. ~ Hal Erickson, All Movie Guide

The Technicolor musical Masquerade in Mexico is Mitchell Leisen's remake of his own Midnight. Stranded in Mexico City without a dime, glamorous Angel O'Reilly (Dorothy Lamour) is rescued by wealthy Thomas Grant (Patric Knowles). But Grant's motivations are anything but altrustic. In order to get his wife Helen's (Ann Dvorak) mind off handsome bullfighter Manolo Segovia (Arturo de Cordova), Grant passes Angel off as a Contessa at a weekend party, reasoning that Segovia will switch his attentions to our heroine. Screenwriter Karl Tunberg has added a jewel-theft angle to the original Edwin Justis Mayer/Franz Spencer story, which improves things not at all. Masquerade in Mexico is admittedly a handsomer production than Midnight, but the remake lacks the sparkle of the original film's stars Claudette Colbert, Don Ameche, John Barrymore, Francis Lederer, Mary Astor et. al. ~ Hal Erickson, All Movie Guide

A musical comedy star whose career is just starting to take off returns home from military school. En route, he meets a pretty girl whom he begins to woo. Unfortunately his hometown girl friend is waiting for him at the station and typical romantic mayhem ensues amidst many lively songs and dances. Songs include: "Is It Good or Is It Bad?" "Mighty Nice to Have Met You," "Spelling Prep," "I Gotta Give My Feet A Break," "Love Is Like Music," "My Song," and "Sailor Song." ~ Sandra Brennan, All Movie Guide

In this musical comedy, a soldier falls in love with a very young woman who in turn has a crush on an older, more sophisticated man. When the older gent goes to New York, she follows as does her younger suitor. While in the Big Apple, the soldier encounters the older man's ex-wife who is still in love with him. The soldier helps bring the couple back together and is rewarded by being united with his true love. The story was adapted from a Sinclair Lewis play. Songs include: "Gremlin Walk," "It's the Girl," "Yippee-I-Vot," "With a Song in My Heart," "All or Nothing at All," "You're a Lollapalooza," "At Sundown," and "L'Amour Toujours L'Amour." ~ Sandra Brennan, All Movie Guide

The Andrews Sisters harmonize their way through yet another 60-minute Universal musical quickie. The plot this time concerns a Lonely Hearts club which is used as a front by con artist Colonel Winchester (Charles Butterworth). Trying to promote a phony formula for synthetic rubber, Winchester gets mixed up with diligent young DA Tony Warren (Patric Knowles) and lady detective Linda Marlowe (Grace McDonald). A secondary plot involves the efforts of Greek restaurant owner Nick (Billy Gilbert) to advance the radio careers of the Andrews girls. Though it hardly seems possible, there's still room in Always a Bridesmaid for the terpsichorean routines of the Jivin' Jacks and Jills. ~ Hal Erickson, All Movie Guide

The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide

Hot on the heels of his starring turn in The Mad Doctor of Market Street, Lionel Atwill was top-billed in another chiller-diller, The Strange Case of Dr. Rx. Somebody has been going around murdering known criminals who've escaped prosecution thanks to crooked lawyer Dudley Crispin (Samuel S. Hinds). That someone has also left a calling card at the site of each murder, signed "Dr. Rx". Private eye Patric Knowles suspects at first that the elusive murderer is sinister Lionel Atwill, whose "red herring" status is so obvious from the outset that his character name is Dr. Fish! Before the actual killer's identity is revealed, the audience is kept awake by the comic antics of Mantan Moreland and Shemp Howard, both of whom are far funnier than their material. ~ Hal Erickson, All Movie Guide

Marlene Dietrich was supposed to have starred in Universal's Sin Town, but the script was not to her liking. Dietrich was replaced by Constance Bennett in the role of a glamorous suspect in a small-town murder. Broderick Crawford and Leo Carrillo costar as a couple of con men who must solve the killing of a newspaper publisher lest they be convicted of the crime. At 75 minutes, the film moves too quickly to pause for such niceties as motivation and logic, but few in the audiences of 1942 complained. Sin Town's three-person writing staff included Richard Brooks, later the director of such "A" pictures as Elmer Gantry and In Cold Blood (though he never did write for Marlene Dietrich). ~ Hal Erickson, All Movie Guide