Patricia Knight Movies
Best known as the first and second Mrs. Cornel Wilde (they married twice), blonde Patricia Knight (born Heinsen) appeared in the short-lived Broadway musical Sea Legs and, with her husband-to-be, in the off-Broadway revival of Moon Over Mulberry Street. Wilde was reportedly determined to make his wife a star and Columbia Pictures obligingly cast them together in Shockproof (1949). The result was less than encouraging, however, and her subsequent films were minor. She is the mother of actress Wendy Wilde. ~ Hans J. Wollstein, Rovi- 1951
Having previously portrayed Adolf Hitler in 1951's The Desert Fox, Luther Adler once more dons the postage-stamp moustache of Der Fuhrer in The Magic Face. This time, however, Adler essays a dual role, playing both Hitler and a famed theatrical impersonator known as Janus the Great. While performing in Vienna, Janus attracts the attention of Hitler, who makes a play for Janus' wife Vera (Patricia Knight). When Janus protests, he is beaten and thrown into prison by the gestapo. Janus escapes and vows to destroy Hitler and to that end poses as the German leader, the better to bollix up the Nazi war plans. Predicated on a story than many people would like to believe is true, The Magic Face is given credence via the opening narration by Third Reich chronicler William L. Shirer. The film was lensed on location in Austria and distributed by Hollywood's Columbia Pictures. ~ Hal Erickson, Rovi
- Starring:
- Luther Adler, Patricia Knight, (more)
- 1950
Phyllis Holmes (Ella Raines) has resigned herself to being too plain-looking to attract men. All this changes when Phyllis is injured in an auto accident. Plastic surgery transforms Phyllis into a vision of loveliness, but there's more to it than that: the surgery was financed by an unknown benefactor, who disappears after the girl recovers. Determined to find the man who cared enough to give her a new lease on life, Phyllis spends the rest of the picture trying to find him, convinced that he's in love with her. The results are surprising for both Phyllis and the audience. Second Face wavers uncertainly between straight romance and psychological melodrama. ~ Hal Erickson, Rovi
- Starring:
- Ella Raines, Bruce Bennett, (more)
- 1949
Beauty contest winner Patricia Knight's one bid for screen stardom was Columbia's Shockproof. Knight plays Jenny Wright, a convicted murderess paroled in the care of probation officer Griff Marat (Cornel Wilde). What begins as an aloof professional relationship eventually blossoms into romance. The fly in the ointment is shady Harry Wesson (John Baragrey), the gambler who inveigled Jenny into committing murder. The girl is torn between creature comforts offered her by Wesson and the promise of a clean life offered by Griff. This early Douglas Sirk effort contains a smattering of the stylistic touches which distinguished his later work.The screenplay was written by famed director Samuel Fuller, known for his gritty realism and hard-boiled style. ~ Hal Erickson, Rovi
- Starring:
- Cornel Wilde, Patricia Knight, (more)
- 1947
Fans of William "Wild Bill" Elliot vastly prefer his B westerns to his big-budget Republic "specials", though the latter films have their adherents. In The Fabulous Texan, Elliot emulates his idol William S. Hart in the role of ex-Confederate officer Jim McWade. Returning to Texas to find his home turf under the jurisdiction of corrupt, despotic carpetbaggers, McWade shoots it out with the authorities after his father is slain. Forced to flee to the mountains with his war buddy John Wesley Barker (John Carroll), McWade vows revenge on those bluecoated thugs who've ravaged his beloved Texas. Eventually, McWade realizes that he'd be better off cooperating with the Federal government to rid his state of its plunderers, but Barker comes to enjoy the life of an outlaw, and refuses to surrender his independence. Thus it comes to pass that McWade is obliged to hunt down his old friend, thereby restoring Law and Order to Texas. Catherine McLeod costars as Alice Sharp, the woman who will become McWade's wife-- and, in old age, the torchbearer of his memory. ~ Hal Erickson, Rovi
- Starring:
- Roy Barcroft, Robert H. Barrat, (more)
- 1947
Second-echelon leading man Don Castle (later a TV producer) stars in yet another Sol M. Wurtzel production, Roses Are Red. Kidnapped by political boss Locke (Edward Keane), honest district attorney Throne (Castle) is replaced by his less-than-honest look-alike. Even the DA's intimates are fooled by the substitution, which is only one of the many hard-to-believe contrivances of Irving Elman's screenplay. Before the film's 65 minutes have expended themselves, the real DA escapes -- then pretends to be his look-alike so that he can catch Locke at his own game. Incredibly, the film's two leading ladies -- Peggy Knudsen and Patricia Knight -- more closely resemble one another than the two Don Castles! ~ Hal Erickson, Rovi
- Starring:
- Don Castle, Peggy Knudsen, (more)
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