Keith Knight Movies

Never released theatrically, this slasher film is based on the premise that a lot of people at an isolated location can be killed off one by one with no problem. A director (Ron Gardner) and a producer (Terry Goodman) have hired a group of teenagers to act in or provide the music for their new film. The teens are bundled off to a deserted island along the California coastline for some location shooting, and that is when the mayhem begins. Each victim is gruesomely dispatched to the sounds of a rock song that describes the murder, leaving the rehearsals for the supposed film under production a little short on players. ~ Eleanor Mannikka, Rovi

Playwright Neil Simon got his first big break in the early '50s as a staff writer on Sid Caesar's fabled television series Your Show of Shows, and this comedy (adapted by Simon from his play) takes a fictionalized look at the backstage chaos that went into producing one of the landmarks of television's golden age. Max Prince (Nathan Lane) is the star of The Max Prince Show, a popular comedy-variety series with ratings that have begun to slip; Prince's show is still a major hit on the East Coast, but network executive Cal Weebs (Colin Fox) insists that it's too sophisticated for the Midwest, and urges Prince to dumb down his act. Prince has also become the whipping boy of newspaper columnist Walter Winchell (Frank Proctor), and between the tensions of producing a hour of top-quality comedy each week and being pestered about his ratings, Prince is beginning to unravel. His relationship with his wife Faye (Sherry Miller) and their children is falling apart, and stress is eating him alive. Prince's brother Harry (Richard Portnow) is Max's assistant, and his last line of defense against both the network and his writing staff, which spend its days coming up with business for the show while hurling humorous invective at each other and anyone else within earshot. (The actors playing Max's writers include Mark Linn-Baker, Victor Garber, Dan Castellaneta, Saul Rubinek, Peri Gilpin, and Zach Grenier.) Laughter on the 23rd Floor received its world premiere at the 2001 Palm Springs Film Festival and was scheduled for showings several months later on the Showtime premium cable network (who co-produced the feature). The film was directed by Richard Benjamin, who previously teamed with Mark Linn-Baker for another comedy inspired by the career of Sid Caesar, My Favorite Year. ~ Mark Deming, Rovi

In this actioner, vigilantes must watch over a Canadian city after its police go on strike. ~ Sandra Brennan, Rovi

A music teacher (Perry King) at a tough Los Angeles high school reaches out to his students with the gift of music -- only to find a gang of sadistic punk rockers is actively dissuading new members from joining the orchestra. Not only are the punkers sadistic; they are also led by the nefarious Timothy Van Patten (sporting Willie Aames-style blow-dried hair). The plot development: Van Patten is a musical prodigy, as he proves by banging out some angry classical tunes on the school Baldwin in front of the teacher's startled class. King tries to befriend the lad, but he rejects the offer with scorn. When King attempts to settle for a truce with the gang leader in order to end his students' harassment, he finds himself targeted for a slowly-escalating campaign of terror, culminating in a deadly game of hide-and-seek in the high school after hours. One by one, King faces the murderous gang; one by one, teenagers die in a succession of increasingly violent fashions as the already-exploitive film degenerates into a Death Wish clone. As a feature film, Class of 1984 seems more like it was made for television. The plot is completely contrived; the characters are unbelievable (especially the punks, who seem to be the sort of punks that exist only in the imaginations of "B"-grade Hollywood film directors), and the production values are poor. Yet Class of 1984 has a certain charm, a certain earnestness that makes it watchable, if unintentionally amusing. The film includes a soundtrack by Alice Cooper which includes the stirring anthem "I Am the Future." Another point of interest: this may be the only film including a scene in which Michael J. Fox is stabbed during a prison-style cafeteria riot. ~ Jeremy Beday, Rovi

When the money-hungry Duke Stuyvesant (Sterling Hayden) orchestrates a phony gas shortage, chaos ensues in a small Midwestern town. ~ Iotis Erlewine, Rovi