Bob Adler Movies

This light western comedy finds the lovely widow Laura Breckenridge (Angie Dickenson) offering a $20,000 reward for the return of some gold her late husband had stolen from the Denver mint. She seduces the virginal Sam (Burt Reynolds) into leading a team to retrieve the gold, now lying at the bottom of the Platte River. With the help of local blacksmith Jedidiah Hooker (Ossie Davis) and the inventor O.W. Bandy (Clint Walker), the trio agrees to go for the gold in order to receive the reward and restore the good name to the Breckenridge family. Meanwhile, the villains (Rick Davis and Del Reeves) trail the heroes in hopes of grabbing the gold for themselves. The good guys must break into the mint to put back the money, but they need to fool the wary watchman and superintendent (William Shallert). ~ Dan Pavlides, Rovi

This last of several movie adaptations of Bret Harte's The Outcasts of Poker Flat stars Cameron Mitchell as a murderous western outlaw, Anne Baxter as his wife, Dale Robertson as a disgraced gambler and Miriam Hopkins as a faded dance hall floozie. All these characters (with a few other socially undesirable types) are trapped in a snowbound mountain cabin. As the chances for rescue fade, the true natures of the cabin's occupants rise to the surface. It is the gambler, outwardly the most cowardly of the bunch, who takes on the outlaw when he threatens the survival of the others. Outcasts of Poker Flat is less downbeat than earlier versions of the story...and, accordingly, less memorable. ~ Hal Erickson, Rovi

Raymond Chandler's famed detective Philip Marlowe (George Montgomery) is hired by a rich, eccentric widow, Mrs. Murdock (Florence Bates) to find and return a stolen gold coin. Marlowe quickly finds himself involved an a case which includes robbery, blackmail and murder. Just as Marlowe begins to solve the mystery, he is savagely beaten by Vannier (Fritz Kortner). Marlowe finally puts all the pieces of the puzzle together when he discovers a blackmail scheme involving Murdock's mentally-ill secretary, Merle Davis (Nancy Guild) which leads him to suspect his employer. The Brasher Doubloon, adapted from Chandler's novel, The High Window, and beautifully photographed by Lloyd Ahern captures a proper film noir sensibility with its moody, low-key images and dense, dark background shots, while failing to capture the complexity of the novel. Director John Brahm, who also directed the excellent films The Lodger and Hangover Square, is disappointing, failing to create the depth of characterization and plot which he showed in these films. The Brasher Doubloon remains bland, with undistinguished acting by the entire cast. The only exception is Fritz Kortner, a veteran character actor molded in the expressionist cinema of pre-war Berlin, who creates the grotesque character of Vannier, bringing a sense of evil vitality to an otherwise bland production. ~ Linda Rasmussen, Rovi