Robert Klein

Love at first sight has some interesting repercussions a few months down the line in this offbeat romantic comedy. Ira Black (Chris Messina) is a wildly neurotic thirtysomething who can't get his life in gear -- the son of a pair of therapists, Arlene (Judith Light) and Seymour (Robert Klein), Ira still hasn't finished his grad school dissertation, he's been in therapy for 12 years, and can't bring himself to settle down with his longtime girlfriend Lea (Maddie Corman). When both Lea and his analyst inform Ira that they don't want to see him anymore, he decides he needs to make some changes. Ira joins a health club, where he meets Abby Willoughby (Jennifer Westfeldt), who is supposed to sell memberships to the gym but is much better at listening to people's problems. The two discover they have a strong and immediate rapport, and Ira asks Abby to marry him only a few hours later. Abby says yes, and soon the couple are wed. However, it isn't until after they've been married for a few weeks that Ira discovers Abby has been divorced twice already, and it makes him very uneasy about their relationship. Despite more therapy, Ira asks Abby for a divorce, and it sends shock waves through their families -- Arlene begins having an affair with Michael (Fred Willard), Abby's free-spirited father, while Seymour commiserates with Abby's mother Lynne (Frances Conroy), and eventually parents and children are all meeting together in group therapy for couples. Ira and Abby was written by leading lady Jennifer Westfeldt, who was also screenwriter and star for the independent hit Kissing Jessica Stein. ~ Mark Deming, All Movie Guide

Two New Yorkers fight the battle of the sexes to a standstill (without entirely realizing it) in this romantic comedy. Andie (Kate Hudson) is a young journalist who longs to cover political stories, but in the meantime she finds herself writing for a women's magazine called Composure, where her editor Lana Jong (Bebe Neuwirth) has her writing a fluffy advice column. After hearing of the latest dating laments of her relationship-challenged friend Michelle (Kathryn Hahn), Andie sells Lana on the idea of writing a piece on the things women do to alienate the men they love, which she'll demonstrate by winning and then driving away a man in a mere ten days. Meanwhile, Ben (Matthew McConaughey) is an advertising man who wants to land a prestige diamond account at his firm. Ben is competing with his pals, Spears (Michael Michele) and Green (Shalom Harlow), for the assignment, so Ben tells his boss Phillip Warren (Robert Klein) that he's the man for the job because he understands the fair sex so well he can make any woman fall for him in less than two weeks. As fate would have it, Andie and Ben end up choosing one another for their mutual assignments, with neither knowing about each other's secret agenda as Ben strives to hold on to Andie while she does everything in her power to annoy him. How to Lose a Guy in 10 Days was loosely based on the self-help book of the same name (subtitled The Universal Don't of Dating) written by Michele Alexander and Jeannie Long. ~ Mark Deming, All Movie Guide

A powerful behind-the-scenes man in politics and show business finds himself skidding into a very public scandal in this taut drama. Eli Wurman (Al Pacino) was raised in the deep South, attended Harvard Law School, and has devoted his spare time to progressive political causes since working alongside Dr. Martin Luther King Jr. in the 1960s. However, Wurman now makes his living as a press agent and PR man, and while he's near the top of his profession, years of overwork, constant smoking and drinking, and ceaseless tension are taking their toll, leaving him on the verge of collapse, with only the prescriptions of his friend Dr. Napier (Robert Klein) keeping him on his feet. One of Wurman's biggest clients is Cary Launer (Ryan O'Neal), a fading film star with political aspirations who, after attending a disastrous Broadway opening, asks Wurman to do him a big favor -- bail Launer's girlfriend, Jilli (Téa Leoni), out of jail and keep an eye on her. Wurman manages to get Jilli out of the stir, but she insists upon being escorted to an exclusive sex and opium den for a night of heavy drinking and drugging, and then reveals to Wurman that she owns a device which she's used to record footage of the most public figures who attend the club, including Elliott Sharansky, a billionaire Jewish civic leader (Richard Schiff). That night, a half out-of-it Eli accompanies Jilli back to her hotel room when an intruder barges in and forces an overdose on her, killing her instantly. The next morning, Wurman has only fuzzy memories of what transpired. He decides to focus on his attempts to set up a political fundraiser, but has a hard time getting the right A-list celebs to appear, just as many of New York's power brokers aren't especially interesting in working with Wurman or Launer. In the midst of this chaos, Victoria (Kim Basinger), who was married to Wurman's late brother, arrives in New York and urges him to leave the city and his career behind while he still can. People I Know was screened in competition at the 2003 Sundance Film Festival. ~ Mark Deming, All Movie Guide

A woman finds herself attempting to foil one office romance while debating if she should take a chance on another in this romantic comedy. Lucy Kelton (Sandra Bullock) is a top-flight attorney who has risen to the position of Chief Legal Counsel for one of New York's leading commercial real estate firms, the Wade Corporation. However, Lucy's job has one significant drawback -- George Wade (Hugh Grant), the eccentric and remarkably self-centered head of the firm. George seems entirely incapable of making a decision without Lucy's advice, whether it actually involves a legal matter or not, and while she's fond of George, being at his beck and call 24 hours a day has brought her to the end of her rope. In a moment of anger, Lucy gives her two weeks notice, and George reluctantly accepts, under one condition -- Lucy has to hire her own replacement. After extensive research, Lucy picks June Carter (Alicia Witt), a Harvard Law graduate determined to make a career for herself. Lucy soon begins to suspect, however, that June plans to hasten her rise up the corporate ladder by winning George's hand, leaving Lucy to wonder if she should warn George about his beautiful but calculating new attorney -- and whether she should tell George that she has finally realized she's in love with him. Two Weeks Notice was written and directed by Marc Lawrence, who had previously scripted two other box-office hits for Sandra Bullock: Miss Congeniality and Forces of Nature. ~ Mark Deming, All Movie Guide

Miguel Pinero became a leading figure in New York's art scene during the 1970s as a poet, actor, and playwright whose vibrant, often pointed, work spoke directly to the lower classes and to disenfranchised minorities. As a founder of the influential Nuyorican Poets Cafe, his poetry soon became recognized as a forerunner to rap and hip-hop music. TV screenwriter turned director Leon Ichaso spins this impressionistic biographical look at this artist. Raised in an abusive family, Pinero (Benjamin Bratt) turns to streets for solace. Soon he is engaging in petty crime, drug dealing, and addiction. When he finds himself in Sing-Sing, he turns his experiences in prison into the play Short Eyes, which eventually garners him seven Tony awards in 1974. Uncomfortable with his new fame, he clings to his girlfriend, Sugar (Talisa Soto), and his childhood buddy, Miguel Algarin (Giancarlo Esposito), who is a literature professor and who co-founded the Nuyorican Cafe. Though Pinero makes cameos on such shows as Kojak, his art begins to suffer as he starts to succumb to his drug addictions. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

Paul and Jamie Buchman (Paul Reiser, Helen Hunt) agree to tend the rooftop garden maintained by building superintendent Mr. Wicker (Jerry Adler). And if that doesn't turn out to be a source of discord, there is always the toy belonging to a neighbor's child which is dearly coveted by baby Mabel. Or, perhaps, the central conflict in this episode is Jamie's dismissive reaction to Paul's latest film project. ~ All Movie Guide

An independent romantic comedy, Next Stop, Wonderland (1998) made headlines at the Sundance Film Festival when it became the object of a bidding war, ultimately won by Miramax Pictures to the tune of $6 million. Hope Davis stars as Erin Castleton, a night-shift nurse who's cruelly dumped by her boyfriend Sean (Philip Seymour Hoffman), a political activist. When her mother Piper (Holland Taylor) places a wildly inaccurate personals ad in the local paper, Erin is at first enraged, but then becomes curious. After she dates a variety of men who are all wrong for her, she meets Andre (Jose Zuniga), a handsome Brazilian music expert who invites her to Sao Paulo. Although Erin likes Andre, her Mr. Right is actually Alan Monteiro (Alan Gelfant), a plumber she's never met, though the two keep crossing paths. Trying to break out of his working class existence, Alan is studying marine biology but is indebted to a local mob boss, who wants him to kidnap a star blowfish from the local aquarium. Actress Taylor, the real-life aunt of co-writer, editor and director Brad Anderson, also appeared in his next film, Happy Accidents (1999). ~ Karl Williams, All Movie Guide

Even without money problems, many divorced single parents have a hard row to hoe. At the drop of a hat, a competent, responsible professional person can be reduced to a frazzled, bumbling parent, when his or her children become unexpected daytime wards. This is what happens to Jack Taylor (George Clooney) when his ex-wife suddenly decides to elope, leaving their daughter with him. Unhappily for him, his reporting job demands one-hundred-percent commitment as he attempts to link corruption with city hall. The same sort of thing is true in the life of architect Melanie Parker (Michelle Pfeiffer). She must not only somehow prepare a complex multimillion-dollar real-estate development presentation, but must also keep up the pretense that she doesn't have a son because her boss loathes children. When Jack flubs his assignment of getting the two children off on a school day-trip, he and Melanie, who barely know each other, have to take turns caring for the kids. Mishap follows mishap, as the initially antagonistic Jack and Melanie get to know one another. ~ Clarke Fountain, All Movie Guide

A blend of screwball farce and whodunit murder mystery, this madcap period piece was the brainchild of executive producer George Lucas. In 1939, Penny Henderson (Mary Stuart Masterson) is the harried general secretary and de facto manager of a new fourth radio network, WBN. On the night that the Chicago station goes live on the air, a mysterious voice interrupts, and a series of murders soon follows, each one described by the same sonorous phantom. While Penny and her staff desperately try to keep WBN's roster of shows afloat during the unfolding crisis, her estranged husband Roger (Brian Benben), a staff writer, becomes the chief suspect. Roger is forced to dodge a detective, Lieutenant Cross (Michael Lerner), find the real killer, win Penny back, and perform last-minute script rewrites for an unhappy sponsor. As the backstage hysteria reaches a fever pitch, the show goes on with real-life radio-era pros such as George Burns and Rosemary Clooney. Although never explicitly pointed out in the film, Radioland Murders (1994) was a pseudo-prequel to an earlier Lucas feature -- Roger and Penny are the future parents of Curt Henderson (Richard Dreyfuss) from American Graffiti (1973). ~ Karl Williams, All Movie Guide

In this fourth-season opener of Law & Order, Robert Klein guest stars as controversial, confrontational TV talk show host Rick Mason. During one of Mason's broadcasts, a guest is murdered on the air (and this show was telecast long before the Jenny Jones affair). The DA's office endeavors to prove that Mason provoked the tragedy -- and that, in so doing, he is himself an accessory to murder. Jill Hennessy and S. Epatha Merkerson join the regular cast as, respectively, Assistant DA Claire Kincaid and police lieutenant Anita Van Buren. ~ Hal Erickson, All Movie Guide