Helen Kleeb Movies

Stuart Margolin appears in this episode as poetry-spouting motorcyclist Snake, a role created in the second-season episode "A Man Called Snake" by All in the Family's Rob Reiner. This time around, the Partridges try to shake Snake out of his suicidal funk when his girlfriend Penny (Judie Stein) rejects his marriage proposal. Unfortunately, after Shirley takes Snake by the hand to show him the proper way to pop the question, Penny misconstrues the situation and thinks he's making fun of her. It is up to Snake's former high school chum Laurie (Susan Dey) to set things right. ~ Hal Erickson, All Movie Guide

Jerry Paris's Star Spangled Girl (1971), based on Neil Simon's play (a notorious Broadway flop), never made much of an impression in theaters, which is understandable with a cheap, overlit television look to most of it and Davy Jones singing the song "Girl" over the main titles (which got a lot more visibility from its use in the Brady Bunch episode in which Marsha has to get the singer to appear at her school), it looked too much like a small-screen production blown up; it was dated from the first frame of its opening credits. Tony Roberts and Todd Susman play Andy Hobart and Norman Cornell, a pair of self-styled political radicals living in California, beating the system by stealing as much as they can from neighborhood shops and conning the rest out of anyone around, all for the greater goal of keeping their underground newspaper alive and kicking. Their lifestyle is a cross between the ideas in Abbie Hoffman's Steal This Book and Max Bialystock's dalliances in The Producers. Into their midst moves a transplant from rural Florida, Amy Cooper (Sandy Duncan) (who was called Sophie Rauschmeyer in the play), a perky aspiring Olympic swimmer and old-fashioned, patriotic Southern girl, and as corn-fed a hick as you found in movies in 1971 without a cynical bone in her body. Norman, a hopelessly neurotic and sexually dysfunctional writer, falls in love with her almost instantly upon encountering her; not, mind you, based on her personality or even her looks, but her smell. Andy is, at first, oblivious to her charms and content to maintain his relationship with their libidinous landlady (Elizabeth Allen, totally wasted here), paying their rent with all-night barhopping and trysts involving skydiving. At some point, however, Amy decides she has to have Andy (based on his smell...), and he feels the same way. Andy and Norman end up -- Odd Couple-style -- in conflict over their differing approaches to life; the Odd Couple allusions are further amplified by Roberts' remarkable resemblance to Walter Matthau in his manner and delivery of dialogue. The story is resolved as unconvincingly as it's played. It's also a sign of just how unfunny the play was in that the funniest moment in the movie is new to the screenplay and comes just a minute after the opening credits with a gag referring to a certain John Schlesinger movie from 1969. It's not much of a gag, but it's funnier than anything in the main body of the movie, which otherwise plays like a terminally extended version of a Love American Style episode. The original Broadway production, incidentally, starred Richard Benjamin, Anthony Perkins, and Connie Stevens. ~ Bruce Eder, All Movie Guide

13-year-old Robert Mueller (Mark Gruner) is obsessed with guns and has a morbid fascination with death. He is also deeply resentful over the fact that his widowed mother Elaine (Diane Baker) has married Paul Hamilton (Ed Nelson). Despite all this, Elaine could never believe that her darling boy was in any way responsible for a recent campaign of terror waged against Paul, even when an unsolved homicide enters the picture. But Paul knows full well that he is next on little Robert's hit list--a fact that Robert does not even bother to keep a secret. Adapted from a novel by Fielden Farrington, the made-for-TV A Little Game made its ABC bow on October 30, 1971. ~ Hal Erickson, All Movie Guide

White students are bussed into an all black school in this powerful drama. Quincy Davis (Calvin Lockhart) is the dedicated black English teacher who leaves an all white school to teach in the inner city. Lloyd Wilkerson (John McLiam) is the disciplinary principal who manages the institution like a prison. He tells Quincy point blank that his main job is to keep the peace in a potentially explosive situation. Sherry (Patricia Stich) is stripped in the locker room while Douglas (Jeff Bridges) is repeatedly beaten up but refuses to give up or give in to the mob. The white minorities are constantly harassed by the mob lead by the militant J.T. Watson (James A. Watson Jr.). Lerone (Dewayne Jesse) is helped with his reading by Lloyd, and improves his skills by reading Lady Chatterly's Lover. The after-school reading program soon becomes popular to the students, who find new appreciation for literary pursuits. Watch for an early appearance from Rob Reiner, later to achieve sitcom stardom as Meathead on All in the Family and become one of Hollywood's best directors. ~ Dan Pavlides, All Movie Guide

When an aging philanthropist falls on hard times, her butler starts to rob the rich so that she can keep on giving to the poor in this comedy. Claude Fitzwilliam (Dick Van Dyke), known to his friends as "Fitzwilly," works as a butler for Victoria Woodworth (Edith Evans), who -- ever since the death of her husband -- has been using her inheritance to benefit her favorite charitable causes. However, no one has the heart to tell Mrs. Woodworth that she doesn't have much money left, and to compensate for the shortfall brought on by her philanthropy, Fitzwilly and his fellow domestics have been pulling a series of robberies at department stores. When Mrs. Woodworth gets the idea of compiling "A Dictionary for Dopes," which indexes phonetic spellings of commonly misspelled words, she hires Juliet Nowell (Barbara Feldon) to help on the project as a secretary. Juliet senses that there's something fishy about Fitzwilly, especially when she finds out that he has a college education but earns a meager salary as a butler, and she imagines the worst when she finds out about his criminal activities. Watch for Sam Waterston in a small role; this was his first film. ~ Mark Deming, All Movie Guide

Dr. Victor Frankenstein IV (John Abbott), a descendant of the scientist who "created" Herman Munster, has in his possession a primitive, brutish Herman lookalike named Johann (also Fred Gwynne). Unfortunately, Johann escapes from Dr. Frankenstein's lab at precisely the same time that his Herman and his wife Lily have arrived at a small motel for their second honeymoon--and the inevitable mixups wreak havoc on all concerned. Incidentally, one scene finds Johann watching a TV broadcast of an old cartoon series named Calvin and the Colonel--which, like The Munsters, was produced by Joe Connelly and Bob Mosher (who also wrote this episode). ~ Hal Erickson, All Movie Guide

Disgraced Army officer Jason McCord (Chuck Connors) crosses the path of another outcast in the form of saloon girl-turned-dressmaker Elsie Brown (Jeanne Cooper). Inasmuch as Elsie once saved her life, Jason comes to the town of McKinley to return the favor. His visit coincides with that of a low-life named Charlie Vance (Brad Weston), who has made it his mission in life to ruin Elsie's reputation by dredging up memories of her unsavory past. Not long afterward, Vance is found shot in the back--and Jason is accused of murder. Featured in the cast is future Family Affair costar Kathy Garver. ~ Hal Erickson, All Movie Guide

Although John (Guy Williams) has warned his son Will (Bill Mumy) to stay away from the matter-transfer "maser beam" left behind by the Taurons in the earlier episode "The Sky is Falling", Will activates the device to keep Dr. Smith (Jonathan Harris) from messing with it. Instantly, the beam transports Will all the way back to earth, where in addition to searching for some much-needed carbon tetrachloride to help repair the Robinsons' ship, the boy also attempts to tell the citizens of a rural community who he is and where he comes from. But the locals don't believe his story--after all, weren't the Robinsons supposed to have perished in space?--and prepare to pack Will off to an orphan asylum. Featured in the cast is Sheila Matthews, the wife of Lost in Space producer Irwin Allen. ~ Hal Erickson, All Movie Guide

An unusually long pre-credits sequence establishes the roots of faded Southern belle Charlotte's (Bette Davis) insanity; she'd been witness to the dismemberment murder of her fiance (Bruce Dern) and the suicide of the murderer, her own father (Victor Buono). Years later, Charlotte remains a recluse in her decaying southern mansion, zealously guarding the secret of her father's guilt; she is cared for by her slatternly housekeeper (Agnes Moorehead). When her house is targeted for demolition, Charlotte fears that this will uncover her lover's body parts and thus confirm that her father was a murderer. She desperately summons her seemingly sweet-tempered cousin Miriam (Olivia De Havilland) to help her fight off the house's destruction. Miriam brings along the family doctor (Joseph Cotten) to calm Charlotte's frayed nerves. When Charlotte begins to be plagued by horrific visions of the homicide/suicide of so long ago, it appears that she has gone completely insane. But soon we learn who is behind these delusions...and why. Hush Hush Sweet Charlotte was intended by director Robert Aldrich as a follow-up to the successful Joan Crawford/Bette Davis horror piece Whatever Happened to Baby Jane (1962). Ms. Crawford was originally slated to play Miriam, but became seriously ill shortly before filming started. Davis, who disliked Crawford intensely, suggested that the role of Miriam be filled by her best friend, De Havilland. On the first day of shooting, Davis and DeHavilland pulled a "Ding Dong the Witch is Dead" routine by toasting one another with Coca-Cola--a catty observation of the fact that Joan Crawford's husband was an executive with the Pepsi Cola company! ~ Hal Erickson, All Movie Guide

Now calling himself "Bill Martin", Kimble (David Janssen) arrives in a town where several women have fallen victim to a serial killer. A local vigilante committee, by nature suspicious of all outsiders, immediately assumes that Kimble is responsible for the killing spree. Joanne Mercer (June Harding), a mentally challenged girl shunned by the community, takes pity and Kimble and allows him to hide in her cellar--little imagining that the real murderer is likewise hiding only a few feet away. ~ Hal Erickson, All Movie Guide

Helen Gurley Brown's self-help best-seller was the nominal source for this Hollywood sex romp, directed by Richard Quine, co-scripted by Joseph Heller and David R. Schwartz, and starring Tony Curtis and Natalie Wood. Tony Curtis plays Bob Weston, a writer for the scandal sheet "Dirt," who is working on an article on research psychologist Helen Gurley Brown (Natalie Wood) and her best-selling book Sex and the Single Girl. Bob needs to interview Helen, but she refuses to see him. Bob impersonates one of her neighbors, Frank Broderick (Henry Fonda), as a ruse in order to see her on the pretext of marital counseling. After several meetings, Bob attempts to seduce her; after they fall out of a boat and head back to Helen's apartment to dry out, Bob plies her with martinis. Rip-roarin' drunk, Helen confesses her love for Bob. He assures her it's fine, since he's not legally married, but Helen doesn't believe him and asks to meet his wife, Sylvia (Lauren Bacall). To fill up the breach, Bob mistakenly sends both his secretary, Susan (Leslie Parrish), and his ex-girlfriend Gretchen (Fran Jeffries) to see Helen -- both impersonating Sylvia. When the real Sylvia arrives at Helen's apartment with the two other women, Sylvia has her hapless husband Frank put in jail for bigamy. By this point, Helen has realized Bob's skullduggery and leaves town with her colleague Rudy DeMeyer (Mel Ferrer). Bob chases Helen onto the San Diego Freeway, where they also encounter Frank, who is being followed in a cab by Sylvia. A wild chase ensues as the bickering couples try to make it to their flights at the L.A. airport. ~ Paul Brenner, All Movie Guide

Parley Baer makes his first series appearance as Roy Stoner, the new mayor of Mayberry. A man who runs his administration strictly by the book, Stoner regards Sheriff Andy and Deputy Barney as inept and inefficient-and this first impression would seem to be confirmed when the mayor finds a fish in Andy's desk drawer. Inevitably, however, Stoner comes to realize that, in their own laid-back way, Andy and Barney are both assets to the community. Written by Harvey Bullock, "Andy and the New Mayer" originally aired on October 15, 1962. ~ Hal Erickson, All Movie Guide