Gary Klar Movies

In this high-tech thriller, Dade Murphy (Jonny Lee Miller) has been fascinated with computers all his life; at the age of 11, he was able to break into the computer network of several top Wall Street investment and banking firms, and he nearly caused a major stock market crash in the process. As punishment, Dade was forbidden to use a computer until his 18th birthday, but now that he's of age, he's diving back into his PC head first. Dade meets up with a group of fellow hackers: tough-talking cyber gamer Kate, aka Acid Burn (Angelina Jolie), junior hacker Jesse Bradford, born prankster Cereal Killer (Matthew Lillard), Nikon (Lawrence Mason), named for his photographic memory, and telephone expert Phantom Phreak (Renoly Santiago). Dade and his pals aren't out to destroy systems or do cybercrime for profit; they simply want to know more about the systems they encounter, and they like raising some good-natured havoc. But in their travels through cyberspace, they discover The Plague (Fisher Stevens), a former hacker turned computer security expert with a huge multinational corporation. The Plague has not only done the unthinkable and gone into anti-hacker enforcement, he's secretly allied himself with a group of criminals and is using his expertise to drain funds from corporate bank accounts and transfer them to himself and his mistress, Margo (Lorraine Bracco). The Plague is also smart enough to leave clues that would lead investigators to someone else -- in this case, Dade and his friends -- and has a secret weapon at his disposal, a computer virus that could wipe out the entire world wide web in a matter of minutes. Several sequences for Hackers were shot at New York City's Stuyvesant High School, where coincidentally several months after filming, several students were arrested by F.B.I. agents for their involvement in computer hacking. ~ Mark Deming, All Movie Guide

Based on the late Charles Willeford's series of hard-boiled crime novels featuring Miami cop Hoke Moseley, the Jonathan Demme-produced Miami Blues opens with the prison release of Frederick Frenger Jr. (Alec Baldwin), a deranged killer who has barely de-boarded his plane before he's killed a Hare Krishna in the airport. Checking into his hotel, Frenger meets up with Susie Waggoner (Jennifer Jason Leigh), a young prostitute with dreams of domestic life, and the two quickly become romantically involved. Meanwhile, the Hare Krishna murder case is given to Moseley (Fred Ward), a grizzled vet who vows to hunt down Frenger, but may be getting too long in the tooth for the demands of his job. ~ Matthew Tobey, All Movie Guide

Bill Murray co-directed (along with Howard Franklin) this mixture of The Out-of-Towners and After Hours, concerning Grimm (Bill Murray), a frustrated city planner who is fed up with the corruption and venality of New York City. Getting together a couple of accomplices -- Phyllis (Geena Davis), who admires Grimm for his audacity, and Loomis (Randy Quaid), a follower to Grimm's leader since grade school -- Grimm decides to rob a bank, pocket the money, get out of town and take off to tropical splendor. Dressing in a clown suit, Grimm devises a unique way to rob a bank -- taking a group of hostages at the bank and inviting the police to surround the bank. Amazingly, although pursued by a police chief (Jason Robards), the trio manage to pull off the robbery. However, the problems really start when they try to get from the bank to the airport -- which proves to be more difficult than the robbery. ~ Paul Brenner, All Movie Guide

Since Chattahoochee is a story based on true events, it may seem absurd to suggest that the actual events of Chattahoochee are pirated from other true-life tales like Gideon's Trumpet. But it certainly seems as if true stories are just as derivative as any fictional narrative coming out of Hollywood. The Chattahoochee saga details the Emmett Foley (Gary Oldman) story. The film takes place in 1955, when Foley, a Korean war veteran depressed and shattered by continual unemployment, snaps and shoots up his neighborhood, hoping that the police will come and shoot him down like a crazed dog so that his wife Mae (Frances McDormand) can collect on the insurance money. Instead of being gunned down by the law enforcement officers, he is sent to Chattahoochee, a notorious prison for the mentally ill which makes The Snake Pit look like a vacation in Bermuda. The gruesome conditions in the jail send Foley into listlessness. But then his anger gets the better of him and, encouraged by a friend, Walker Benson (Dennis Hopper), he begins sending letters to the authorities protesting the sub-human conditions in the mental facility. Due to his efforts, a state commission is formed to investigate conditions in Chattahoochee, and Foley has a chance to tell the world of the horrible conditions. ~ Paul Brenner, All Movie Guide

More than anything else, 13-year old New Jerseyite Josh (David Moscow) wants to be "big". That's the wish he makes at an odd-looking amusement pier fortunetelling machine. The next morning, Josh wakes up-only to discover that he's grown to manhood overnight! (At this point, the part is taken over by Tom Hanks). Still a 13-year-old mentally and emotionally, Josh decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia). By cannily bringing a child's eye view to McMillan's business, Josh rises to the top-and in process, he falls in love with fellow employee Susan (Elizabeth Perkins). But he's still a kid, and he'd like to go back to his own world and own body. Written by Gary Ross and Anne Spielberg, Big proved a crucial success for budding director Penny Marshall, who'd work harmoniously with Hanks again on the radically different A League of Their Own. The cinematography was by Barry Sonenfeld, who went on to become a director himself with The Addams Family. That Big was heavily reliant upon the input of Tom Hanks and Penny Marshall was proven by the failed attempt to turn the property into a Broadway musical. ~ Hal Erickson, All Movie Guide

Ivan Reitman directed this film, starring Robert Redford, Debra Winger, and Daryl Hannah, that is an amalgam of a thriller, courtroom drama, mystery and Tracy-Hepburn romantic comedy, with a little Mark Rothko-type scandal thrown in. The film revolves around troubled Chelsea Deardon (Daryl Hannah) who as an eight-year-old girl witnessed her father, a famous artist, perishing in a blaze along with his valuable art works. Twenty years later, Chelsea is arrested for stealing one of her father's paintings from an unscrupulous New York art dealer. She claims many more of her father's paintings survived the fire long ago. Defending Chelsea is lawyer Laura Kelly (Debra Winger). Pitted against her is suave district attorney Tom Logan (Robert Redford). Laura thinks if Tom knew the facts behind the case, he would reconsider and exonerate Chelsea. He doesn't, but one night when Chelsea appears at his doorstep, he does permit her to seduce him. The next morning, one of the art dealers involved in the case is found dead, and Chelsea is found in Tom's apartment. Chelsea becomes the prime suspect in the murder and Tom's career is ruined. Inexplicably, Laura hires Tom to help her defend Chelsea. The two lawyers, in researching their defense, not only uncover a scandal involving art dealership, but also fall in love. ~ Paul Brenner, All Movie Guide

In a sex-and-violence film that emphasizes the physical abuse of young women, director Joan Freeman may raise the shackles as well as the hackles of her distaff viewing audience. Cookie (Melissa Leo) is a young runaway who arrives in New York City with her brother in tow and ends up working as a prostitute for the apparently easy-going Duke (Dale Midkiff). Everything seems fine, at least as much as can be expected, until one of Duke's streetwalkers threatens to quit, and he nearly beats her to death. Sickened and shocked, Cookie runs away with an infuriated Duke hot in pursuit and unsparing of anyone who gets in his way. The murders, the beatings, the stabbings, and other forms of mayhem weigh heavily in the plot's sequences. ~ Eleanor Mannikka, All Movie Guide

The "nature-nurture" theory that motivated so many Three Stooges comedies is the basis of John Landis's hit comedy. The fabulously wealthy but morally bankrupt Duke brothers (Ralph Bellamy and Don Ameche) make a one-dollar bet over heredity vs. environment. Curious as to what might happen if different lifestyles were reversed, they arrange for impoverished street hustler Billy Ray Valentine (Eddie Murphy) to be placed in the lap of luxury and trained for a cushy career in commodities brokerage. Simultaneously, they set about to reduce aristocratic yuppie Louis Winthorpe III (Dan Aykroyd to poverty and disgrace, hiring a prostitute (Jamie Lee Curtis) to hasten his downfall. When Billy Ray figures out that the brothers intend to dump him back on the streets once their experiment is complete, he seeks out Winthorpe, and together the pauper-turned-prince and prince-turned-pauper plot an uproarious revenge. With the good-hearted prostitute and Winthorpe's faithful butler (Denholm Elliott) as their accomplices, they set about to hit the brothers where it really hurts: in the pocketbook. ~ Hal Erickson, All Movie Guide

John Ritter plays an unsuccessful actor who takes a job posing as comic-book hero Captain Avenger at comics stores and conventions. While thus garbed, Ritter foils a grocery store robbery. He skedaddles from the scene when the cops show up, leading witnesses to assume that he is a genuine costumed superhero, the sort that shows up to foil the villains and then modestly retreats after his job is done. Ritter is hired by the mayor's staff, who hope that the Captain Avenger tie-in will help the mayor win an upcoming election. This plan comes acropper, and Captain Avenger finds himself on the outs with the public. Prodded by his girlfriend Anne Archer to be himself and not rely on a costume and mask to gain adulation, Ritter becomes a bonafide hero when he rescues several citizens from a fire. Thanks to the enthusiastic performance of John Ritter, Hero at Large remains amusing even when you know what's going to happen next (a common occurrence in this film). ~ Hal Erickson, All Movie Guide