Frances Barber Movies

One young man's dream takes him on a remarkable journey in this sports-themed drama. Santiago Munez (Kuno Becker) was born in Mexico, and came to California with his family when he was just a boy. One of the few things Santiago brought with him was a love for soccer, and while he holds down two jobs -- working landscaping during the days with his father, Hernan (Tony Plana), and as a busboy at night -- he still dreams of playing the game professionally, and spends his precious spare time with an amateur team in Los Angeles. One day, Santiago is approached by Glen Foy (Stephen Dillane), a part-time scout for powerhouse British team Newcastle United; Glen has seen Santiago play and thinks he has talent, and can get him a tryout with Newcastle if he can make his way to England. While Hernan refuses to help Santiago pay for the trip, his grandmother (Miriam Colon) empties her savings to help him follow his dream. Santiago's first reserve game with the team happens during a typically British rainstorm, with Santiago suffering a mild asthma attack to boot; he doesn't play at his best and is turned away from the team, but he refuses to go home, determined to make good. After striking up a friendship with star kicker Gavin Harris (Alessandro Nivola) and demonstrating his mettle to coach Mal Braithwaite (Gary Lewis), Santiago earns a second chance to show Newcastle United what he can do and make his father proud of him. Goal! was a major international hit, and a sequel was already in production before the film opened in the United States in the spring of 2006. ~ Mark Deming, Rovi

The English-language debut of French director Arnaud Desplechin, Esther Kahn charts the ascension of a lower-class Jewish girl from a turn-of-the-century London ghetto to one of the stage's leading actresses. Esther (Summer Phoenix) feels set apart from her large, raucous family, who are all employed in the garment business. Her life is changed when she attends a Yiddish theatre performance, and she is suddenly determined to become an actress. After joining a small theatre company, she becomes the protégé of Nathan (Ian Holm), a stage veteran who instructs her in her chosen craft. Esther gradually works her way up in the ranks -- taking a lover, brainy French theatre critic Philippe (Fabrice Desplechin), along the way -- until she is cast in the title role of Hedda Gabler, which she performs to great acclaim. ~ Rebecca Flint Marx, Rovi

John Thaw of Inspector Morse fame starred in this two-part British miniseries as renowned plastic surgeon Joe MacConnell. His torrid affair with his client Louise Ferman (Frances Barber) ended up having disastrous consequences on his wife and grown children. The story came to a head when McConnell's son James (Stuart Piper), a doctor in training, was involved with a crime that was inexorably linked to McConnell's infidelity. The first episode of Plastic Man, running 90 minutes, was seen in the U.K. on May 12, 1999; the concluding hour-long installment aired the following week. ~ Hal Erickson, Rovi

Still Crazy is a film that looks back at the "rock band" era of the 1970s. Brian Gibson, who has directed musical biographies on Josephine Baker and Tina Turner, sets his narrative on a rock group, Strange Fruit, who are attempting a comeback twenty years after a bolt of lightening literally ended their career in the late 1970's. When keyboard player Tony (Stephan Rea) runs into the son of their old festival promoter, he gets the idea he could perhaps bring the aging musicians together for a revival. He goes off to search for Karen (Juliet Aubre), the band's Girl Friday and often the butt of their various ego trips. Karen, who now lives alone with her daughter, thinks it's a great idea and they set off to locate the other members. Beano (Timothy Spall), the drummer, has barricaded himself away in a trailer in his mother's garden for fear of being caught by the taxman. Ray (Bill Nighy), the lead singer, lives in a luxurious country house (beyond his means) with his second wife; he's still in the music business and has released a solo record. Les (Jimmy Nail), a great bass guitarist, is happily married, and his only regret is that his music never found the following he would have liked. As for ex-roadie Hughie (Billy Connolly), the Fruits were always his boys, and he's ready to give up his stall at Camden market and follow the dream. He would also love to see guitarist Brian again, but Brian is nowhere to be found. Karen decides to hire a much younger musician, Luke, to replace him. The re-formed band go to Holland to play a few clubs on a warm-up tour. However, the youngest member of the band is stealing the show, particularly with the members of the opposite sex. Despite efforts to stay calm and professional, the band is falling into the old routine of bickering day by day as they get close to the big reunion concert. Still Crazy was screened as part of the Panorama during the 49th International Berlin Film Festival, 1999. ~ Gönül Dönmez-Colin, Rovi

Featuring neat special effects, this romantic fantasy is loosely based on the story of the Cottingley Fairies, a tale of two cousins who, in 1917, swore that they had photographed the magical wee folk dancing in their garden. The story the girls told captured the war-weary imagination of Britishers everywhere. That the girls later admitted it was all a hoax, didn't matter much to "true believers" of fairy and magic books. This tale, like the original story, is set in the British countryside but centers on a jaded WW I photographer who makes a living in 1918 London debunking phony pictures of ghosts and other supernatural phenomenon -- that is until one day a woman brings him a picture of a fairy that defies explanation.

Charles Castle didn't set out to be a hard case towards humanity, It just happened. Shortly after his wedding day, his new bride Anne-Marie died after falling down a suddenly appearing ice fissure on a Swiss Alp. He has never gotten over his grief and desperately wants to see and speak to her again. Charles spends the war on battlefields photographing the dead. The photo that changes his life is given to him by the enigmatic Bea Templeton who claims that her daughters took the picture outside their country home. Unable to restrain his curiosity, Charles visits the area. Soon after, Bea dies mysteriously, and Charles becomes obsessed with the idea that talking to the fairies will somehow allow him the chance to contact his late wife. A magic white flower provides the key to his happiness and helps lead into the story's beautifully done climax. Parents may want to know that some of the fairies appear in various states of undress. This is one of two 1997 films based on the same true story. The other film is titled Fairy Tale: A True Story. ~ Sandra Brennan, Rovi

This lush French melodrama set in post World War I Europe was filmed on location in remote areas of the Czech Republic and Slovakia. The film is set in October 1918 and follows the return of Giorgino, a French lieutenant, as he searches a strange and spooky village for the retarded children he looked after before the war. The children have mysteriously disappeared and the only suspect is an enigmatic, but beautiful redhead. ~ Sandra Brennan, Rovi

This largely character-driven thriller-drama is the feature-film debut of British documentary filmmaker Isaac Julien, and provides viewers with an insider's look at the diverse lifestyles of hip, young black immigrants who lived upon the fringes of 1977 London society. The film begins in a colorful park setting where, in the late-night hours, gay men cruise. A stabbing occurs and unbeknownst to the killer, a passerby has recorded it on cassette. The story then jumps to two young aspiring DJs, the heterosexual and flamboyant Chris and his best friend, the gay and rather reserved Caz, as they defiantly broadcast soul music from their ragtag, rolling pirate radio station. With their "Soul Patrol," the two symbolically thumb their noses at the conservative BBC that dominates the airwaves. The murder victim is a friend of Caz, and he becomes a prime suspect in the case. Unbeknownst to him, someone has dropped by the cassette tape with the evidence that will save him. At the same time, his friendship with Chris becomes strained when it becomes obvious that both young men are on the cusp of heading in dramatically different life directions. Caz has been getting increasingly involved with the politics and wildness of the fledgling punk-rock movement, while normally wild Chris has been offered a lucrative contract to work as a DJ at a major, mainstream radio station by his new girlfriend Tracy, a production assistant there. Still, the two try to somehow prepare to co-host a concert protesting the upcoming Queen's Silver Jubilee celebration. ~ Sandra Brennan, Rovi

Gavin Bellini is half Scottish, half Italian. Perhaps that blend of two of the most romantic sensibilities in the world accounts for his being in London, scraping out a living as an illustrator. One day he runs into his father's brother and learns that, if he high-tails it to Glasgow in time to attend his father's surprise birthday party, there's a chance he could come into some cash. He hops in his old rust-bucket of a car and takes to the road. On the way, he picks up a girl hitchhiker who is also headed back home to Glasgow. She is a feisty wench, and unexpectedly skilled at getting cars fixed. The two of them couldn't be more different and soon begin to argue and bicker, with the inevitable result that, in addition to their other adventures, they fall in love. ~ Clarke Fountain, Rovi

Set in sexually repressive 1950's London, We Think the World of You features actor Alan Bates as Frank, a gay middle-aged businessman whose lover Johnny (Gary Oldman) is married and in jail for burglary. While Johnny (Oldman) is behind bars, his beloved German shepard Evie becomes the center of a heated custody battle between himself, his wife (Frances Barber), his mother (Liz Smith), his stepfather (Max Wall), and finally, Frank (Bates). Frank eventually becomes more enamoured with the scene-stealing German shepard than he is with her absent master. We Think the World of You was directed by Colin Gregg and based on a semi-autobiographical novel by Joseph R. Ackerley, one of the first modern authors to come out as openly gay. ~ Tracie Cooper, Rovi

This unadorned biography of playwright Joe Orton (Gary Oldman) charts his bawdy, dangerous relationships. Alfred Molina plays Orton's brutish lover, Kenneth Halliwell, a pathetic figure who becomes horrific and then tragic before the film is over. The hilarity of scenes from such Orton plays as Loot and What the Butler Saw is evenly balanced by the bleakness of the playwright's tormented (and tormenting) off-stage existence, which ended suddenly at age 34 with half a dozen blows to the head from a hammer. Prick Up Your Ears is based on the book by theater critic John Lahr, who is played in the film by Wallace Shawn. ~ Hal Erickson, Rovi

Part of the Thames Shakespeare Collection, this production of Twelfth Night was adapted for television by renowned actor and director Kenneth Branagh in 1988. Performed by the Renaissance Theatre Company, this classic comic tale of romance and confused identities features performances by acclaimed actors Caroline Langrishe and Richard Briers. ~ Dana Rowader, Rovi