Joe Kirkwood, Jr. Movies

In the one-and-onlyOne Step Beyond episode to feature a "monster" (albeit very briefly, and with a documented real-life incident backing up the decision), the Parish family goes to great lengths to hide the fact that their son is apparently a half-human, half-fish mutant. Out of love for her unfortunate son, Margaret Parish (Augusta Dabney) turns to an unorthodox doctor-hypnotist named Edward Brown (David Lewis). Believe it or not, this is a "Christmas Show", replete with a near-miraculous finale. ~ Hal Erickson, All Movie Guide

In Ham Fisher's original Joe Palooka comic strip, Joe's pal Humphrey Pennyworth was a blimp of a man. In Joe Palooka Meets Humphrey, Mr. Pennyworth is played by Robert Coogan, a slim, athletic chap who was then starring as TV's Captain Video. At least Joe Kirkwood Jr. was closer to Fisher's visual concept of soft-hearted pugilist Joe Palooka. The plot finds Joe pitted against Humphrey in a charity bout. Eschewing the gangster and murder-mystery subplots of Monogram's previous "Joe Palooka" entries, this one is played strictly for laughs, even unto having Leon Errol (cast as Joe's manager Knobby Walsh) going through his "Mexican Spitfire" paces in a dual role. Also good for a few chuckles is Joe Besser (who physically was better suited for the part of Humphrey) as a nervous hotel desk clerk. ~ Hal Erickson, All Movie Guide

This "Joe Palooka" entry concentrates on Joe's porcine pal Humphrey Pennyworth (played by Robert Coogan, the brother of former child star Jackie Coogan). When soft-hearted pugilist Joe Palooka (Joe Kirkwood Jr.) arrives for a bout in Humphrey's home town, everyone gets sucked into a crooked scheme concocted by duplicitous town mayor Phiffeney (Jack Kirkwood). Nothing is meant to be taken seriously in this one, as indicated by the film's climax, which degenerates into an old-fashioned pie fight. As usual, top billing in Humphrey Takes a Chance is bestowed upon Leon Errol as Joe Palooka's dyspeptic manager Knobby Walsh. Joe's girlfriend Anne Howe is played by Lois Collier, the latest in a long line of actresses to essay this role. Also released as Joe Palooka in Humphrey Takes a Chance, the film was inspired by the "Joe Palooka" comic strip by Ham Fisher. ~ Hal Erickson, All Movie Guide

Monogram's low-budget, high-grossing "Joe Palooka" series carries on in this 66-minute entry. Joe Kirkwood plays Joe Palooka, the soft-hearted pugilist created for the funny papers by Ham Fisher. This time, Joe is framed on a bum rap by a group of gamblers who hope to fix the outcome of an upcoming bout. When Joe manages to clear himself, the gamblers go a step farther by having the scrupulously honest boxer accused of murder. On the lam from the law, Joe is forced to solve the murder himself--and he'd better hurry if he's going to get to the Big Fight on time. Virginia Welles is cast as Joe's love interest Ann Howe, while comedian Leon Errol is afforded top billing as Joe's manager Knobby Walsh. ~ Hal Erickson, All Movie Guide

Joe Palooka, Ham Fisher's famed comic-strip fighter, risks his life to clear the name of his manager in this series entry. In this episode, Palooka is blinded during a fight. Although surgery restores his vision, the doctors strongly caution him not to fight again for at least a year. Meanwhile Knobby Walsh, his manager, begins managing another heavyweight fighter who gets himself mixed up with gamblers. To save his manager's good name, Palooka disregards the doctors' advice and reenters the ring. ~ Sandra Brennan, All Movie Guide

Faced with the challenge of writing a screenplay based on the life of fabulously wealthy, fabulously successful composer Cole Porter, one Hollywood wag came up with a potential story angle: "How does the S.O.B. make his second million dollars?" By the time the Porter biopic Night and Day was released, the three-person scriptwriting team still hadn't come up with a compelling storyline, though the film had the decided advantages of star Cary Grant and all that great Porter music. Roughly covering the years 1912 to 1946, the story begins during Porter's undergraduate days at Yale University, where he participated in amateur theatricals under the tutelage of waspish professor Monty Woolley (who plays himself). Though Porter's inherited wealth could have kept him out of WWI, he insists upon signing up as an ambulance driver. While serving in France, he meets nurse Linda Lee (Alexis Smith), who will later become his wife. Focusing his attentions on Broadway and the London stage in the postwar years, Porter pens an unbroken string of hit songs, including "Just One of Those Things," "You're the Top," "I Get a Kick Out of You," "Begin the Beguine," and the title number. The composition of this last-named song is one of the film's giddy highlights, as Porter, inspired by the "drip drip drip" of an outsized rainstorm, runs to the piano and cries "I think I've got it!" The film's dramatic conflict arises when Porter is crippled for life in a polo accident. Refusing to have his legs amputated, he makes an inspiring comeback, even prompting a WWI amputee to remark upon his courage! Corny and unreliable as biography, Night and Day is redeemed by the guest appearances of musical luminaries Mary Martin (doing a spirited if disappointingly demure version of her striptease number "My Heart Belongs to Daddy") and Ginny Simms, the latter cast as an ersatz Ethel Merman named Carole Hill. Jane Wyman, seen as Porter's pre-nuptial sweetheart Gracie Harris, also gets to sing and dance, and quite well indeed. Beset with production problems, not least of which was the ongoing animosity between star Grant and director Michael Curtiz, Night and Day managed to finish filming on schedule, and proved to be an audience favorite -- except for those "in the know" Broadwayites who were bemused over the fact that Cole Porter's well-known homosexuality was necessarily weaned from the screenplay. ~ Hal Erickson, All Movie Guide

In this first entry in the pugilistic comedy series based on Ham Fishers long-running comic strip, Joe Palooka is seen before his boxing career took off. The story begins as he is discovered by Knobby Walsh, a keen-eyed manager. As Knobby trains Joe, gangsters intervene and attempt to insure that the young fighter takes a dive. When a wealthy socialite sees the handsome boxer she ignores the vast class differences and falls in love with him. The film features cameo appearances by real life boxing greats Joe Louis, Manuel Ortiz, Ceferino Garcia and Henry Armstrong. ~ Sandra Brennan, All Movie Guide