Phyllis Kirk Movies
The wide eyes and cool smile of actress/model Phyllis Kirk graced many a magazine cover before she made her film debut in 1950. While her deep, sultry voice precluded most of the typical ingénue roles, Kirk nonetheless achieved film fame as a woman in peril, in André De Toth's 1953 3-D horror classic House of Wax.Born Phyllis Kirkegaard in Plainfield, NJ, on September 18, 1926, Kirk shortened her name after moving to the Big Apple during her teens to formally train as a thespian. She officially launched her career with a series of supporting turns on Broadway, then migrated to Hollywood in the early '50s, where she landed parts in such films as Johnny Concho (1956, opposite Frank Sinatra) and The Sad Sack (1957, opposite Jerry Lewis). During the '50s, Kirk appeared on television semi-frequently as well, guest-starring in dozens of live and prerecorded anthology series, and briefly appearing as Red Buttons' wife on the comedian's weekly variety series, The Red Buttons Show.
From 1957 through 1959, Kirk starred as the inquisitive Nora Charles on the TV version of The Thin Man (Peter Lawford played her detective hubby Nick Charles). After 1960, Kirk concentrated on stage acting, but devoted the preponderance of her time to various social causes, such as establishing two inner-city preschools in south Los Angeles after the Watts riots. Kirk continued to crop up on television, however, as a celebrity contestant on such quiz shows as To Tell the Truth and Password. In 1965, she hosted an erudite ABC daytime talk show, The Young Set. A hip injury obliged Phyllis Kirk to curtail her acting career; she married a former CBS news executive and turned to the production end of the business, as a public-relations liaison for several TV specials of the 1970s.
Following two decades of big- and small-screen inactivity, 79-year-old Phyllis Kirk died of a post-cerebral aneurysm at the Motion Picture and Television Hospital in Woodland Hills, CA, on October 19, 2006. ~ Hal Erickson, All Movie Guide
- 1970
Inspector Erskine (Efrem Zimbalist Jr.) is anxious to bring con artist Wesley Ziegler to justice. Specializing in fleecing wealthy, lonely women, Ziegler has recently added murder to his list of crimes--a fact that does not bode well for his latest pigeon, Jessica Bowling (Mariette Hartley). Appearing as one of the villain's former victims is Phyllis Kirk of House of Wax fame, in her final TV appearance before she forsook acting to become a producer. ~ Hal Erickson, All Movie Guide
- 1960
The first season Twilight Zone came to a delightful conclusion on July 1, 1960, with this episode, written by Richard Matheson. Coming home early one afternoon, Victoria West (Phyllis Kirk) is shocked to find her playwright husband Gregory West (Keenan Wynn) in the arms of another woman named Mary (Mary LaRoche). When Victoria demands an explanation, Gregory is forced to reveal that Mary was purely a figment of his imagination, "invented" on the writer's tape recorder. To prove this point, Gregory not only makes Mary re-appear, but also a "huge, red-eyed element." But this is not the only surprise in store for the nonplussed Victoria West. The hilarious finale finds series creator Rod Serling joining in on the festivities. ~ Hal Erickson, All Movie Guide
- Starring:
- Keenan Wynn, Phyllis Kirk, (more)
- 1957
In his second solo starring film after breaking with Dean Martin, Jerry Lewis plays cartoonist George Baker's classic GI misfit The Sad Sack. Lewis' constitutional inability to do anything right brings him under the scrutiny of gorgeous Army psychiatrist Phyllis Kirk. She discovers that Lewis possesses a photographic memory, making him valuable enough to be transferred to a top secret assignment in Morocco. Assigned along with buddies David Wayne and Joe Mantell to guard a new weapon, Lewis deviates from his task when he falls in love with sexy nightclub performer Lilliane Montevecchi. She spurns him, so the heartbroken Lewis deserts the army and joins the Foreign Legion. When enemy spy Peter Lorre discovers that Lewis has memorized the assembly instructions for the secret weapon, he and his minions kidnap Lewis, Wayne and Mantell. With the help of Montevecchi, Lewis thwarts the baddies and becomes a hero--but within minutes, he's fouled up again, so it's back to permanent KP duty. Jerry Lewis still needed a straight-man foil at the time of The Sad Sack so Paramount provided him with David Wayne and Joe Mantell. By the time Geisha Boy rolled around in 1958, Lewis was finally able to carry a picture by himself. ~ Hal Erickson, All Movie Guide
- Starring:
- Jerry Lewis, David Wayne, (more)
- 1957
The British That Woman Opposite is better known by its American title City After Midnight. Dan O'Herlihy stars as detective Kinross, presently investigating the murder of antique dealer Sir Maurice (Wilfred Hyde-White). The principal suspects are the dead man's son Toby (Jack Watling) and Toby's American fiancee Eve (Phyllis Kirk). Digging a bit deeper, Kinross discovers that Eve's ex-husband Ned (William Franklyn) had a vested interest in a rare snuff box owned by the murder victim--and it's just possible that Eve would have been his accomplice if he he'd wanted to commit the murder. Based on a novel by John Dickson Carr, That Woman Opposite bears some resemblance to the 1962 Kim Novak-Jack Lemmon starrer The Notorious Landlady. ~ Hal Erickson, All Movie Guide
- Starring:
- Phyllis Kirk, Dan O'Herlihy, (more)
- 1956
Coadapted by David Harmon from his own TV play, the psychological western Johnny Concho stars Frank Sinatra as the title character, a callow young punk who lives off the reputation of his gunslinger brother. Most of the townsfolk consider Johnny to be nothing more than a cowardly bully; only Mary Dark (Phyllis Kirk), who loves Johnny, and gunfighter-turned-preacher Barney Clark (Keenan Wynn) can see the scared little boy beneath his swaggering facade. When word comes down that Johnny's brother has been killed and that the killers (William Conrad and Christopher Dark) intend to take over the town, Johnny runs like a scared rabbit. Eventually summoning up his innate courage, Johnny returns, hoping to convince the citizens to help him rid the town of the despotic killers. As "zero hour" approaches, however, Johnny is forced to go up against his enemies all by himself. The political symbolism in Johnny Concho is impossible to ignore, though it is up to the viewer to decide if this is an anti-Red or anti-McCarthy tract. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Sinatra, Keenan Wynn, (more)
- 1956
Director John Farrow's Back From Eternity is a virtual scene-for-scene remake of Farrow's 1939 film Five Came Back. The earlier film is the better of the two, if only because it is 22 minutes shorter. The plot concerns a small passenger plane that crashlands in South America, square in the heart of headhunter country. Pilot Robert Ryan is able to get the plane back into flying condition; unfortunately he discovers that the plane will only be able to carry five of its eleven passengers to safety. Who will have to be left behind: condemned murderer Rod Steiger, socialite Phyllis Kirk, her weak-willed fiance Gene Barry, copilot Keith Andes, elderly married couple Beulah Bondi and Cameron Prud'homme, songstress Anita Ekberg, foul-tempered cop Fred Clark, soft-hearted crook Jesse White, or tousle-haired kid Jon Provost? Rod Steiger is just fine in the role orginally played by Joseph Calleia, but Ekberg is no match for the original's Lucille Ball. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Ryan, Anita Ekberg, (more)
- 1956
Adapted by Hagar Wilde from his own 1946 Broadway play, this TV version of Made in Heaven offered the once-in-a-lifetime pairing of Imogene Coca and Robert Preston. After several years of marriage, Elsa and Zachary Meredith (Coca, Preston) have a tendency to take each other for granted. All this changes when the couple angrily, and briefly, come to a parting of the ways following a row at a cocktail party. The next morning, Elsa is amazed to discover that she has attracted the attentions of another party guest, suave European Laszlo Vertes (Jacques Bergerac), while Zachary is equally astonished by the attentions lavished upon him by a flashy blonde (Sheila Bond. Peter Lawford serves a host of this frothy Playhouse 90 presentation, which originally aired live from CBS Television Center in Hollywood. ~ Hal Erickson, All Movie Guide
- 1955
Ernest Hemingway's story inspired this television film starring a young Paul Newman hitchhiking across the country and his encounters with interesting people. ~ All Movie Guide
- 1955
For an actress who seemed more at home in the lavish penthouses and smart supper clubs of New York, Phyllis Kirk appeared in a lot of westerns. Canyon Crossroads is a contemporary sagebrusher, wherein Ms. Kirk is cast as the daughter of geology professor Russell Collins. Father and daughter embark upon a uranium-hunting expedition in Colorado, accompanied by prospector Richard Basehart and Native American Alan Wells. Their trail is dogged by Charles Wagenheim, the sinister henchman of Basehart's bitter enemy Stephen Elliot. Trapped in a cave by the villains, Kirk and her companions spend at least a third of the film trying to figure a way out. Reviewers were impressed by the opening and closing scenes of Canyon Crossroads, but were indifferent to the reels in-between. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Basehart, Phyllis Kirk, (more)
- 1954
A car with two men visible in it pulls up to a Los Angeles service station at night, with a single attendant (Dub Taylor) working. As he starts to pump the gas, he doesn't see the third man come around the side until it's too late and he's knocked cold. The trio carries out their robbery but before they can finish, a motorcycle cop rolls up. A gun battle ensues, and one of the robbers is shot, as is the police officer. Now a manhunt is on for the trio, all escapees from San Quentin who were making their way south; the other two give the wounded man enough money to get to the apartment of a former cellmate of one of them, Steve Lacey (Gene Nelson). But Lacey is genuinely trying to go straight and live a clean, honest life with his wife, Ellen (Phyllis Kirk), and wants nothing to do with anyone he knew in prison, or with harboring an escaped prisoner. He's even more unhappy when Dr. Otto Hessler (Jay Novello), another ex-con and a veterinarian, arrives to treat the gunshot victim. But when the hood dies, matters get even more complicated -- Lacey's life becomes a nightmare as the police arrive, led by the hardboiled Det. Sgt. Sims (Sterling Hayden), who doesn't believe that any hood ever goes straight. Sims doesn't believe that Lacey's claim of knowing nothing of the escapees, and is ready to send him back to prison on a parole violation -- even though his parole officer (James Bell) believes him -- when he won't cooperate. And worse still, the other two escapees, Doc Penny (Ted de Corsia) and Ben Hastings (Charles Buchinsky, aka Charles Bronson), force their way into Lacey's home, insisting on hiding out there and threatening Ellen. And as they're now a man short, they want Steve's help on a major heist they're planning -- and will kill Ellen if he doesn't cooperate. Soon Lacey is up to his neck in a daylight bank robbery, timed to the minute, and his wife is at the mercy of a mentally deficient, sexually deviant confederate (Timothy Carey), while the police still seem to be following every trail but the right one. Steve realizes that he is the only one who is going to be able to save himself or his wife from this nightmare, and isn't convinced that he'll get out of it alive -- but by then, between being put on him by Sims and his unwanted companions, he's prepared to die in order to save Ellen. ~ Bruce Eder, All Movie Guide
- Starring:
- Sterling Hayden, Gene Nelson, (more)
- 1953
When Lippert Pictures first released the British River Beat in 1954, the ad campaign made a big deal over the fact that its star, Phyllis Kirk, had previously appeared as Vincent Price's potential victim in House of Wax. This time around, Phyllis is a damsel in distress once more. The actress plays a radio operator working on an American freighter, which tools along the Thames throughout the picture. Unbeknownst to Phyllis, she is the unwitting dupe of a diamond-smuggling racket. Police inspector John Bentley intends to arrest the girl, but he falls in love with her instead. Bentley figures that by allowing Phyllis to continue as a patsy for the criminals, she'll eventually lead him to Mister Big--and, of course, he's right. ~ Hal Erickson, All Movie Guide
- Starring:
- Phyllis Kirk, John Bentley, (more)
- 1953
Randolph Scott is as strong and silent as ever in Thunder Over the Plains. The scene is Texas, in the years just following the Civil War. Carpetbaggers have taken hold of the Texas government and imposed a near-dictatorship, hiding behind the legal protection of the Union Army of Occupation. Though his heart belongs to Dixie, Captain David Porter (Scott) is honor-bound to uphold the law of the land, even though it protects criminals and persecutes the innocent. Eventually, Porter reveals his true feelings as he tries to clear Texas patriot Ben Westman (Charles McGraw) from a murder charge framed by villains Standish (Elisha Cook Jr.) and Balfour (Hugh Sanders). Meanwhile, caddish Captain Bill Hodges (Lex Barker) tries to make time with Porter's long-suffering wife Norah (Phyllis Kirk). Perhaps a bit too complicated storywise for western fans, Thunder Over the Plains is right to the point when it comes to the action highlights. ~ Hal Erickson, All Movie Guide
- Starring:
- Randolph Scott, Lex Barker, (more)
This simplified (but lavish) remake of the 1933 melodrama The Mystery of the Wax Museum was the most financially successful 3-D production of the 1950s. In his first full-fledged "horror" role, Vincent Price plays Prof. Henry Jarrod, the owner of a wax museum, whose partner, Matthew Burke (Roy Roberts), intends to burn the place down for the insurance money. When Jarrod tries to prevent Burke from torching the museum, he himself is trapped in the conflagration. Years pass: though now confined to a wheelchair, Jarrod manages to open up a new museum in New York, boasting the most incredibly lifelike wax statues ever seen. At the same time, a masked prowler has been stalking the city, murdering people and then stealing their bodies from the mortuary. One of the victims is Jarrod's old nemesis Burke; another is Cathy Gray (Carolyn Jones), the roommate of art student Sue Allen (Phyllis Kirk). On a visit to the wax museum, Sue can't help but notice that the wax likeness of Joan of Arc is a dead ringer for her deceased friend Cathy -- while the courtly Jarrod declares joyously that Sue is the living image of Marie Antoinette. Guess where this is going to wind up? Frank Lovejoy and Paul Picerni co-star as the nominal heroes, while Charles Bronson -- still billed as Charles Buchinsky -- is a menacing presence as Jarrod's deaf-mute chief sculptor (appropriately named "Igor"). No opportunity to show off the 3-D process is wasted during House of Wax; the most memorable stereoscopic moments are provided by garrulous "paddle-ball man" Reggie Rymal. Ironically, Andre De Toth, the film's director, had only one good eye, and had to constantly ask his cast and crew if the various 3-D effects had come off properly. ~ Hal Erickson, All Movie Guide
- Starring:
- Vincent Price, Frank Lovejoy, (more)
- 1952
Though its title would seem to indicate a medieval swashbuckler, The Iron Mistress is actually based on the life of American frontiersman Jim Bowie. Alan Ladd stars as the fearless, knife-wielding Bowie, who is first seen arriving in New Orleans to sell a supply of lumber. Bowie falls in love with duplicitous Creole lass Judalon de Bornay (a brunette Virginia Mayo), who inspires him to increase his riches and political power. When Bowie doesn't move up the ladder of success fast enough to suit her, the fickle Judalon weds another. Bowie eventually finds happiness in the arms of Ursula de Veremendi (Phyllis Kirk), the daughter of Texas' vice-governor. The film tactfully ends long before Bowie's rendezvous with destiny at the Alamo. The Iron Mistress is based on the novel by Paul I. Wellman; the highlight of the novel, a fierce knife-and-rapier duel, is faithfully recreated here. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Virginia Mayo, (more)
- 1952
About Face is a musicalized remake of the old stage and film comedy Brother Rat. The basic story remains the same, as military-school cadet Boff Roberts (Eddie Bracken) tries to keep his forbidden marriage to Alice Wheatley (Phyllis Kirk) a secret. Meanwhile, Boff's roommates Tony Williams (Gordon MacRae) and Dave Crouse (Dick Wesson) do their best to woo and win lovely Betty Long (Virginia Gibson) and Lorna Carter (Ailene Stanley Jr.). Cliff Ferre co-stars as the much-hated Lt. Jones, who turns out to be an accomplished tap-dancer in the film's closing sequence (but that's only after he's been "humanized" when his hair is dyed blue!) Future Cabaret star Joel Grey has a few funny moments as a put-upon "plebe." ~ Hal Erickson, All Movie Guide
- Starring:
- Gordon MacRae, Eddie Bracken, (more)
- 1952
Previously filmed in 1938 with Edward G. Robinson in the lead, the Damon Runyon-Howard Lindsay stage farce A Slight Case of Murder was musicalized in 1952 as Stop, You're Killing Me. Broderick Crawford stars as Remy Marko, a soft-hearted Prohibition beer baron who turns honest when the 18th amendment is repealed in 1933. Trouble is, Marko's beer tastes awful and his business plummets. Compounding this headache, Marko's daughter Mary (Virginia Gibson) intends to wed Chance Whitelaw (Billy Hayes), a police officer from a wealthy family. Hoping to put up a respectable front for their prospective in-laws, Marko and his wife Nora (Claire Trevor) rent a fancy mansion-spa in Saratoga -- where, unbeknownst to the ex-bootlegger, four gangster types have been shot to death by a desperado named Innocent (Harry Morgan). The rest of the film finds Remy trying to dispose of the cumbersome corpses while avoiding the baleful stares of both his future in-laws and the police. Not quite as good as its 1938 predecessor, Stop You're Killing Me at least affords viewers the rare opportunity of hearing Broderick Crawford sing! ~ Hal Erickson, All Movie Guide
- Starring:
- Broderick Crawford, Claire Trevor, (more)
Pretty stewardess Marcy Lewis (Jane Wyman) must choose between Three Guys Named Mike in this frothy MGM concoction. There's Mike Lawrence (Van Johnson), a science student who moonlights as a bartender. There's Mike Tracy (Barry Sullivan), a wheeler-dealer ad executive. And finally, there's Mike Jamison (Howard Keel), a handsome airline pilot. Marcy's love life is counterpointed with her ever-increasing expertise on her job; the more self-assured she becomes, the more she changes her views about men. It wouldn't be cricket to reveal which "Mike" Marcy finally chooses, though the order of billing is something of a giveaway. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Wyman, Van Johnson, (more)
- 1950
Joyfully preparing for her high-school graduation, and her 18th birthday, Gail Macauley (Ann Blyth) stumbles across a family secret. Contrary to what she's been raised to believe, Gail's parents (Jane Wyatt, Donald Cook) are not her biological parents; she was adopted. Setting a precedent that would be followed by many adoptees of the 1970s and 1980s, Gail will not rest until she tracks down her natural mother. A soap opera deluxe, Our Very Own should not be too closely scrutinized in terms of plot and logic. It is best to revel in the performances by such surefire veterans as Ann Dvorak (as Gail's biological mother) and Gus Schilling (as a flustered television installer), and by such talented "youngsters" as Joan Evans, Phyllis Kirk and Natalie Wood. And as a bonus to Baby Boomers, the film offers a glimpse of the legendary "Indian Head" TV test pattern (yes, it goes back that far!) Our Very Own was written by F. Hugh Herbert, produced by Sam Goldwyn, and directed by David Miller, none of whom make a false move throughout the film's 93 minutes. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Blyth, Farley Granger, (more)
- 1950
Lana Turner stars as an ambitious model who seeks her fortune in New York City. She is befriended by over-the-hill cover-girl Ann Dvorak, whose performance carries the story until she commits suicide twenty minutes into the film. Turner promises herself that she won't end up burned out like Dvorak, but as her fame grows, she is inexorably drawn into the hectic social whirl that sealed Dvorak's doom. Enjoying the favors of wealthy Ray Milland, Turner seeks out Milland's wife (Margaret Phillips), hoping to convince the woman to give up her husband. When she meets the crippled Mrs. Milland, Turner is made painfully aware of the length and breadth of the woman's love for her husband. Turner pulls out of the relationship, and we are encouraged to believe that hers will be a much happier and more fulfilling life than that of the unfortunate Ann Dvorak (ironically, in real life Ann Dvorak's final days were relatively contented ones, while Lana Turner spent her twilight years wondering where the looks, the men and the money had gone). Though not so noted in the credits, A Life of Her Own was inspired by The Abiding Vision, a novel by Rebecca West. Bronislau Kaper's musical score was later recycled for the 1951 MGM romantic drama Invitation. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, Ray Milland, (more)
- 1950
In their never-ending efforts to create a movie series to match the success of "The Thin Man," MGM came up with the fast-paced programmer Mrs. O'Malley and Mr. Malone. Based on characters created by Craig Rice, the film stars James Whitmore as lawyer and part-time sleuth John J. Malone (this character had previously appeared in several other films, as well as the radio series The Amazing Mr. Malone). In his efforts to track down an embezzler, Mr. Malone boards a train heading for New York. Meanwhile, Mrs. Hattie O'Malley (Marjorie Main), a raucous widow from Montana, is also travelling to New York to claim her prize money from a radio contest. During the journey eastward, the man whom Malone is seeking ends up dead. Thanks to Mrs. O'Malley's well-intentioned interference, Malone ends up being accused of murder. How this mismatched pair manages to solve the mystery and save their own hides is good for several laughs. Mrs. O'Malley and Mr. Malone didn't result in a series, though James Whitmore and Marjorie Main make a surprisingly copacetic screen team. ~ Hal Erickson, All Movie Guide
- Starring:
- Marjorie Main, James Whitmore, (more)
