Joe Kirk Movies
Joe Kirk was seldom more than a supporting actor -- and usually a bit player -- in feature films, but he left an indelible mark on 1950s television comedy, through his association with Bud Abbott and Lou Costello. That association was partly professional and largely personal, as he was Costello's brother-in-law. Some sources credit Kirk with film appearances as far back as the mid-'30s in movies such as Circle of Death and The Taming of the West, but his main body of movie work began at around the same time that Abbott & Costello first arrived in Hollywood in 1940. His early appearances weren't in their comedies (though that would soon change) but, rather, in the movies of the East Side Kids at Monogram, specifically Spooks Run Wild, Mr. Wise Guy, Smart Alecks, and Dick Tracy vs. Crime Inc., usually as gangsters and thugs who had little more to do than stand there and look menacing in a group. He began appearing in his brother-in-law's movies with Pardon My Sarong (1942). Usually in small roles and often as gangsters and henchmen with occasional comic bits and once in a while advancing the plot, it wasn't until Abbott & Costello Go To Mars (1953) that Kirk got a featured scene; in a comic slapstick battle of wits (or half-wits) with Lou Costello. By that time, Abbott & Costello had already given Kirk the role by which he would become best known, as Mr. Bacciagalupe on The Abbott & Costello Show. With his phony moustache and broken English, Kirk was a masterpiece of politically incorrect characterization, but also extremely funny in his slapstick interactions with Costello, usually batting Costello around the set in one way or other. Most of the rest of Kirk's career was as a general purpose actor, playing a succession of clerks, police officers, workers, and character roles in films by directors as different as Jean Yarbrough's (Hot Shots) and Fritz Lang's (Beyond a Reasonable Doubt). He retired in 1956, around the same time that Abbott & Costello split up and their respective careers ended. ~ Bruce Eder, All Movie Guide- 1944
Engineer Scott Henderson (Alan Curtis) is at a seedy midtown Manhattan bar early one evening, drowning his sorrows over a failed marriage, when he strikes up a conversation with a woman (Fay Helm). She's well dressed, with a very ornate hat topping off her ensemble, and also seems even sadder and more lost than he is. Henderson persuades her to join him in taking advantage of the two theater tickets he has. They attend the show -- a song-and-dance showcase by a Brazilian artist (Aurora) -- and then part company without ever exchanging names. He returns home to find three detectives in his apartment and his wife strangled. Inspector Burgess (Thomas Gomez) questions Henderson and tries to verify his alibi, but no one -- not the bartender, the cabbie who hauled them to the theater, or the drummer in the band who was watching her -- admits to remembering the woman. Henderson can't prove that he was elsewhere when his wife was strangled and is convicted of murder and sentenced to death. His assistant, Carol Richman (Ella Raines), who has watched all of this happen, can't sit by while Scott is destroyed, and decides to get at the truth, joined by Inspector Burgess, who now believes Henderson to be innocent. Carol hounds the bartender (Andrew Tombes) until he seems ready to crack, but before he talks, he tries to get away from her and dies in an accident. The drummer, Cliff Milburn (Elisha Cook Jr.), proves more talkative and reveals that someone paid him 500 dollars to forget about the woman, but before Burgess can question him, he's strangled. It seems as though there's no hope left, even with the added help of Jack Marlow (Franchot Tone), Scott's best friend, newly returned from Brazil, when Carol gets a line on the unusual hat the woman was wearing. She traces the hat to its owner in a mansion on Long Island, where she is recovering from a breakdown over the death of her fiancé -- that was her trouble on the night she crossed paths with Scott Henderson. It is only on returning to New York, while awaiting Burgess' arrival, that she realizes that Jack Marlow is the murderer -- that he returned after having dinner with them, following their fight, and strangled Henderson's wife; paid off the bartender, the cab driver, and Cliff Milburn to keep them from revealing the existence of the woman that Scott was with; and killed Milburn to prevent him from talking; and he plans to kill Carol before she can talk to Burgess. ~ Bruce Eder, All Movie Guide
- Starring:
- Franchot Tone, Ella Raines, (more)
- 1944
In this swashbuckler, a princess is raised by gypsies and becomes their queen. The trouble really begins when a count is murdered and the evil, ambitious baron who really did it blames the crime on the gypsies. The baron's messenger knows the truth and tries to prove it. When he notices that the gypsy queen is wearing a pendant bearing the slain count's crest, he reveals her true identity--the count's estranged sister and heir to the throne. The messenger then accuses the baron of the death. The baron has him thrown into the same dungeon as the gypsies and together they team up and escape. Meanwhile the gypsy girl, who has finally promised to marry the wicked baron in exchange for her clan's freedom, is kidnapped by the baron. The gallant messenger rescues her, kills the baron, and gets to marry the young queen. ~ Sandra Brennan, All Movie Guide
- Starring:
- Maria Montez, Jon Hall, (more)
- 1944
Perennial second lead Una Merkel and radio dialect comedian Parkyakarkus team up in the Monogram musical fantasy Sweethearts of the USA. While working in a defense plant, Patsy (Merkel) is rendered unconscious-or at least, more unconscious than usual. While knocked out, she dreams that she's a fearless detective, teamed with tangle-tongued Parkyakarkus on the trail of bank robbers. If things could get any sillier, they probably would, but unfortunately the film lasts only 63 minutes. Incidentally, Parkyakarkus' real name was Harry Einstein, and he was the father of comic actors Bob Einstein and Albert Brooks. ~ Hal Erickson, All Movie Guide
- Starring:
- Una Merkel, Parkyakarkus [Harry Einstein], (more)
- 1943
Clare Booth Luce's once-timely stage comedy Margin for Error was indifferently transferred to the screen in 1943. Milton Berle stars as Moe Finkelstein, a Jewish Brooklyn policeman assigned to guard Nazi consul Karl Baumer (Otto Preminger) in pre-WW II New York. Baumer is not only an anti-Semitic brute, but he's also a crook, siphoning off German consulate funds for his own use. His perfidy is well known by his wife Sophie (Joan Bennett), who married Baumer only to save her family from a concentration camp, and by Baumer's assistant Baron von Alvenstor (Carl Esmond). Thus, when Baumer is found dead of poison, stabbing and gunshot wounds, Sophie and the Baron are immediately suspected of murder. But Finkelstein comes to the rescue by piecing together the clues and coming up with a bizarre, but credible, solution to the crime. Having previously directed himself as Karl Baumer in the Broadway version of Margin for Error, Otto Preminger felt qualified to do the same in the film version: as a result, Preminger has no one but himself to blame for his shamelessly hammy performance. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Bennett, Otto Preminger, (more)
X Marks the Spot was the first of eight brisk wartime-oriented melodramas, each running slightly under an hour, produced and directed in rapid succession by George Sherman. Private detective Eddie Delaney (Damian O'Flynn) swings into action when his father (Robert E. Homans), a police sergeant, is gunned down by rubber racketeers (please recall that rubber was a valuable commodity during WW2). With the help of heroine Linda Ward (Helen Parrish) and police lieutenant Decker (Dick Purcell), Delaney chases after the villains, experiencing all sorts of serial-like dangers along the way. Numbered among the bad guys are the typecast Jack LaRue and the cast-against-type Neil Hamilton (later Batman's Commissioner Gordon). Though the script covers familiar ground, X Marks the Spot is exhilarating entertainment in the true Republic Pictures tradition. ~ Hal Erickson, All Movie Guide
- Starring:
- Damian O'Flynn, Helen Parrish, (more)
- 1942
One of the most often revived of Abbott & Costello's early-1940s films, Pardon My Sarong casts Bud and Lou as Chicago bus drivers Algy Shaw and Wellington Pflug. At the behest of millionaire playboy Tommy Layton (Robert Paige), Algy and Wellington hijack their own bus and speed off to California so that Tommy won't be late for an important yachting race. Our heroes are hotly pursued by bus-company troubleshooter Kendall (William Demarest), while Tommy's trail is dogged by rival yacht-owner Joan Marshall (Virginia Bruce). Eluding Kendall when they inadvertently drive their bus into the ocean, Algy and Wellington are rescued by Tommy and Joan, who through a plot wrinkle have been forced to share the same yacht. After several days of drifting aimlessly across the Pacific, the yacht ends up on a remote South Sea Island, where Algy and Wellington flirt capriciously with the local native girls. Through a fluke, Wellington is served up as a sacrifice victim and ordered to enter a sacred volcanic mountain-which happens to be the hideout for jewel thief Varnoff (Lionel Atwill) and his gang. The story wraps up with a zany Sennett-like chase, with Wellington attempting to rescue the kidnapped Joan from Varnoff's speedboat. Filled to overflowing with hilarious sight gags, cross-talk routines and throwaway lines, Pardon My Sarong scores on two levels: as a devastating send-up of Dorothy Lamour jungle epics and as a first-rate vehicle for Bud Abbott and Lou Costello. One one quibble: the film certainly could have done without the scene in which Bud invites Lou to commit suicide! ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
Short of funds to buy baseball uniforms, the East Side Kids are forced to go to work for their crooked ex-pal Hank (Gabriel Dell). When Hank's fugitive mentor Butch Brocalli (Max Rosenbloom) shows up to make trouble, gang member Danny (Bobby Jordan) is instrumental in Butch's arrest, earning a big reward in the process. Danny intends to suprise his pals by buying the uniforms himself, but Mugs (Leo Gorcey) wrongly assumes Danny wants to hoard all the money for himself. Mugs and the rest of the gang force Danny to turn over the dough, whereupon they buy a beat-up car. But when Danny is seriously injured by the escaping Brocalli, the kids offer to sell the car to pay for an operation. Kindly brain surgeon Dr. Ornsby (Walter Woolf King) sizes up the situation and straightens things out to the satisfaction of everyone. The East Side Kids are at their most contentious and least appealing in this second-rate entry, while Maxie Rosenbloom, usually a comic actor, is sorely miscast as the villain. ~ Hal Erickson, All Movie Guide
- Starring:
- Leo Gorcey, Bobby Jordan, (more)
In this "East Side Kids" escapade (the eighth in the series), the gang, led by Muggs McGinniss (Leo Gorcey), help a man load a barrel on a truck. Little do they know that the man is a crook; accused of trying to steal the truck, they are immediately and without due process sent to reform school. Meanwhile, a gang members' brother is framed for murder and sentenced to death (justice is dispensed with remarkable swiftness on the East Side). The imprisoned gang watch a newsreel which features the man whom they'd helped load the truck. The man was filmed picking up a lottery prize for the his boss, a supposedly dead gangster who committed the murder for which the boy mentioned a few sentences back was framed. With the flimsiest of evidence, Muggs and his boys figure that the barrel loaded on the truck contained the murderous gangster. They escape from reform school (almost as easily as they'd gotten in), track down the gangster's henchman, extract a confession and save the condemned boy at the last minute. Insanely illogical, Mr. Wise Guy is lifted ever so slightly from mediocrity by the supporting performance of Billy Gilbert as the gangster's stooge. ~ Hal Erickson, All Movie Guide
- Starring:
- Leo Gorcey, Bobby Jordan, (more)
- 1942
With only a minimal romantic subplot and no music whatsoever, Who Done It? is pure, undiluted Bud Abbott and Lou Costello, and a good mystery on its own to boot. Bud and Lou star as Chick Larkin and Mervyn Milgrim, a pair of soda jerks who aspire to become radio detective-show writers (their latest epic is "The Midget Gets the Chair-or, Small Fry"). Invited by their radio-scrivener pal Jimmy Turner (Patric Knowles) to attend a broadcast of the "Murder at Midnight" program, Chick and Mervyn are on hand when network president Colonel Andrews (Thomas Gomez) is murdered just before delivering a vital patriotic message. While waiting for the official police to show up, Chick and Mervyn decide to try to solve the case on their own, thereby securing their reputations as writers. The boys manage to convince everyone-even the real killer-that they're genuine gumshoes, only to be exposed when the real cops, Moran (William Gargan) and Brannigan (William Bendix) arrive on the scene. Ultimately, the murderer is revealed, leading to an exciting rooftop chase, with poor Mervyn suspended between two skyscrapers on a slender electrified wire. The comic highlights of Who Done It? are too numerous to mention here, but they include Mervyn's misadventures in the radio-transcription room, his confrontations with a wise-guy page boy (Walter Tetley), his "Not watts, volts!" exchange with the exasperated Chick, and an athletic interlude with those world-famous tumblers, the Flying Bordellos (sic!). Best bit: Upon winning a quiz program, the boys eagerly turn on their prize, a portable radio--only to turn it off in disgust when Abbott and Costello sign on the air ("Every time you hear those guys, it's 'Who's on First-What's On Second!'") ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
In their first of two Monogram spook comedies, the East Side Kids and Bela Lugosi square off in yet another haunted house. On their way to summer camp, the malapropism dependant East Siders are warned of a "monster killer" loose in the area, and, sure enough, almost immediately encounter Nardo (Lugosi) and his weird little helper Luigi (Angelo Rossitto). Nardo does very little to repudiate the Kids' impression of him as a vampire (the Kids say "vulture" lest Monogram should get in trouble with Universal, who held the rights to Dracula), but is he really the monster killer? Perhaps Doctor Von Grosch (Dennis Moore) knows, the famed mystery writer and "monster hunter" having arrived like clockwork at the creepy Billings mansion with camp nurse Linda Mason (Dorothy Short) in tow. Although Peewee (David Gorcey) is at one point feared to have become the victim of the "vulture," the smart aleck turns up safe and sound, and Muggs (Leo Gorcey) and the Kids decide to trap the killer. And so they do, ably assisted by young attorney Jeff Dixon (Dave O'Brien), who, for reasons not immediately clear, has a vested interest in the well being of the East Side Kids. O'Brien and leading lady Dorothy Short were married in real life. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Bela Lugosi, Leo Gorcey, (more)
In the introductory episode of The Abbott & Costello Show, we meet the two heroes, down-on-their-luck performers who owe too much rent to their landlord, Mr. Fields (Sidney Fields). To help pay it off, slick conman-type Bud Abbott maneuvers roly-poly comic Lou Costello into a job as a soda jerk and counterman at the drugstore owned by Mr. Fields' brother (also played, naturally, by Sidney Fields). Costello tries hard, but he's exasperated by a group of boys who each want five cents' worth of licorice, an alternately aloof and flirty neighbor (Hillary Brooke), an overgrown obnoxious kid (Joe Besser), and an ill-tempered customer (Joe Kirk) who thinks 10 cents is too much to pay for one scoop of ice-cream. This episode also includes one of the funniest moments in the two-season run of the show, Costello's attempt to tell the story of "Jonah and the Whale." Also worth the price of admission is a pair of appearances by Iris Adrian, doing a priceless vaudeville gag. ~ Bruce Eder, All Movie Guide
