Bruno Kirby Movies

The most infamous multiple murders of the 1960s are brought back to life in this, the second made-for-television adaptation of Vincent Bugliosi and Curt Gentry's best-selling account of Charles Manson and his "family." Linda Kasabian (Clea DuVall) is a young runaway with a baby who, while wandering the fringes of Los Angeles' hippie subculture, encounters Charles Manson (Jeremy Davies), a charismatic ex-convict and aspiring musician who travels with a group of young people, mostly women, whom he calls his "family." Kasabian soon falls into Manson's orbit and moves in with the group at a combination riding range and standing Western-movie set, where she and the other members of the family -- among them Patricia Krenwinkel (Allison Smith), Susan Atkins (Marguerite Moreau), Squeaky Fromme (Mary Lynn Rajskub), "Tex" Watson (Eric Dane), and Bobby Beausoleil (Michael Weston) -- subsist through petty crime, handouts, and rescuing food from trash bins and bond with their leader through drugs, group sex, and constant study of his apocalyptic philosophy. Like the other members of the group, Kasabian's life soon revolves around Manson, who is desperate to record his music and frustrated with the slow progress he's seeing from his patron Dennis Wilson, drummer with the Beach Boys. Certain that an international race war foretold in his songs will soon wipe out civilization, and that he and his family will ultimately persevere, Manson decides it's time to kick start events by staging a pair of spectacularly repellent murders, which are carried out by members of his family who have been taught not to question Manson's word. In time, Manson and his family are arrested in connection with the murders, and District Attorney Vincent Bugliosi (Bruno Kirby) is given the difficult task of untangling the mingled strands of the bizarre killings and making a case in court against the family. Helter Skelter was first aired on Sunday, May 16, 2004, by CBS; the film was subjected to last-minute cuts to tone down the violent content in the film's gruesome murder sequences. ~ Mark Deming, All Movie Guide

Making its world premiere at the 1999 Sundance Film Festival, this story adapted for the screen and directed by first-timer Toni Kalem is based on the Anne Tyler novel of the same name. The story deals with finding love in a dead-end life. Evie (Lili Taylor) is a loner, living with her widowed father, who works at an aging kiddie park where she is a costumed cartoon character. One night she hears the words and music of a musician named Drumstrings Casey (Guy Pearce) on the radio, and Evie is immediately infatuated by him. She attends his concerts and falls in love with him. The problem is he doesn't know she exists, so Evie decides to carve Casey's name on her forehead with broken glass. The resulting media attention gets her an introduction to Drumstrings Casey himself. From there, a relationship develops as Casey needs Evie for creative support and Evie needs Casey for emotional stability. Soon after, they get married; unfortunately their problems only get worse as Casey's career takes a nosedive and Evie's father passes away. Will these two people make something of themselves or will they forever just be slipping down life? ~ Chris Gore, All Movie Guide

Desperate for an A-list guest as his final show draws ever closer, Larry (Garry Shandling) determines that he must overcome his discomfort with affectionate old friend David Duchovny in order to secure an appearance from the X-Files star. Meanwhile, Artie (Rip Torn) struggles to keep the emotional staff afloat in hopes of producing a memorable swan song for The Larry Sanders Show. ~ Jason Buchanan, All Movie Guide

When Larry (Garry Shandling) gets the first draft of his memoir back from the publisher, it soon begins to dawn on the host what a bitter and cynical man he has become. When Hank (Jeffrey Tambor) catches wind of Larry's book, the paranoid sidekick soon begins to fret that the dreaded "incident" will make the cut and humiliate him beyond belief. Meanwhile, Artie (Rip Torn) finds inspiration in Larry's project and begins penning a memoir of his own, while Beverly (Penny Johnson) jumps to conclusions about a secret admirer. ~ Jason Buchanan, All Movie Guide

The sudden exhumation of the remains of a person who was obviously walled up alive reopens a ten-year-old unsolved crime. Howard (Melissa Leo) and Munch (Richard Belzer) follow the trail of clues to a fanatical devotee of Edgar Allan Poe (this is, after all, in Baltimore). Elsewhere, the entire police force learns of the pregnancy of Pembleton's (Andre Braugher) wife, and Munch's date with Dr. Alyssa Dyer (Harlee McBride) takes an unexpected detour thanks to Alyssa's roommate. ~ Hal Erickson, All Movie Guide

The Larry Sanders Show gets a new producer in this episode of HBO's popular late-night talk show satire. When Artie gets stuck on the freeway during torrential rains, Paula (Janeane Garofalo), the show's booker, momentarily takes over the reigns as producer. Guest stars include Bruno Kirby, Les Lannom, D.V. DeVincentes, Stephen Wright, and Porno for Pyros. ~ Jason Buchanan, All Movie Guide

Not for the first time in his life, Frasier (Kelsey Grammer) finds himself on the horns of an ethical dilemma. It seems that Frasier has begun dating an attractive woman named Catherine (Amanda Donohoe). Trouble is, Catherine's boyfriend has just broken up with her -- acting upon the advice given him by a certain radio psychologist named Frasier Crane. When the ex-boyfriend calls into Frasier's radio show expressing a desire to patch things up with Catherine, our hero is forced to pull a few desperate strings. ~ Hal Erickson, All Movie Guide

Veteran Hollywood screenwriter Clyde Ware handled the directing chores in Bad Jim. The film is worth noting as the cinematic debut of John Clark Gable, the son of guess who. Gable, James Brolin, and Richard Roundtree play three soft-hearted bandits who purchase a horse from Billy the Kid. They use the easily recognizable steed to convince their victims that they are members of Billy's gang-thus eliminating the nasty necessity of gunplay. One of the gang members breaks away from the others, taking the horse with him, and pretty soon he's every bit as mean and dangerous as the real Billy. The film's pace may be a bit too measured for some tastes, but the characters are believable and the story has its own peculiar logic. Bad Jim is slightly reminiscent of John Ford's Three Godfathers; both films, in fact, feature Harry Carey Jr. is a supporting role. ~ Hal Erickson, All Movie Guide

Rob Reiner coproduced, cowrote and costarred in this TV-movie about suburban "angst" in the 1980s. Reiner is one of four wealthy Long Islanders who play for an amateur softball team. All four men (Reiner, Bruno Kirby, Robert Costanzo and Christopher Guest) suffer from profound personal and professional problems, thus the weekly ball game becomes a method of working out their frustrations. So adept do they become at this cathartic activity that their team makes it to the state-wide championship--which leads to yet another crisis. Million Dollar Infield was the first of several "behind the scenes" projects for onetime TV sitcom star Rob Reiner; more recently, Reiner has been responsible for such moneymaking theatrical films as This is Spinal Tap, Misery and A Few Good Men. ~ Hal Erickson, All Movie Guide

Bruno Kirby was labelled an "overnight" star of the early 1990s thanks to such films as The Freshman (90) and City Slickers (91), but he'd been working since the late 1970s in both films and TV. The 1978 low budgeter Almost Summer top-bills Kirby as a "mover and shaker" high schooler who helps a nice-guy student, Darryl (John Friedrich), run against his former girlfriend. Darryl resigns from the class presidency when he learns the election was fixed. But Kirby is popular enough to win the re-election, without the crooked political machinations of certain school administrators. Featured in the cast were several members of Hollywood's 1970s equivalent to the 1980s "brat pack", including Didi Conn, Lee Purcell and Tim Matheson. The subtlety and perceptiveness of Almost Summer would be buried within a year by the onslaught of Animal House and its many clones. ~ Hal Erickson, All Movie Guide

In this WWII-era drama, Jan-Michael Vincent plays Marion Hedgepeth, a young Marine who fails out of a boot camp in 1943 and gets sent home wearing a baby blue suit to symbolize shame and dishonor. In Los Angeles, he runs into a veteran who -- eager to be discharged -- k.o.'s him and switches their uniforms. When Marion regains consciousness, he's clad in a hero's uniform. He begins hitching his way toward his home in St. Louis, dreading the prospect of confessing to his folks, but stops for a time in a small town where he's mistaken for a hero and immediately falls in love with a waitress, Rose (Glynnis O'Connor). Meanwhile, as the truth threatens to emerge and bring disgrace raining down onto his head, several residents of a Japanese internment camp escape. ~ Nathan Southern, All Movie Guide

M*A*S*H began its 11-year tour of duty on September 17, 1972, with its pilot episode, clevely titled "The Pilot," in which the staff of the 4077th tries to raise 1000 dollars tuition to send Hawkeye's (Alan Alda) Korean houseboy Ho-Jon (Patrick Adiarte) to medical college in America. One of the fundraising schemes is a raffle; the grand prize is a weekend in Tokyo with the delectable Nurse Dish (Karen Philipp). The winner of the raffle comes as a shock to everyone -- no more so than the viewer, who may be surprised to see an unfamiliar actor playing this soon-to-be very familiar M*A*S*H character. ~ Hal Erickson, All Movie Guide