Klaus Kinski Movies

When Dr. Peter Fales's (Klaus Kinski) patients start getting annhilated by an unknown serial killer, he and his daughter Alison (Donna Wilkes) both come under suspicion. Part slasher film and part psychological thriller, Schizoid co-stars Marianna Hill as Julie, a syndicated "Dear Abby"-style columnist who also happens to be in one of Dr. Fales's therapy groups. After she receives several ominous letters she not only wonders if Dr. Fales might be behind the killings, she also starts to suspect her estranged husband. ~ Eleanor Mannikka, All Movie Guide

Klaus Kinski plays a motorcycle rider whose bike breaks down in a small French village. He is helped by Madeleine (Maria Schneider), a young woman who is a social outcast from having a child out of wedlock. When news spreads that a little girl was run down by a cyclist, locals focus their blame on Kinski. A lynch mob is formed by a truckdriver (Patrice Melennes) who seeks revenge on the stranger accused of the hit-and-run accident. Kinski does well in an uncharacteristic role evoking sympathy from the viewer. ~ Dan Pavlides, All Movie Guide

Controversial German director Werner Herzog helmed this cinematization of Woyzeck, playwright Georg Büchner's anti-military tale of depersonalization run amok. Utilizing the more grotesque elements of German expressionism, combined with his own sense of the outrageous, Herzog plunges us directly into the middle of his story of a soldier (Klaus Kinski) who is conditioned to be an unthinking killing machine through lab experimentation. His one vestige of humanity is his love for the beautiful Marie (Eva Mattes), but even this is corrupted when he is goaded into murdering the girl. An earlier film version of Woyzeck, filmed in 1947, was released in the U.S. in 1981. ~ Hal Erickson, All Movie Guide

Roland des Roncesvalles is a legendary knight from the age of chivalry in France. In the 11th-century epic La Chanson de Roland, he is depicted as a key figure in halting the advance of the Arabs into France. In this story, the 10th-century legend is staged by a group of 12th-century pilgrims using the 11th-century poem. Their acting is interrupted by a violent peasant uprising, which kills many of their number. However, one of the survivors, who was playing Roland (Klaus Kinski), is converted to the peasant cause and later speaks out in favor of more just treatment for the downtrodden. ~ Clarke Fountain, All Movie Guide

This thrill-packed fact-based action-adventure from Israel chronicles the daring rescue of 104 passengers from a hijacked plane in Entebbe, Uganda, on July 4, 1976. The film is also known as Entebbe: Operation Thunderbolt. ~ Sandra Brennan, All Movie Guide

Klaus Kinski is the leading man of The Liberators. But, Kinski being Kinski, we'd hesitate to call him the hero. He's a crooked World War 2 soldier with no friends at all. He butts heads with the Germans, the Americans and his own partners in crime. The film's title, need we add, is meant to be ironic. ~ Hal Erickson, All Movie Guide

This Hallmark Hall of Fame adaptation of the classic fairy tale Beauty and the Beast stars George C. Scott and his wife Trish Van Devere in the title roles -- and it should not take a rocket scientist to determine who plays what role. It all begins when Edward Beaumont (Bernard Lee) makes the fatal error of offending a bestial nobleman (Scott), whose ugly, boarlike countenance seemingly reflects a malevolent personality. To save her father from harm, Edward's gorgeous daughter, Belle (Van Devere), agrees to live as a permanent guest in the beast's huge, forboding mansion. Although he has all the resources of magic and mysticism at his beck and call, the Beast comes to the melancholy conclusion that the otherwise dutiful Belle will never consent to become his bride. But miracles do happen, and the virtuous Belle is able to burrow through the Beast's hideous façade and reveal the kindly, fragile soul within -- and in so doing, she herself grows and matures as a human being. Filmed in England, this production originally aired December 3, 1976, on NBC. ~ Hal Erickson, All Movie Guide

After one of his peers apparently commits suicide, a doctor (Hiram Keller) discovers that the dead man had developed a drug which halts the aging process. ~ Jason Ankeny, All Movie Guide

An amiable con man sets out to land a big score from a man even less honorable than himself in this comic spaghetti western. Joe Thanks (Terence Hill) is a swindler and quick-draw artist who wanders into a dusty little town after literally falling out of a stagecoach while asleep. After besting card-sharp Doc Foster (Klaus Kinski) in a public shootout, Joe reconnects with his old friend Steam Engine Bill (Robert Charlebois), who is traveling with his beautiful but dizzy-headed girlfriend Lucy (Miou-Miou). Joe has learned that Major Cabot (Patrick McGoohan), an officer in the U.S. Cavalry, is escorting a $300,000 fortune that's been earmarked for Indian relief efforts; however, Cabot has no intention of actually delivering the cash, so Joe hatches a scheme to take it for himself. Bill, who bears a slight resemblance to Cabot, will pose as the officer and intercept the money, but when Bill and Lucy are found out and jailed, Joe must come to their rescue. While his name does not appear in the credits, Sergio Leone is said to have co-produced Un Genio, Due Compari, Un Pollo (aka A Genius, Two Partners, and a Dupe) and directed the pre-credit sequence, with Damiano Damiani helming the rest of the picture and receiving screen credit. In Germany, the film was released as Nobody ist der Grosste (aka Nobody is the Greatest) and marketed as an unofficial sequel to Il Mio Nome e Nessuno (aka My Name Is Nobody). ~ Mark Deming, All Movie Guide

Italian filmmaker Luigi Bazzoni (Giornata Nera per l'Ariete) directed this stylish and surrealistic giallo thriller reminiscent of such paranoid classics of the form as Il Profumo della Signora in Nero and Tutti i Colori del Buio. Florinda Bolkan stars as a translator named Alice Cespi, whose life is falling apart due to strange memories from childhood when she was forced to watch a film called "Footprints on the Moon" involving an unethical experiment in leaving astronauts stranded on the moon's surface. Alice has terrible dreams and begins to become addicted to tranquilizers, desperate to shake surreal visions such as being chased across a beach by fully attired astronauts. The drugs and her deteriorating mental condition cause her to miss work and she is eventually fired, whereupon she travels to a dilapidated former tourist area called Garma after receiving a mysterious postcard. There, she runs into a girl named Paula Burton (Nicoletta Elmi from Profondo Rosso), who tells her that she looks exactly like another woman, Nicole, currently staying at the faded resort. Alice then encounters a series of strange people and circumstances, all leading her closer to unlocking the possibly deadly mystery. Shot by award-winning cinematographer Vittorio Storaro (Apocalypse Now), the film -- based on Mario Fenelli's novel Las Huerras -- uses its haunting settings and Alice's disorienting visions to create an air of sustained dread. Peter McEnery co-stars with Ida Galli (aka Evelyn Stewart), Klaus Kinski, and Lila Kedrova. Various available versions run from 88 to 110 minutes, with substantial variations in tone and effectiveness. ~ Robert Firsching, All Movie Guide

In this spaghetti Western, Richard Harrison stars as a mercenary who hunts down the gunrunners who raped his wife (Anne Puskin) and killed his brother. ~ Jason Ankeny, All Movie Guide

Death Smiles on a Murderer (La Morte ha Sorriso All'Assassino) is a grotesque yarn starring the equally grotesque Klaus Kinski. The murderer of the title thinks he's gotten off scott free. But, no, someone has been dabbling in Things Man Was Not Meant to Know, and soon the murder victims have been brought back to life. Ewa Aulin, star of the controversal 1968 comedy Candy, also appears. Death Smiles on a Murderer was directed, written and photographed by the prolific Aristide Massaccesi, also known as Joe D'Amato. ~ Hal Erickson, All Movie Guide

The most famed and well-regarded collaboration between New German Cinema director Werner Herzog and his frequent leading man, Klaus Kinski, this epic historical drama was legendary for the arduousness of its on-location filming and the convincing zealous obsession employed by Kinski in playing the title role. Exhausted and near to admitting failure in its quest for riches, the 1650-51 expedition of Spanish conquistador Gonzalo Pizarro (Alejandro Repulles) bogs down in the impenetrable jungles of Peru. As a last-ditch effort to locate treasure, Pizarro orders a party to scout ahead for signs of El Dorado, the fabled seven cities of gold. In command are a trio of nobles, Pedro de Ursua (Ruy Guerra), Fernando de Guzman (Peter Berling), and Lope de Aguirre (Kinski). Traveling by river raft, the explorers are besieged by hostile natives, disease, starvation and treacherous waters. Crazed with greed and mad with power, Aguirre takes over the enterprise, slaughtering any that oppose him. Nature and Aguirre's own unquenchable thirst for glory ultimately render him insane, in charge of nothing but a raft of corpses and chattering monkeys. Aguirre, der Zorn Gottes (1973) was based on the real-life journals of a priest, Brother Gaspar de Carvajal (played in the film by Del Negro), who accompanied Pizarro on his ill-fated mission. ~ Karl Williams, All Movie Guide