Klaus Kinski Movies

It is early in the 20th century, and an American traveler has come to Mexico at just the wrong time to continue living a peaceful life, for the Revolution has begun and he quickly finds himself in the thick of it. At first, he is right in the middle between government troops and the revolutionaries and bandidos as they attack a train. Later, he finds himself among the decidedly scruffy-looking revolutionaries and even finds some romantic interest in a hot-tempered girl who is among them. ~ Clarke Fountain, All Movie Guide

In this suspenseful caper, a sightless professor decides to steal jewels and relics from the Vatican. ~ Sandra Brennan, All Movie Guide

Douglas Sirk directed this doomed World War II love story, seen from the German side of the war, as filtered through a distinctly late-'50s Hollywood banality. The film is based on the novel by Erich Maria Remarque, the author of the classic World War I anti-war novel All Quiet On the Western Front -- and who makes a cameo appearance in the film as an elderly schoolteacher. The film stars John Gavin as Ernst Graber, a young Nazi soldier home on leave during the height of World War II. While on leave, he falls in love and marries Elizabeth Kruze (Lilo Pulver). With bombs falling all around the young couple, they set up house with a kindly old woman. Then Elizabeth becomes pregnant. But before Ernst can grasp the reality of his becoming a father, he is sent back to the war -- to fight the brutal battle along the Russian front. ~ Paul Brenner, All Movie Guide

Several movie genres collide head-on in Android. Klaus Kinski plays a slightly cracked scientist, working in solitude on a remote space station. Kinski is hoping to develop a race of humanlike robots, the prototype of which is Max. 404 (Don Opper). He is interrupted by a coed gang of space-hopping escaped convicts. One of the cons, the lovely Brie Howard, falls in love with Max. 404, and he with her. The android's less attractive traits are exhibited when he jealously attempts to destroy female robot Kendra Kirchner. Though there's no budget to speak of, Android is one of the more likeable second-echelon sci-fiers of the 1980s. ~ Hal Erickson, All Movie Guide

This Hallmark Hall of Fame adaptation of the classic fairy tale Beauty and the Beast stars George C. Scott and his wife Trish Van Devere in the title roles -- and it should not take a rocket scientist to determine who plays what role. It all begins when Edward Beaumont (Bernard Lee) makes the fatal error of offending a bestial nobleman (Scott), whose ugly, boarlike countenance seemingly reflects a malevolent personality. To save her father from harm, Edward's gorgeous daughter, Belle (Van Devere), agrees to live as a permanent guest in the beast's huge, forboding mansion. Although he has all the resources of magic and mysticism at his beck and call, the Beast comes to the melancholy conclusion that the otherwise dutiful Belle will never consent to become his bride. But miracles do happen, and the virtuous Belle is able to burrow through the Beast's hideous façade and reveal the kindly, fragile soul within -- and in so doing, she herself grows and matures as a human being. Filmed in England, this production originally aired December 3, 1976, on NBC. ~ Hal Erickson, All Movie Guide

As if in some way Billy Wilder sensed that Buddy Buddy would ultimately turn out to be his final feature film, Wilder lets loose scatter-shot stingers at a wide range of pop-culture targets -- from sex clinics, to 60 Minutes, to movie references, to disco, to Betamax video recorders. Based on Francis Veber and Edouard Molinaro's L'emmerdeur (known in the United States as A Pain in the A. . .), Buddy Buddy concerns the unlikely pairing of a gruff hitman and a suicidal klutz. Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola (Fil Formicola), set to testify against the mob. As Trabucco heads off to a hotel across the street from the courthouse where he plans to set his hit, he runs into the depressed Victor Clooney (Jack Lemmon), who laments the fact that his wife has left him for the head of a weird Californian sex clinic. Trabucco keeps walking and sets up his rifle in a hotel room. He is disturbed by Victor trying to hang himself in the adjoining hotel room and tries to prevent him from killing himself by restraining him, but Victor breaks loose and climbs onto the ledge of the hotel window. To get Victor to come back in, he agrees to drive him to the clinic to see his wife. The two go to the clinic where Victor's wife Celia (Paula Prentiss) informs Victor that she is in love in the head of the clinic, quack Dr. Zuckerbrot (Klaus Kinski). When Victor finds out that Celia is filing for divorce, he heads back to the hotel to kill himself, with Celia and Dr. Zuckerbrot in pursuit. Arriving at the hotel, they plan to inject Victor with a sedative but stick Trabucco with the needle instead. Trabucco reveals to Victor his assignment to kill Rudy, and Victor tries to help him with the killing. ~ Paul Brenner, All Movie Guide

During WWII, the army chooses five of its most courageous and coldhearted soldiers to infiltrate German lines for a suicide mission to secure enemy plans. ~ All Movie Guide

Director Werner Herzog, as usual, has spared no one -- especially himself -- in bringing this story of 19th-century African slave trading to the screen. Klaus Kinski plays an enterprising young Brazilian who after impregnating the three daughters of his plantation-owning employer, is sent to West Africa to round up slaves. Kinski goes to great lengths to befriend the very people he hopes to enslave and he eventually manages to overthrow a mad monarch and set himself up as king. As the years pass, Kinski grows wealthy -- and careless. However, despite enslaving the tribe, he does show some signs of humanitarian benevolence. This fifth and final collaboration between director Herzog and Kinski is considered the weakest of the five features. Though the title translates literally as Green Cobra, Cobra Verde was released in the U.S. as Slave Coast. ~ Hal Erickson, All Movie Guide

In this spy comedy, a jet-setting playboy takes time off from his daredevil endeavors to help a seductive FBI agent save a nuclear scientist from a nefarious megalomaniac with designs on controlling the world. The sexy agent and the playboy are also pursued by a ring of Chinese agents who also want the scientist. ~ Sandra Brennan, All Movie Guide

A homicidal maniac doctor specializes in murder and owns a peaceful boarding house for lovely aspiring actresses. They feel safe and comfortable there. Little do they know, the good-doctor is getting his jollies by crawling through narrow spaces between the walls peeking at them through the heating vents. Sometimes he likes to shake the women up by making scary noises in the vents and blaming them on rats. The poor women also do not know that he is also a sadistic killer with a taste for slow, gruesome torture and clever traps. The whole nasty situation comes to a head when a Nazi hunter begins to trail him. Although the doctor himself was never a Nazi, his father was a wanted war criminal. Later it is revealed that the physician feels that he is predestined to follow in his father's grisly footsteps. He proves this after every killing when he plays a game of Russian roulette with his revolver. Each empty chamber is an affirmation that he is doing what he should. ~ Sandra Brennan, All Movie Guide

In this detective film, a Chinese detective breaks up a drug smuggling ring and tries to find the "Daffodil Killer." The drug smugglers had devised the ingenious method of smuggling heroin from Hong Kong in the stems of daffodils. ~ Sandra Brennan, All Movie Guide