Leonid Kinskey

No sooner has Mme. Sonya Galinova (Virginia Field) hires Perry Mason (Raymond Burr) to press charges against a jewel dealer for selling her a cheap imitation of a tiara worth $754,000 than she discovers that the "fake" is the genuine article. Somehow or other, the precious tiara ends up in the hands of Gerard Van Ness (Kendall Clark)--who finds himself facing a murder charge when the body of jewel thief Nils Dorow (Fred Krone) tumbles out of a trunk that has been delivered to Perry's office! Broadway musical star Vivienne Segal, whose stage credits include the original productions of "The Desert Song" and "Pal Joey", makes a rare TV appearance in this episode. ~ Hal Erickson, All Movie Guide

Martin (Ray Walston) is worried that Tim's house guest Professor Hammerschlag (Leonid Kinskey), an expert on extra-sensory perception, will tumble to his secret identity. To avoid being exposed as a Martian, Martin temporarily transfers his own ESP powers to Mrs. Brown (Pamela Britton). Unfortunately, these powers have bizarre side effects on human beings--including a rapid regression to infancy! ~ Hal Erickson, All Movie Guide

Slated to be hanged for murder, Texas teenagers Bobby Olson (Andrew Prine) and James Horton (Jerry Summers) manage to escape. After an unexpected confrontation with Olson in the desert, Paladin (Richard Boone) offers to help Sheriff Backwater (Robert Gist) bring the two young fugitives in. What Paladin hadn't counted on is the fact that he will also have to protect Olson and Horton from the vengeance of their victim's brother, a notorious gunfighter. ~ Hal Erickson, All Movie Guide

When Otto Preminger was willing to release his drug-addiction drama Man With the Golden Arm without the sanction of a Production Code seal, it proved to be yet another nail in the coffin of that censorial dinosaur. Based on the novel by Nelson Algren, the film stars Frank Sinatra as Frankie Machine, expert card dealer (hence the title). Recently released from prison, Frankie is determined to set his life in order -- and that means divesting himself of his drug habit. He dreams of becoming a jazz drummer, but his greedy wife Eleanor Parker wants him to continue his lucrative gambling activities. Since Parker is confined to a wheelchair as a result of a car accident caused by Frankie, he's in no position to refuse. Only the audience knows that Parker is not crippled, but is faking her invalid status to keep Frankie under her thumb. Gambling boss Robert Strauss wants Frankie to deal at a high-stakes poker game; terrified that he's lost his touch, Frankie asks dope pusher Darren McGavin to supply him with narcotics. When McGavin discovers that Parker is not an invalid, she kills him, and Frankie (who is elsewhere at the time) is accused of the murder. He is willing to go to the cops, but he doesn't want to show up with drugs in his system. So with the help of sympathetic B-girl Kim Novak, Sinatra locks himself up and goes "cold turkey"-a still-harrowing sequence, despite the glut of "doper" films that followed in the wake of this picture. After Parker herself is killed in a suicidal fall, the path is cleared for Frankie to pursue a clean new life with Novak. ~ Hal Erickson, All Movie Guide

After a lengthy absence from the screen, Judy Canova returned in the raucous musical Honeychile. The plot had been utilized in several previous Republic films, but was good for yet another go-round here. Canova plays Judy, a would-be songwriter who sends one of her tunes to a big-city composer. When the song, published under another author's name, becomes a hit, music agent Eddie Price (Eddie Foy Jr.) heads to the sticks to negotiate a contract with Judy. By now, however, she doesn't want to sell her song: instead, she wants all the royalties for herself. Eddie's efforts to get her to change her mind are stymied by the presence of Judy's muscle-bound boyfriend Joe Boyd (Alan Hale Jr.) Somehow, everything is resolved during a climactic chuck-wagon race. ~ Hal Erickson, All Movie Guide

One thing you can say about Alimony: It tackled a subject that virtually everyone in Hollywood was intimately familiar with. Martha Vickers plays a ruthless young woman who has hit upon a clever (if not original) method of fattening her bank account. She seeks out relationships with wealthy married men, gets them to leave their wives to marry her, then cooks up "alienation of affection" and "adultery" cases against them. As a result, she invariably leaves the divorce court with a huge alimony settlement. Eventually she graduates from breaking hearts to breaking laws, and is thrown in the calaboose for her troubles. ~ Hal Erickson, All Movie Guide

Monsieur Beaucaire, Booth Tarkington's novel about an 18th-century French barber who poses as a swashbuckling aristocrat, was the surprising source for this Grade-A Bob Hope comedy. While in the original novel the tonsorial hero pretended to be someone he wasn't by choice, in this 1946 film Hope is coerced into posturing as a nobleman on the threat of death. It's "out of the frying pan" time here, since Hope will be a target for execution the moment he weds a Spanish princess in place of genuine noble Patric Knowles. Bob's actions will prevent a war between Spain and France, but it's likely he won't be around to celebrate the Peace. Hiding his cowardice by cracking wise at every opportunity, Hope manages to save both the day and himself; he even rescues Joseph Schildkraut, the film's nominal villain, from the guillotine. The female contingent is represented by Joan Caulfield as Bob's covetous girl friend, Marjorie Reynolds as a princess, and Hillary Brooke as a haughty schemer (who is given her just desserts in an early slapstick set-piece). Woody Allen has long expressed his affection for Monsieur Beaucaire, an affection made doubly obvious in "homage" fashion by Allen's 1975 costume comedy Love and Death. ~ Hal Erickson, All Movie Guide

The Fighting Seabees is Republic Pictures' rip-roaring tribute to the US Navy's Construction Batallions (C.B.), without whom no plane would ever have gotten off the ground during WW2. John Wayne stars as Wedge Donovan, head of civilian construction company stationed in a pre-Pearl Harbor South Pacific war area. Despite Donovan's pleas to the Navy brass, he is denied permission to train his men for combat, the better to stave off imminent Japanese attack. Only after incurring heavy losses is Donovan given a commission and his men officially enlisted in the Navy. The self-sacrifical climax, as Donovan destroys a Japanese tank batallion at the cost of his own life, is one of the best-staged action highlights of its kind. As Constance Chesley, Susan Hayward finds herself in the unenviable position of being the apex in a romantic triangle involving herself, Wedge Donovan and Lt. Cmdr. Robert Yarrow (Dennis O'Keefe); her climactic speech, explaining how it's possible to love two men equally, is so well delivered that it transcends its essential corniness. Of the supporting cast, William Frawley stands out as Irish seabee Eddie Powers, who virtually signs his own death warrant when he begins singing happily just before an enemy sneak attack. ~ Hal Erickson, All Movie Guide

A Booth Tarkington novel was the source for the so-so Judy Garland musical Presenting Lily Mars. Garland plays the title character, a small-town girl with big-city ambitions. She heads to Broadway hoping for stardom, but after a series of disappointments the best she can manage is an understudy job. That's right, folks: the star walks out on opening night, Lily goes on in her place, and the audience boos and throws rotten tomatoes (just kidding: Lily's a sensation, of course). Van Heflin costars as a young producer who falls in love with Lily, but who avoids bestowing upon her instant stardom for fear of being accused of favoritism. Naturally, Judy Garland gets to sing a lot, and whenever she does the picture soars; other musical acts include the orchestras of Bob Crosby and Tommy Dorsey. ~ Hal Erickson, All Movie Guide

A musical star leaves the show and convinces the financial backer to leave also when she finds out that her leading man is married. ~ All Movie Guide

Hal Roach Studios' Brooklyn Orchid was one of three "streamliners" (films running between 40-50 minutes) starring William Bendix and Joe Sawyer as a pair of nouveau riche taxi drivers. While vacationing with their wives at a swanky resort, Bendix and Sawyer rescue beautiful blonde Marjorie Woodworth from drowning herself. Far from grateful, Woodworth demands that the two dunderheads take care of her now that they've saved her. Our heroes spend the rest of the picture trying to elude the predatory Woodworth and to keep their wives in the dark. Brooklyn Orchid is essentially an expanded version of Hal Roach's 1931 Laurel & Hardy 2-reeler Come Clean. ~ Hal Erickson, All Movie Guide

Unable to convince their isolationist New York editor (Charles Dingle) that America must be alerted to the threat of encroaching Nazism, pugnacious war correspondents Johnny and Kirk Davis (Clark Gable and Robert Sterling) are relieved of their European assignments. Back in the USA, Johnny inagurates a rogueish flirtation with Paula Lane (Lana Turner), an aspiring reporter who has harbored a long-standing crush on Johnny. Even so, Paula enters into a romantic relationship with Kirk, prompting Johnny to break up the affair-for Kirk's own good, of course. Paula's hopes for a lasting romance with Johnny are crushed when he refuses to discourage her from accepting an assignment in IndoChina. Later on, both Johnny and Kirk are sent off to cover the war in the Far East, where they are reunited with Paula, now busily shepherding Chinese war orphans to safety. The action moves to Bataan, where Kirk is killed in service of his country, leaving Johnny to write a passionate tribute to his brother-and, by extention, everyone else who has lain down his or her life for the cause of Democracy. During production of Somewhere I'll Find You, Clark Gable's actress-wife Carole Lombard was killed in a plane crash while participating in a war-loan drive; the impact of the tragedy is painfully obvious in Gable's performance, which becomes abruptly less playful and more somber in the final reels. New MGM recruits Van Johnson and Keenan Wynn make impressive appearances in uncredited roles. ~ Hal Erickson, All Movie Guide

Cinderella Swings It was the last in a series of RKO programmers based on the popular radio series Scattergood Baines (its original title, Scattergood Swings It, was changed in the light of the poor reception afforded the earlier series entries). Guy Kibbee stars as small-town busybody Baines, who in this outing tries to make a big star out of local songstress Betty Palmer (Gloria Warren). One of his strategies is to spotlight the girl in a USO benefit show, which takes up most of the film's 70-minute running time. The supporting cast include juvenile actors Butch and Buddy (Bill Lenhart and Kenneth Brown), who'd previously bedevilled W. C. Fields and Abbott &Costello over at Universal, and future 3 Stooges straight woman Christine McIntyre. Cinderella Swings It was packaged by Pyramid Productions, the same concern responsible for RKO's radio-inspired "Lum and Abner" series. ~ Hal Erickson, All Movie Guide