Guy Kingsford Movies

In this sea-going suspense drama, Edwin Rumill (James Mason) is the former first mate of an ocean liner who leaps at the chance to have a vessel under his full command. However, the S.S. Berwind is no ship to write home about, a freighter from the mothball fleet whose captain has recently died. The crew is often ill-tempered, and Mahia (Dorothy Dandridge), the wife of the ship's cook, doesn't make anyone more comfortable with her flirtatious nature. Rumill learns that the bad attitude of his crew has a sinister undercurrent: two of the hands, Leroy Martin (Stuart Whitman) and Henry Scott (Broderick Crawford), have hatched a scheme to murder Rumill and the rest of the crew, bring in the ship as salvage, and sell it to the highest bidder, expecting to earn close to a million dollars. Rumill must rally support if he and the other men hope to survive. ~ Mark Deming, All Movie Guide

This probing drama offers an inside look into corruption within the United Auto Workers and is loosely adapted from the true tale of the Reuther brothers. The story begins when someone bombs the union headquarters. Blair Vickers (Dennis O'Keefe), the head of the union, is an honest man whose brother is killed during the crime. The man behind the bombing, Gus Linden (Pat O'Brien), a gangster who has just finished serving time for labor racketeering, is determined to gain control of the UAW. Linden's children do not believe their father is capable of such a terrible crime, and accuse Vickers of having framed him. However, Vickers gradually turns them against their father by having them see for themselves that he is a corrupt, murderous thug who is unfaithful to their mother to boot. Eventually, with the reluctant help of Linden's mistress, Joni Calvin (Tina Carver), Vickers defeats the mob, and restores decency to the union. ~ Steve Press, All Movie Guide

Director Fritz Lang was attracted to the British period piece Moonfleet because of the relatively unregenerate nature of its greedy "hero" Stewart Granger. Young Jon Whitely, who is in the legal custody of Granger, learns that he is to inherit a valuable diamond. Hoping to get his own hands on the gem, Granger packs Whitely off to boarding school, but the boy returns to bollix up his guardian's plans. Just when it appears that a cynical ending is on the horizon, Granger does right by Whitely. Adding spice to Moonfleet are George Sanders and Joan Greenwood as a wittily decadent aristocratic couple. Lang's first CinemaScope effort, Moonfleet was based on a novel by J. Meade Falkner. ~ Hal Erickson, All Movie Guide

"Her Salome Will Steal Your Breath Away" was the classic advertising slogan attached to this opulent Rita Hayworth epic -- a slogan which became laughable whenever a radio announcer would mispronounce Salome as "salami." Using the very sketchy Biblical story of the death of John the Baptist as its springboard, Salome depicts its title character, the stepdaughter of King Herod, as a victim of circumstance rather than a wanton temptress. Banished from Rome because of an unfortunate romance with the nephew of Caesar, Salome (Rita Hayworth) declares that all men are her enemies, but her resolve weakens when she falls in love with Claudius (Stewart Granger), the military commander of Galilee. Meanwhile, Salome's wicked mother, Herodias (Judith Anderson), plots the demise of John the Baptist (Alan Badel), who currently enjoys the protection of the superstitious Herod (Charles Laughton). At this point, the story departs radically from Scripture. Salome is no longer coerced by Herodias to demand the head of John the Baptist; instead, Herodias, on her own, promises Herod that Salome will perform the "Dance of the Seven Veils" for him -- but only if he beheads John first (Salome has been misinformed that the dance will save John from the headsman's sword). Somehow, scriptwriter Jesse Lasky Jr. even manages to concoct a happy ending for poor Salome, which is a lot more than Oscar Wilde or Richard Strauss were able to do. Considered an artistic flop in 1953, Salome seems somewhat better today, if only because of that powerhouse cast. ~ Hal Erickson, All Movie Guide

The Son of Dr. Jekyll is Edward Jekyll, played by Louis Hayward. The film's events take place long after the unpleasantness involving Dr. J's doppelganger Mr. Hyde. Young Edward hopes to prove that his father was a dedicated scientist, and not merely a mad monster. His nemesis in this endeavor is Curtis Lanyon (Alexander Knox), executor for the Jekyll estate, who hopes to drive Edward into insanity and irrational behavior so he can keep the late doctor's legacy for himself. Much to the disappointment of the audience, Eddie Jekyll never turns into Hyde, no matter how hard he and Lanyon try to re-create the original doctor's experiments. Thus, Son of Dr. Jekyll can scarcely be designated a horror film; it looks more like a period-costume Charlie Chan picture. ~ Hal Erickson, All Movie Guide

William Eythe is the Customs Agent in this brisk Columbia programmer. The plot finds Bert Stewart (Eythe) stationed in China, where he goes undercover to join a gang of dope smugglers. His plan is to stop the wholesale stealing of valuable streptomycin, which the crooks are peddling to drug addicts. Marjorie Reynolds will surprise fans of her work in TV's The Life of Riley with her portrayal of the gang-leader's moll. Another TV favorite, Jim Backus, co-stars as one of the good guys. Customs Agent makes no demands upon the intellect but does succeed as slam-bang entertainment. ~ Hal Erickson, All Movie Guide

This preposterous post-WWII drama stars Flame the dog as a retired military pooch who lost his beloved master to the murderous hands of a trench-coat wearing Nazi. After the war, Flame was sent to retire in a peaceful hunting lodge. One day, three visitors come to the cabin. One of the suspicious fellows wears a trenchcoat identical to the one the killer war. Overcome by memories, Flame attacks the trio. Later his instincts are proven true when the three are proven to be German spies come to steal information about a nearby nuclear project. ~ Sandra Brennan, All Movie Guide

Bearing traces of such earlier hits as My Favorite Blonde and The Ghost Breakers, Where There's Life is one of the best of Bob Hope's postwar vehicles. The inimitable Mr. Hope is cast as New York radio personality Michael Valentine, who's poised to marry his long-time fiancee Hazel O'Brien (Vera Marshe). But destiny takes a hand when, in the far-off kingdom of Barovia, King Hubertus II (William Edmunds) is felled by an assassin's bullet. To avoid a revolution, the King's cabinet hurriedly searches for Hubertus' sole heir -- who, according to all reliable sources, is one Michael Valentine. Gorgeous General Katrina Grimovich (Signe Hasso) is dispatched to New York to bring Valentine back to Barovia, while a group of insurrectionists, headed by Krivoc (George Coulouris) and Stertorius (George Zucco), conspire to kill Valentine before he can ever leave American soil. When Valentine is apprised of his royal lineage, he assumes that he's the victim of a practical joke perpetrated by his announcer Joe Snyder (George Zucco). Once he's convinced that it's no joke, Valentine and Katrina scurry about the streets of Manhattan, dodging potential assassins at every turn -- not to mention keeping out of the way of Hazel's muscle-bound policeman brother Victor (William Bendix), who assumes that Valentine is merely trying to weasel out of his wedding. Full of bright dialogue and hilarious gag situations, Where There's Life is vintage Bob Hope. ~ Hal Erickson, All Movie Guide

Michael Lanyard, aka the Lone Wolf, ventures into Sherlock Holmes territory in this series entry. When a cache of internationally famous diamonds is stolen, Scotland Yard automatically suspects Lanyard (Gerald Mohr). While trying to prove his innocence, Lanyard is approached by Sir John Helmscott (Vernon Steele), who wants our hero to arrange a sale of Helmscott's gem collection. Lanyard figures out that there's a connection between his new client and the stolen jewels when Helmscott's butler Robards (Tom Stevenson) is murdered. The Lone Wolf in London represents Gerald Mohr's second appearance as Louis Joseph Vance's celebrated criminal-turned-sleuth. ~ Hal Erickson, All Movie Guide

Though Henry Fonda is top-billed in The Immortal Sergeant, the title character is played by Thomas Mitchell. Set in the Libyan Desert during WW2, the story finds tough but compassionate British Eighth Army sergeant Kelly (Thomas Mitchell) in charge of a 14-man patrol. Kelly's corporal is Colin Spence (Henry Fonda), a shy and retiring Canadian. When the squad becomes lost in the desert, it is the guidance and example of Kelly that brings the timid Spence out of his shell. Kelly ultimately dies, leaving Spence in charge of the surviving soldiers. Applying the lessons learned from the Immortal Sergeant, Spence is able to lead his comrades back to allied lines, becoming a hero in the process. Second-billed Maureen O'Hara plays Spence's sweetheart in a series of gratuitous but effective flashbacks. Immortal Sergeant was based on the novel by John Brophy. ~ Hal Erickson, All Movie Guide

Humphrey Bogart considered this World War II action epic from director Zoltan Korda one of his finest films. Sergeant Joe Gunn (Bogart) is the commander of an American M-3 tank crew allied to the British Eighth Army, which is defeated by the Germans at Tobruk. Joining the scattered retreat across the Libyan desert, Gunn and his two remaining men, Jimmy Doyle (Dan Duryea) and Waco Hoyt (Bruce Bennett) search for water. Instead the tank crew finds an international mix of stragglers, including an officer doctor (Richard Nugent) with several soldiers and a British Sudanese sergeant, Tambul (Rex Ingram), with his Italian prisoner of war (J. Carrol Naish). The rag-tag column shoots down an attacking plane and takes its German pilot (Kurt Kreuger) as a second captive, although a soldier, Fred Clarkson (Lloyd Bridges) is killed in the fighting. After one well turns out to be dry, the troupe finally reaches an abandoned mosque with a well that provides a trickle of water. Two more prisoners are taken while scouting the area and reveal that an entire German battalion is en route to the same well. Gunn misleads them into believing that there is plenty of water to go around, sets them free to report back to their superiors, and then persuades his fellow Allies to help him fight the enemy force that's en route, even though they are staggeringly outnumbered. A betrayal, an escaped prisoner, and bloody skirmishes follow in short order as Hoyt goes in search of help while Gunn and his compatriots attempt to crush the German battalion. Sahara (1943) inspired several subsequent action films, most notably Last of the Comanches (1952), and was remade as a 1995 cable television movie. ~ Karl Williams, All Movie Guide

Lee Falk and Ray Moore's famous syndicated comic strip hero came to the screen in this 15 chapter serial produced by Rudolph C. Flotow for Columbia Pictures. Displaying unusually good judgment, the studio cast the still strapping former silent screen cowboy Tom Tyler as Geoffrey Prescott who, like generations of Prescotts before him, battles piracy and crime in Darkest Africa. Dressed in his trademark tights and black mask, The Phantom sallies forth to locate the lost city of Zolos, aided by his lovely fiancée, Diana Palmer (Jeanne Bates) and Ace, the Wonder Dog. The opposition is headed by the nefarious Dr. Bremmer (Kenneth MacDonald), but the good doctor is, in the long run, no match for the masked avenger who, in the final chapter, restores "Peace in the Jungle." One of Columbia's few worthwhile serials, The Phantom was yet another success for the popular and personable Tyler, who had earlier scored in the title role of Republic Pictures' The Adventures of Captain Marvel. Columbia filmed a belated and rather unnecessary sequel, The Adventures of Captain Africa (1949), starring John Hart, a bland actor who later played The Lone Ranger for one season on television when Clayton Moore went on strike. ~ Hans J. Wollstein, All Movie Guide