Peggy King Movies

Adapted by Sally Benson (Meet Me in St. Louis) from the novel by Mary Mapes Dodge, this dazzling musical version of Hans Brinker, or the Silver Skates) stars 1950s Hollywood heartthrob Tab Hunter in the title role (as Hans, not the Skates). Living in a small Dutch village, Hans yearns to compete in an upcoming ice-skating competition, for a grand prize of 500 guilders and a gleaming new pair of silver skates. Also, all poor Hans and his sister Trinka (Ellie Sommers) have to their name is two pair of crude wooden skates. Making matters worse, the Brinker family has been living in poverty ever since Hans' father (Ralph Roberts lost his mind while trying to save the local population from a burst dyke. But though Hans is certain that things will never get better, his erstwhile sweetheart, the wealthy Rychie Van Gleck (Peggy King), has faith in both Hans and his future. While the songs in this production, written by Hugh Martin, are rather unremarkable and a bit silly at times (notably the production number "Clop, Clop, Clop", wherein the chorus does a dance in wooden shoes), Hans Brinker, or the Silver Skates" is redeemed by a talented supporting cast, including Basil Rathbone (complete with German accent) as the crusty-but-lovable Dr. Boekman, opera diva Jarmila Novotna as Hans' mother, and Olympic skating champ Dick Button as Rychie's brother Peter (in fact, it is Button who steals the show with some astonishing figure skating). Originally telecast live and in color, this 90-minute extravaganza was presented as a Hallmark Hall of Fame special. ~ Hal Erickson, All Movie Guide

This live, full-color musical version of Jack and the Beanstalk was one of NBC's most ambitious productions, costing $300,000 and utilizing 17 sets, all specially constructed at the network's vast Brooklyn studios. Though set in olden times, this version has a decidedly contemporary slant, with Jack depicted as a teenaged layabout who must redeem himself in the eyes of the community by doing "something big"--namely, climbing a beanstalk and conquering a giant. But from that point forward, the story doesn't quite adhere to formula: The so-called giant isn't nearly as fierce (or as big) as he's supposed to be, and there's a climactic surprise delivered by Jack's dyspeptic employer Mr. Poopledoop. Joel Grey, still ten years away from becoming an "overnight star" by virtue of the Broadway musical Cabaret, is cast as Jack, with Billy Gilbert as Poopledoop, Peggy King (then the vocalist on The George Gobel Show) as the Love Interest, Celeste Holm as a local looney, Cyril Ritchard ("Captain Hook" in the Mary Martin version of Peter Pan) as the bean peddler, and scrawny Arnold Stang as one "Mr. Fum." The lively but forgettable score by Jerry Livingston (Hello Dolly, Mame etc.) and Helen Deutsch includes"This is the One", "He Never Looks My Way", "Where Are the White Birds Flying?", "People Should Listen to Me", "Sweet World", "Twelve Feet Tall", "Looka Me", and "I'll Go Along With You". ~ Hal Erickson, All Movie Guide

Abbott and Costello Meet the Mummy is the last of the team's vehicles for Universal-International. Stranded in Egypt, Bud and Lou hire themselves out as travelling companions to archeologist Kurt Katch. Before long, Katch is murdered by a group of cultists, and a medallion, embossed with a map which leads to a sacred burial site, is accidentally swallowed by Costello. The boys become the unwilling pawns of the cultists, led by Richard Deacon, and a greedy adventuress, played by Marie Windsor. The last scene finds Costello being menaced by three mummies, two of them bogus. ~ Hal Erickson, All Movie Guide

Kirk Douglas plays the corrupt and amoral head of a major film studio in this Hollywood drama, often regarded as one of the film's industry's most interesting glimpses at itself. Actress Gloria Lorrison (Lana Turner), director Fred Amiel (Barry Sullivan), and screenwriter James Lee Bartlow (Dick Powell) are invited to a meeting at a Hollywood sound stage at the request of producer Harry Pebbel (Walter Pidgeon). Pebbel is working with studio chief Jonathan Shields (Kirk Douglas), whose studio is in financial trouble and needs a blockbuster hit. If these three names will sign to a new project, he's convinced that there's no way he can lose. But there's a rub -- all three of these Hollywood heavyweights hate Shields's guts. He dumped Gloria for another woman, he double-crossed Fred out of a plum directing assignment, and he was responsible for the death of James Lee's wife. All three are ready to tell Pebbel to forget it, until they hear the voice of Shields, calling from Europe to discuss the project by phone. The Bad and the Beautiful won five Academy Awards, including Best Screenplay and Best Supporting Actress for Gloria Grahame. ~ Mark Deming, All Movie Guide