Christine Baranski Movies

The made-for-television Playing for Time debuted on September 30, 1980. Vanessa Redgrave stars as Fania Fenelon, a Jewish cabaret singer working in Paris at the time of the Nazi invasion. Shipped to the Auschwitz death camp in 1944, Fenelon is certain that she is as doomed as all the other prisoners. But SS camp matron Shirley Knight has other plans: she orders Fenelon and several other female inmates with musical ability to form themselves into a prisoner's orchestra. They are to perform for the benefit of those who are herded into the gas chambers--a "humane" means of easing the condemned into the next world. As much as she despises her work, Fenelon and her fellow musicians continue to play, lest they too be exterminated. The film raises several questions about courage, guilt and survival at any price, but the most controversial aspect was the casting of anti-Zionist Vanessa Redgrave as Fania Fenelon. Like many others, the real-life Fenelon (who died in 1988) was vehemently opposed to Redgrave's appearance in the film. Playing for Time won Emmy Awards for Redgrave, scriptwriter Arthur Miller, supporting actress Jane Alexander, and as Outstanding Dramatic Special. Redgrave's husband Tony Richardson was the original director, but he bowed out and was replaced by Joseph Sargent., who himself was replaced by Daniel Mann (the only one credited) ~ Hal Erickson, All Movie Guide

A remake of Pigeon by Mario Monicelli, but set on the streets of San Francisco in a contemporary America instead of Italy in the '50s, this comedy about a conspiratorial heist of a greedy pawnbroker has excellent acting and good light fun but not much in the way of character motivation. Weslake (Donald Sutherland) is unemployed and has reason to frequent the pawnshop of his money-hungry friend Garvey (Jack Warden). People come and go around the shop (almost the only setting for the action): an aspiring musician of sorts (Sean Penn), the eccentric meter-maid Maxine (Christine Baranski), a safe-cracker (Irwin Corey), and others. Then one day Weslake gets the idea to break into Garvey's safe and make off with a few valuables just for the fun of it. Everyone agrees, and the plot goes on unhindered by motivation or ethics. ~ Eleanor Mannikka, All Movie Guide

The title refers to the duration of the relationship between self-absorbed Wall Street shark Mickey Rourke and divorced art gallery owner Kim Basinger. Kim is looking for true love, while Mickey is searching for...gosh knows what. His notions of lovemaking include blindfolds, ice cubes, chocolate syrup, and rolling around on spent peanut shells. When the alotted 9 1/2 weeks are up, Kim has finally come to realize that Rourke has been using her. We could have told her that twenty minutes into the film. One of the definitive works in the Mickey Rourke ouevre, 9 1/2 Weeks is deliciously awful, and as such will probably endure as a Camp Classic for the next hundred years. The film is available in both R-rated and unrated versions; either way, it's a hoot. ~ Hal Erickson, All Movie Guide

This film is a darkly humorous, determinedly ambiguous adaptation of Alan Dershowitz's book about his successful legal appeal of Claus von Bulow's conviction for the attempted murder of his wife, Martha "Sunny" von Bulow. Sunny (Glenn Close) -- who remains in a "persistent vegetative state" resulting from a suspicious injection of insulin -- narrates the film, summarizing the first murder trial, which ended with Claus (Jeremy Irons) convicted and released on bail pending appeal. Claus approaches Harvard Law professor Dershowitz (Ron Silver) to handle the case. Working with a small group of law students recruited from his classes, Dershowitz presents sufficient new evidence to cast doubt as to Claus' guilt and the veracity of the star witness, her maid. Jeremy Irons' extraordinary, Oscar-winning performance dominates the film. He plays the role of Claus with a alternatively pompous, aloof snobbishness and an engagingly enigmatic, kinky, sly humor. Barbet Schroeder was also nominated for an Academy Award for his extraordinary, off-beat, direction of this sophisticated, exceptionally intelligent legal drama. Reversal of Fortune with its sharp, witty, Oscar-nominated screenplay by Nicholas Kazan is unusual in its understanding that legal guilt and moral culpability are not the same thing -- making for an unusually provocative tragicomedy of bad manners and bad behavior among the rich. ~ Linda Rasmussen, All Movie Guide

Law & Order's first two-part episode begins with an assault on the owner of a candy store. Following the trail of clues, Greevey (George Dzundza) and Logan (Chris Noth) end up at the door of prominent gangster boss Frank Masucci (Charles Cioffi). The so-called "Dandy Don" has long eluded prosecution, but attorneys Stone (Michael Moriarty) and Robinette (Richard Brooks) believe that they at last have enough evidence to put Masucci away for life. Alas, the lawyers have placed all their eggs in a single "basket" -- namely, Masucci's mercurial brother-in-law Harv Beigel (Bruce Altman). ~ Hal Erickson, All Movie Guide

The ghoulish cartoon family created by Charles Addams returns for a second big-screen outing darker and nastier than the first. When Morticia Addams (Anjelica Huston) gives birth to new baby boy Pubert, the other Addams children, Pugsley (Jimmy Workman) and Wednesday (Christina Ricci), devise any number of ways to kill off their new sibling. This leads Morticia and her husband, Gomez Raul Julia, to hire a nanny (Joan Cusack) to oversee all three children. But the nanny has an agenda of her own, packing the Addams children off to a horrid parody of summer camp and setting out to seduce Uncle Fester (Christopher Lloyd), all with the goal of getting her hands on the Addams family fortune. Of course, the Addams eventually triumph, with this blacker-than-most satire extolling the virtues of eccentricity and non-conformity above all. It was followed by 1999's direct-to-video Addams Family Reunion, with Darryl Hannah and Tim Curry replacing Huston and the late Julia. ~ Don Kaye, All Movie Guide

An attempted black comedy, Getting In endeavors to satirize the cut-throat competition surrounding the medical school admissions process -- a struggle that in this case literally turns deadly. Gabriel Higgs is an aspiring medical student, not out of a great dedication to his craft but due to pressure by his parents, who expect him to follow the long-standing family tradition of attending Johns Hopkins and embarking upon a prominent medical career. However, a poor showing in the admissions test and several other mishaps conspire to place Gabriel on the school's waiting list. Desperate to gain entrance to the school before being disinherited, Gabriel takes to bribing his fellow waiting-list candidates to ensure his admission. But when the students at the top of the waiting list start turning up dead in rather nasty ways, Gabriel finds himself in real trouble. He must discover who is committing these crimes before he is blamed -- or becomes the next victim himself. Easily forgettable, the film is mainly notable for featuring early performances by future television stars Matthew Perry and Calista Flockhart, and for being the directorial debut of Doug Liman, who would receive critical acclaim for his second film, Swingers. ~ Judd Blaise, All Movie Guide

Caroline and Lloyd (Judy Davis and Kevin Spacey) are a married couple constantly at each other's throats, masters at crafting acid-tongued barbs at the other's expense. Indeed, they are so obsessed with belittling each other that they never stop -- not even at gunpoint. Such is the premise of the acerbic comedy The Ref, which shows what happens when this quarrelsome duo is taken hostage. The gunman is Gus (Denis Leary), a thief on the run from the police, who kidnaps the couple as an insurance policy, planning to use their home as a hideout. But their incessant bickering proves more than Gus bargained for, forcing him -- for the sake of his own sanity -- into the unenviable role of peacemaker. To make things even worse for Gus, he discovers that he has taken the couple hostage the night of their big Christmas party, and the guests are already on the way. Not wanting to leave Lloyd and Caroline unattended, Gus opts to attend the party, pretending to be the couple's marriage counselor. This naturally leads to a series of comic confusions, as the hostage crisis and marital tensions head towards their inevitable conclusion. ~ Judd Blaise, All Movie Guide

Jon Avnet's The War is set in the rural south and brimming with lessons on social consciousness, much like his previous effort, Fried Green Tomatoes (1991). During the summer of 1970 in backwoods Mississippi, Stephen Simmons (Kevin Costner) is struggling to be a breadwinner for his family while still suffering post-traumatic stress disorder from his service in the Vietnam War. His wife Lois (Mare Winningham) provides most of the family income. Stephen gets a job in a mine and saves a friend who has been injured, helping him erase his guilt over abandoning another friend during a firefight in Vietnam. Meanwhile, the Simmons children, Stu (Elijah Wood) and Lidia (Lexi Randall) are feuding with an even poorer family of neighbors, the Lipnickis, over access to a tree fort that Stu and Lidia built. Mr. Lipnicki (Raynor Scheine) is drunken and abusive and helps escalate the disagreement into a major battle for the fort. ~ Michael Betzold, All Movie Guide

Based on Paul Rudnick's hit Off-Broadway play, this romantic comedy centers on the chaotic love life of Jeffrey (Steven Weber), a gay man who swears off sex only to fall in love with his ideal man (Michael T. Weiss). Jeffrey's vow of chastity is inspired by a fear of AIDS, a prospect which has started to terrify him so much that he decides he'd be better off never making love again. He is happy and relieved for a time, until he meets Steve, a handsome, charming dreamboat who also happens to be HIV-positive. Jeffrey wants nothing more than to be with Steve, but his anxiety over the disease and fear of commitment stand in the way. Much of the humor falls to Jeffrey's friends, including the sharp-tongued Sterling (Patrick Stewart), an outwardly catty but surprisingly good-hearted interior decorator, and his young boyfriend Darius (Bryan Batt), a performer in the Broadway musical Cats. Nathan Lane also contributes a memorable cameo as a questionable priest. ~ Judd Blaise, All Movie Guide

Director Mike Nichols teams up with his former partner/screenwriter Elaine May for the first time in many years and for the first time together in films to create this sophisticated, remake of the phenomenally popular French musical farce La Cage aux Folles that stars Robin Williams, Nathan Lane, Gene Hackman and Diane Wiest as two dramatically disparate couples who manage to reconcile their vast differences for the sake of their children who are getting married. Williams plays Armand Goldman, the owner of a popular South Beach drag club known for putting on elaborate showcases starring his long-time lover/wife Albert (Lane) who appears as "Starina." Lately poor flamboyant, flighty Albert has been in crisis over the inexorable onset of middle age. He has been moody, paranoid and unbearably. When he gets too inconsolably distraught, handsome but clumsy houseboy Agador quietly slips Albert "Pirin" tablets (which he explains to Armand are simply Aspirin tablets with the "as" scraped off). Still though Albert can be a royal pain, Armand dearly loves him and the two live happily in their splendiferous apartment above the club. One day Armand's son Val (the result of Armand's single foray into straight sex) comes visiting with joyous news: he has found his dreamgirl and is getting married. The only trouble is, Barbara Keeley's father is the blustery ultra-religious right-wing Senator Keeley (Hackman), the founder of the Coalition for Moral Order. Senator Keeley and his colleagues are not as upright as they seem and when his closest associate is found dead beside a black, underage prostitute, Keeley finds his house surrounded by ravenous newshounds, hungry for dirt. Knowing that they are poised to ruin him, Keeley and his proper but slightly addled-wife (Wiest) decide that a big, elaborate, church wedding will be just the ticket to save his reputation. Barbara has neglected to tell them that Val's parents are gay, preferring to claim that they are members of the South Beach social elite. In a panic, she panics and calls Val who breaks the bad news to Armand and begs him to make the apartment less flamboyant and worst of all to hide Albert (who functioned as Val's mother while the youth grew up) during the visit. Armand is angry, but loving his son, finally, reluctantly agrees, knowing that he will deeply wound his companion. Unfortunately, Albert finds out and as a compromise tries to learn how to be macho so he can pretend to be Val's uncle, he is too much the Great Dame to ever pass as one of the guys and so is banned from the party. Armand then locates Catherine and asks her to masquerade as his wife. She agrees to show up later that evening. Meanwhile their friends busily redecorate the apartment until it looks as if it were done in "Early Inquisition." During the fateful dinner party, Catherine is late and Albert gets uproarious revenge. Achingly comic chaos ensues as Armand tries to hold the increasingly tenuous evening together while outside the newshounds bay and threaten to make even more trouble for Senator Keely. ~ Sandra Brennan, All Movie Guide