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Frank Killmond Movies

1978  
 
While renovating her new apartment in an old Victorian mansion, Quincy's girlfriend Jenny Drake (Marj Dusay) unearths the mummified remains of two women. Later on, two other female corpses are found within the same walls. After a thorough examination, Quincy (Jack Klugman) concludes that three of the women died of natural causes--but that the fourth was murdered. Our hero's subseqent fact-finding misison brings him in close contact with the truly bizarre residents of the crumbling old mansion (and any resemblance to Hitchcock's Psycho is undoubtedly purely intentional). ~ Hal Erickson, Rovi

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1965  
 
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In this romantic comedy, an aspiring actress pays her bills by working as a maid for various households. One of her employers is a wealthy and prominent publisher. After accidentally running into each other a number of times on the New York streets without recognizing each other, they begin to fall in love. She wants to take him home, but she is ashamed of her humble quarters. Believing that the publisher is out of town, she decides to take the lover to that apartment and pretend that it is hers. The lover/ publisher did have a business trip, but it was canceled. He decides to go along with her ruse and pretends that he has never been in his own apartment before. The trouble is, he now has no home to go home to; instead, he begins bunking with his business partner. In the end, both would-be lovers learn the truth, but they still refuse to tell each other that they know. Things get a little crazy, especially when the maid has all her girl friends dress up as hookers and come for a wild party at his apartment. He has the last laugh when they end up in jail. ~ Sandra Brennan, Rovi

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Starring:
Sandra DeeBobby Darin, (more)
 
1965  
 
Two feuds are fired up in the course of this episode. For starters, Hooterville vies with Crabwell Corners over the ownership of a cannon originally used in the Spanish American war. Meanwhile, Hooterville's Betty Jo Bradley (Linda Kaye) squares off against Crabwell Corners' Tad Winslow (Frank Kilmond) as to who owns the best and smartest dog. Robert Shayne, best known as Inspector Henderson on the 1950s TV-series version of The Adventures of Superman, appears as Mr. Fillmore. ~ Hal Erickson, Rovi

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1965  
 
The rock group The Standells appear as themselves in this episode. Seeking refuge from their mobs of squealing fans, the Standells arrange to rent the Munster mansion, while the Munsters themselves move to a fancy hotel. Disappointed that their new surroundings aren't up to their exacting standards (for one thing, there's no dust on the furniture), the family heads back to their own home--and a memorable confrontation with a bunch of bearded beatniks, among them future filmmaker Zalman King (The Red Shoe Diaries). The Standells perform "Everybody Ringo" and also the Beatles' "I Want to Hold Your Hand", while series star Yvonne DeCarlo (Lily) sings "He's Gone Away". ~ Hal Erickson, Rovi

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1964  
 
Hooterville has always prided itself on being the first community in its state to file election returns. All this may soon change, however: It seems that nearby Crabtree Corners (later known as Crabwell Corners) has installed an automatic voting machine. Ironically, Petticoat Junction would be pre-empted by the 1964 Presidential election coverage one week after the airing of this episode, in which Virginia Sale makes her first series appearance as Kate's arch-rival Selma Plout. ~ Hal Erickson, Rovi

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1963  
 
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Having been burned by compromises to censors on his earlier films Cat on a Hot Tin Roof and Sweet Bird of Youth, Paul Newman decided to star in as uncompromising a property as he could find. That property was Hud, inspired by a portion of Larry McMurtry's novel, Horseman Pass By. Hud Bannon (Newman) is a young Texas rancher who lives with his cattleman father Homer (Melvyn Douglas) and his hero-worshipping nephew Lon (Brandon DeWilde). Hud is an amoral, cold-hearted creature; his father, who holds Hud responsible for the death of his other son, tries to imbue Lon with a sense of decency and responsibility to others, but Lon is devoted to Hud and isn't inclined to listen. When hoof and mouth disease shows up in one of the elder Bannon's cows, Hud is all for selling the herd before the government inspectors find out. But Homer orders the cattle destroyed (the film's most harrowing sequence), driving an even deeper wedge between himself and Hud. Finally, Hud steps over the line by attempting to rape Alma (Patricia Neal), the earthy but warm-hearted housekeeper. Paul Newman was so repellantly brilliant as an unregenerate heel that his Oscar nomination for Hud was a foregone conclusion. Although Newman lost the Oscar to Sidney Poitier in Lilies of the Field, Oscars did go to Neal for Best Actress, Douglas for Best Supporting Actor, and cinematographer James Wong Howe. ~ Hal Erickson, Rovi

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Starring:
Paul NewmanMelvyn Douglas, (more)
 
1960  
R  
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In 1960, Alfred Hitchcock was already famous as the screen's master of suspense (and perhaps the best-known film director in the world) when he released Psycho and forever changed the shape and tone of the screen thriller. From its first scene, in which an unmarried couple balances pleasure and guilt in a lunchtime liaison in a cheap hotel (hardly a common moment in a major studio film in 1960), Psycho announced that it was taking the audience to places it had never been before, and on that score what followed would hardly disappoint. Marion Crane (Janet Leigh) is unhappy in her job at a Phoenix, Arizona real estate office and frustrated in her romance with hardware store manager Sam Loomis (John Gavin). One afternoon, Marion is given $40,000 in cash to be deposited in the bank. Minutes later, impulse has taken over and Marion takes off with the cash, hoping to leave Phoenix for good and start a new life with her purloined nest egg. 36 hours later, paranoia and exhaustion have started to set in, and Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper Norman Bates (Anthony Perkins) cheerfully mentions that she's the first guest in weeks, before he regales her with curious stories about his mother. There's hardly a film fan alive who doesn't know what happens next, but while the shower scene is justifiably the film's most famous sequence, there are dozens of memorable bits throughout this film. The first of a handful of sequels followed in 1983, while Gus Van Sant's controversial remake, starring Vince Vaughn and Anne Heche, appeared in 1998. ~ Mark Deming, Rovi

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Starring:
Anthony PerkinsJanet Leigh, (more)
 
1959  
 
Young (19-year-old) reggae and rhythm-and-blues singer Johnny Nash stars in this conventional coming-of-age story about a well-heeled, Afro-American teen trying to find his way in a white-man's world. The realities of that world hit Spencer (Nash) hard, and at first he looks for solace and comfort in the black community, especially since like most teens his age going to his parents for support or consultation is out of the question. In his search for identity and meaning, Spencer comes to see the family maid Christine (Ruby Dee) in a way he never did before, and an implied sexual relationship with this kind-hearted, older woman begins to awaken in him a different, more adult viewpoint on life and its traumas. ~ Eleanor Mannikka, Rovi

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Starring:
Johnny NashRuby Dee, (more)