Laure Killing Movies

Best known for their historical epics that examine class and social issues in British life through a thick lens of tasteful production design and good manners, director James Ivory and producer Ismail Merchant set their sights on an American protagonist for a change with Jefferson in Paris. As the title suggests, Jefferson in Paris deals with the five years that Thomas Jefferson (Nick Nolte) spent as U.S. ambassador to France prior to the French Revolution; while Jefferson is sympathetic to the revolutionary forces in France, he's become well enough acquainted with the ruling aristocracy that he finds himself torn between the two sides of the issue. Jefferson, a recent widower, also becomes friends with Maria Cosway (Greta Scacchi), who is married to a foppish British artist; while it's obvious the two are in love, neither is in a position to do anything about their infatuation. And while Jefferson's daughter Patsy (Gwyneth Paltrow) loves her father, she's very upset with him when he sends her to a convent school. In this midst of this personal turmoil, Jefferson's younger daughter Polly (Estelle Eonnet) arrives in Paris, with her slave Sally Hemmings (Thandie Newton) in tow. Attractive and bright (if uneducated), Sally catches Jefferson's eye, and a friendship develops that grows into something deeper; in time, Sally becomes pregnant, and her family claims that Jefferson is the father. At the time Jefferson In Paris was released, the question of Sally Hemmings' relationship with Thomas Jefferson was a matter of lively historical debate; since then, genetic evidence has shown that, while Jefferson's paternity can't be proved beyond a doubt, it is likely that he did father children with Hemmings. ~ Mark Deming, All Movie Guide

This Italian psychological thriller is based on as novel by Georges Simenon. Delon is an immoral, gynecologist who frequently cheats on his wife. He is also very successful and has a richly appointed office in Brussels. His good life begins to change when he finds himself receiving death threats and a mysterious teddy bear. After he finds himself responsible for two deaths, he relinquishes his womanizing ways and goes back home. ~ Sandra Brennan, All Movie Guide

Nouvelle Vague marks the beginning of a period in Jean-Luc Godard's career in which he made films that looked back on his previous work. In these retrospective films, Godard asked himself whether it is possible to continue as a film director under the conditions imposed by international commercial cinema. Appropriately enough, Nouvelle Vague concerns the return of a man (Roger Lennox / Richard Lennox, played by Alain Delon, superstar of 60s and 70s international cinema) who may or may not have returned from the dead. The film's narrative is extremely disjointed and might be better understood as an essay on the idea of returning. The theme of a return from the dead gives Godard the opportunity to come back to the religious imagery and theological considerations that interested him from 1983's Hail Mary. The film's dialogue is a patchwork of unattributed quotations from works of literature, philosophy, and economics, a technique that Godard adopted in most of his films after this one. Even if the film's "story" is not easy to understand, the beauty of its images and sounds, along with the sublime rhythms of the editing, may be enough to ravish some audiences. ~ Louis Schwartz, All Movie Guide

Anatole Hirsch (Phillippe Noiret) has already made his mark as a writer, and has garnered critical acclaim and financial rewards. However, he isn't a very nice man, and his life has left him angry and dissatisfied. To address that discomfort, he decides to perpetrate a hoax on the unsuspecting art community. Under a pen name, which he arranges for his young cousin Martin (Robin Renucci) to act as the front for, he writes a really brutal novel. Later, when the novel wins a major French literature prize, Martin begins to preen himself on his newfound, false, fame. Anatole will have none of that, and quickly pens a lousy second novel for the young author which, like so many second novels, condemns the heretofore promising young "novelist"back to the obscurity he emerged from. ~ Clarke Fountain, All Movie Guide

Lucas, a computer genius facing an unnamed terminal illness that causes him to lose his memory, meets Blanche, a young woman who seems unable to break free of her vicious environment. The two plunge into a brief but intense affair, understanding that their days together are numbered. This a strangely poetic and powerful film that celebrates love's victory over death and suggests that sentiment has some currency even in a pragmatic world. ~ Yuri German, All Movie Guide

Based on the play by Christopher Durang, Robert Altman's Beyond Therapy is a comedy set in New York City but filmed in Paris, where Altman was living at the time. Arrogant Bruce (Jeff Goldblum) grows bored with his live-in lover, Bob (Christopher Guest), so he looks for a change by placing an ad in the personals. He meets neurotic Prudence (Julie Hagerty) at a French restaurant and they prove to be a terrible match-up. Then Bruce goes to see his therapist, Charlotte (Glenda Jackson), who has a strange disorder herself. In the same building, Prudence goes to see her own bizarre therapist, Stuart (Tom Conti), who believes in sex with his patients. Charlotte and Stuart also have an arrangement where they meet for anonymous sexual trysts. Meanwhile, Bob's mother (Genevieve Page) is worried about her son's relationship with Bruce and she interferes with everything. ~ Andrea LeVasseur, All Movie Guide