James Kidnie Movies

Tired of Logan's (Michael Weatherly) obsessive single-mindedness, Max (Jessica Alba) takes leave of "Eyes Only" -- and gives up all thoughts of romance with Logan. This situation is dramatically altered by the intervention of international blood-smuggler Gerhardt Bronck (James Kidnie), who takes desperate measures to expose the identity of "Eyes Only." Meanwhile, Max's friend Original Cindy (Valarie Rae Miller) gets the lowdown on Normal's (J.C. MacKenzie) new girlfriend. ~ Hal Erickson, Rovi

29-year-old defense lawyer Nick Donahue (Rick Schroder) is still tied to the apron strings of his possessive mother Diana (Judith Light)--so much so that, when he tries to move out of the family home, Diana is able to bind him even tighter by attempting suicide. While visiting Diana in the hospital, Nick meets and falls in love with Abby (Sarah Trigger), his mother's nurse. Ultimately, Nick and Abby marry, much to Diana's dismay. When Abby announces she is pregnant, it is too much for the unbalanced Diana to bear--and thus she promptly begins plotting her daughter-in-law's murder. This fact-based melodrama culminates in an intense courtroom scene, in which accused killer Diana is defended by--guess who? Made for the CBS TV network, Too Close to Home originally aired April 29, 1997. ~ Hal Erickson, Rovi

Former IRA agent Sean Dillon comes to the rescue when a woman discovers a briefcase containing plans that could destroy all of Europe. Dillon's assignment is to protect her until the plans can be properly destroyed. ~ Sandra Brennan, Rovi

This uninspired, dull action film promotes an anti-national government stance while it tells the tale of a group of men who have developed a foolproof, hack-proof computer system devoted to military matters, and then they go off into the wilderness to engage in war games. Right behind them is a team of assassins, undoubtedly after their great software. ~ Eleanor Mannikka, Rovi

The Crush is a psychological thriller wherein a young man is the object of the obsession of a mentally unbalanced young girl. Journalist Nick Elliot (Cary Elwes) rents the guest house of a wealthy couple. The family's 14-year-old daughter Darien (Alicia Silverstone) flirts with him, and when her advances are not reciprocated she becomes increasingly obsessed with him resorting at last to violence and murder. Alicia Silverstone is beautiful and surprisingly good as the obsessed girl. Cary Elwes is also good in conveying his attraction and restraint in his dealings with so young and troubled a girl. However, the premise of the man being trapped by the aggressive, vengeful female is somewhat outdated and cliched. The Crush which should concentrate on the motivations of the girl, instead focuses on her increasingly violent acts, which include the vandalism of Nick's car and the attempted murder of his girlfriend. None of the characters are very real, and the plot is contrived, depending on illogical coincidence and implausible behavior by the principal characters. The Crush, an exploitive, cliched melodrama masquerading as a thriller, fails to either surprise or thrill. ~ Linda Rasmussen, Rovi

In this finely crafted Canadian character study, filled with light comic touches, Graham (Kim Coates) is an out of work symphony violinist. About the only job he can find is playing the bass fiddle with the Harmony Cats, a just-barely making it country band, led by Frank Hay (Jim Byrnes). Graham is not the only non-fan of country music in the outfit. For instance, their drummer, Reg, is a loyal jazz afficianado, and their guitarist greatly prefers heavy metal. They are kept on track and on schedule by Alma, who alternately bullies and mothers the band members. Graham's girlfriend goes ballistic when she discovers that the band will be traveling with Frank's daughter Debbie (Lisa Brokop) as a featured singer. Graham is growing just a little too fond of the girl for her comfort, although this is usually expressed as appreciation for her musical gifts. Those same gifts are also appreciated by a Nashville producer (played by country great Hoyt Axton). ~ Clarke Fountain, Rovi

A boy saves and befriends a mangy ex-circus dog and adopts him as a pet--without his father's knowledge. As the family moves across the country, the dog attempts to follow, getting into close calls and lots of adventures along the way. Will Bingo end up in the arms of his favorite boy? This spoof/adventure/comedy contains some violence and profanity. ~ Kristie Hassen, Rovi

When prison psychiatrist Bill Chrushank (Jeff Fahey) loses an arm in a car accident, he receives a revolutionary new transplant from an unknown donor, who is later discovered to have been a recently-executed psycho-killer. During his recovery, Bill is tormented by violent nightmares and aggressive new impulses -- and his limb seems to have developed a malevolent will of its own, acting independently and lashing out beyond his control. He eventually discovers that an artist named Remo Lacey (Brad Dourif) -- whose work is influenced by the same nightmares -- is the recipient of the killer's other arm. Before long, the same donor's legs turn up on yet another man, who harbors the same violent mood swings... and the inevitable "reunion" culminates in a violent, gory finale. Written and directed by Eric Red (based on the novel Choice Cuts by Pierre Boileau & Thomas Narcejac), this is a stylish and tightly-paced film (the harrowing car chase is a definite nail-biter), but the ball is sadly dropped by a weak script that discards the twisted potential of its premise (is the donor arm influencing Chrushank's mind, or vice versa?), lapsing instead into standard slasher-think. ~ Cavett Binion, Rovi

A misdiagnosis of a curable disease tests the bonds of love between a couple in this true story drama. ~ Rovi

Sea of Love is a sexy, atmospheric thriller, very much in the style of Alfred Hitchcock, with involving characters, steamy love scenes, and surprising plot twists. Frank Keller (Al Pacino), is a lonely, tired, disillusioned, police detective, who has a problem with alcohol. Frank is investigating a serial killer, whom he believes finds victims by using personal ads in magazines, killing them while playing the old record "Sea of Love." In a scene both amusing and touching, Frank and his partner, Sherman (John Goodman) --aided by Frank's father (William Hickey in a lovely cameo) place a personal ad, hoping to lure the killer. Helen Cruger (Ellen Barkin), a tough, sexy single mother answers the ad and begins an affair with Frank, despite the fact that she is one of the prime suspects in the case. The suspense builds as Frank, though deeply drawn to Helen, becomes more and more suspicious of her. In a splendidly crafted script from Richard Price, the plot is compelling, with plenty of action, terrific authentic dialogue and superb characterization. Ellen Barkin gives a marvelous performance as an independent, sensual and intriguing femme fatale; John Goodman is excellent as Sherman, giving a likable, shrewd, and subtly comic performance; and Pacino, in perhaps his best performance since Dog Day Afternoon, plays Frank as a man on the edge, reckless and self-destructive, lost and alone. Frank falls in love with Helen, in spite of himself, because of his loneliness and need. Pacino's skill in showing the vulnerability and neediness of Frank explains the somewhat implausible actions of his character in continuing their affair despite the mounting evidence against Helen. Harold Becker directs with great flair, bringing the story believability, without lapsing into false sentimentality. ~ Linda Rasmussen, Rovi

The sublimely derivative Blindside stirs up a modicum of tension. The principal character is a onetime surveillance expert, who after purchasing a motel can't resist the temptation of spying on his guests. No, there's no shower stabbing here, but there isa brutal murder. Before long, our peeping-tom protagonist is up to his chin in drug-traffic intrigue. As the voyeuristic hero, Harvey Keitel is the most recognizable performer in Blindside; with the exception of the always welcome Lolita Davidovich, the rest of the cast is unremarkable. Filmed in 1986, Blindside was released in the US in 1988. ~ Hal Erickson, Rovi

In the first of a series of made-for-TV films shot two decades after the original Perry Mason television series ended in 1966, Mason (Raymond Burr), now an Appellate Court Judge, must step down from the bench in order to defend his longtime secretary Della Street (Barbara Hale) against murder charges. ~ Jason Ankeny, Rovi