Nina Bara Movies

Green cheese? Men in the Moon? Nah, everyone knows that the moon is really populated by beautiful women wearing silk underwear and spiked heels. They are ruled by an evil temptress and share the moon with giant rock men and an enormous spider. Honest. Just watch this campy remake of Cat Women of the Moon and see for yourself. ~ Sandra Brennan, All Movie Guide

Jeanette MacDonald made her first screen appearance in five years in the MGM confection Three Daring Daughters. Looking at least ten years younger than her 48 years, MacDonald is cast as glamorous magazine editor Louise Raton Morgan. Long divorced Louise returns from a Cuban vacation with a handsome new husband in tow: None other than famed pianist Jose Iturbi, engagingly playing "himself". Louise's three daughters Tess (Jane Powell), Alix (Mary Elinor Donahue, the future "Princess" on TV's Father Knows Best) and Ilka (Ann E. Todd) are appalled by their mother's choice of husbands. Refusing to accept Iturbi as their stepdad, the girls contrive to unite Louise with Robert-whether they like it or not. Before the Three Daring Daughters come to their senses, there's opportunity aplenty from musical solos by stars Jeanette MacDonald, Jane Powell and Jose Iturbi, with an additional solo from harmonica virtuoso Larry Adler (just before he was blacklisted from Hollywood and forced to scare up film work in England). Incidentally, the actress playing the flirtatious Mrs. Smith is Moyna McGill, the real-life mother of Angela Lansbury. ~ Hal Erickson, All Movie Guide

This A-minus musical stars Evelyn Keyes in the uncharacteristically comic role of Vicki Dean, the divorce-bound wife of theatrical impresario Steve Farraugh (Keenan Wynn). While mounting a big musical spectacular in Brazil, Farraugh simultaneously campaigns to win back his wife. The couple encounters romantic interference from tap-dancer Linda Lorens (Ann Miller) and Latin American singing heartthrob Tito Guizar (as himself). Nothing new here, but the cast puts over the material with such enthusiasm that the film seems better than it is. The highlight is Ann Miller's energetic specialty number "Man is Brother to a Mule" (it makes sense in context!) ~ Hal Erickson, All Movie Guide

When wealthy Ballin Mundson (George Macready) rescues down at his heels gambler Johnny Farrell (Glenn Ford) and invites him to the Buenos Aires casino he owns, both men get more than they wagered on. Farrell convinces Mundson to hire him as casino manager, but is shocked when Mundson introduces his new bride, and Farrell's old flame, Gilda (Rita Hayworth).Though Farrell is unwavering in his loyalty to his employer, and he and Gilda treat each other with contempt, Mundson realizes that the torch never died for either of the former lovers. Ordered to guard Gilda, Farrell tries to convince himself that he's protecting Mundson's interests, but Gilda sees through his self-deception. Meanwhile, Mundson reveals to Farrell that his primary business is control of an international tungsten cartel that he plans to use to further his fascist ends. With the police closing in on the cartel, Mundson fakes his death, apparently leaving Gilda and Farrell free to marry. They do so: Gilda for love, but Farrell to punish her for being unfaithful to Mundson. When Mundson returns to kill them, it is he who dies, thereby freeing the lovers to apologize to each other and return to the U.S. Charles Vidor's Gilda is a voyeuristic film noir treat that engages the viewer in a complex web of sado-masochistic triangles. When, for example, Gilda performs her signature number, "Put the Blame on Mame," she is not simply enraging both Mundson and Farrell with her open sexuality, she is also crying out in pain for the love she is being denied. ~ Steve Press, All Movie Guide

In this drama, a young building contractor falls for a pretty Mexican woman who convinces him not to evict the inhabitants of a California barrio so he can replace it with developments. ~ Sandra Brennan, All Movie Guide