Milt Kibbee Movies

Often (and accurately) described as a model of the whodunit genre, The Kennel Murder Case stars William Powell, making his fourth screen appearance as S. S. Van Dine's dilettante detective Philo Vance. This time the story involves intrigue at the Long Island kennel club. The murder victim is Robert H. Barrat, who works overtime making himself a much-hated target in the first ten minutes. With the aid of a Doberman, Vance solves not only Barrat's murder but a follow-up killing designed to deflect attention from the killer. The suspects include Mary Astor, Ralph Morgan, Jack LaRue, Helen Vinson, Paul Cavanaugh and Arthur Hohl, all of whom have "done it" from time to time in other murder mysteries (movie buffs, however, will have little trouble spotting the killer; the person in question has probably been the hidden murderer in more films than any other member of the Screen Actor's Guild). Kennel Murder Case was William Powell's last "Philo Vance" film; it would be remade in 1940 as Calling Philo Vance, with James Stephenson as Vance and a new World War II angle added to the plot. ~ Hal Erickson, All Movie Guide

An admirably tough B-picture enlivened by an energetic James Cagney performance, Picture Snatcher stars Cagney as Danny Kean, a former gangster who has decided to go straight after a stretch in the big house. Danny has fallen for Patricia (Patricia Ellis), the daughter of the cop who put him away (Robert Emmett O'Connor). Dad isn't convinced that Danny has left his life of crime behind him, and he isn't too impressed with his new career taking pictures for a sleazy tabloid newspaper. Between getting a lurid photo of a fireman in front of a burning building (where his wife and her lover met their fate) and a daring shot of a woman being executed (based an actual incident when a New York Daily News photographer got a photo of Ruth Snyder in the electric chair), Danny's work is selling papers but hardly making Officer O'Connor think his daughter is in good hands (especially since he was in charge of press security for the execution). Short, sweet and sassy, Picture Snatcher is the sort of gutsy fare Warner Bros. did best in the 1930's; Ralph Bellamy turns in a great supporting performance as Danny's boozy editor. ~ Mark Deming, All Movie Guide

Frank Capra's seminal screwball comedy, which won all five major Academy Awards for 1934, is still as breezy and beguiling today. Claudette Colbert plays Ellie Andrews, a spoiled heiress who has married fortune-hunting aviator King Westley (Jameson Thomas), despite her father (Walter Connolly)'s objections. To keep Ellie from marrying this lothario, her father has been holding her prisoner aboard his yacht. But Ellie bolts from the yacht, swims ashore in her clothes, and eventually slips onto a Greyhound bus bound for New York. Aboard the bus is newspaper reporter Peter Warne (Clark Gable), who has recently been fired for drinking on the job. Peter gets the last seat on the bus -- but when he gets up to argue with the bus driver, Ellie takes his seat. Since it is the last seat on the bus, they have to share it. When Ellie has her purse stolen and she refuses to report it, Peter begins to suspect something. The next morning, they both miss the bus after a leisurely breakfast, and Peter reveals that he knows her identity. She makes a deal with him: if he helps her get to New York, he can write a scoop about her for his paper. Peter thinks she is a spoiled brat, however, and refuses a monetary bribe: "I'm not interested in your money or your problem. You, King Westley, your father -- you're all a lot of hooey to me!" But as they travel northward and engage in a series of misadventures, the gruff newspaperman and the spoiled rich girl, thrown together by circumstances, fall in love with each other. This movie set the pace for the "screwball" comedy, the witty and romantic clash of temperaments between a man and a woman mismatched in both personality and social position, a type of movie often associated with Katherine Hepburn in such classics as Bringing Up Baby (1938), The Philadelphia Story (1940), and, with Spencer Tracy, Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957), among others. The only other movies to win all five major Academy Awards (Best Picture, Actor, Actress, Director, and Screenplay) were One Flew Over the Cuckoo's Nest (1975) and The Silence of the Lambs (1991). ~ Paul Brenner, All Movie Guide

Completed just before the Production Code went into effect, I've Got Your Number is delightfully racy, risque entertainment. Pat O'Brien is all wisecracks and left hooks as Terry, a troubleshooter for the New York telephone company. Terry puts his talents -- and his eavesdropping skill -- to good use when he decides to rescue his switchboard-operator girlfriend Marie (Joan Blondell) from taking the fall in a stolen-bond scheme. Not to be taken seriously for a moment, I've Got Your Number concludes with a belly-laugh as Terry's old telephone-linemen pals "bug" his honeymoon suite. The only false note struck by the film is the notion that know-it-all Joan Blondell could be slickered twice by the same gang of con artists. ~ Hal Erickson, All Movie Guide

Written by the prolific Ben Hecht, Upper World is a clash-of-class melodrama set in New York City. Railroad tycoon Alexander Stream (Warren William) is neglected by his social-climbing wife Mary Astor. Quite unintentionally, through a chance encounter, he strikes up a reasonably chaste friendship with good-hearted showgirl Lilly Linder (Ginger Rogers). Lilly's ex-boyfriend Lou Colima (J. Carroll Naish) sees an opportunity to blackmail Stream; Lilly tries to block him from doing so, and is murdered for her troubles. Stream shoots Colima in self-defense and manages to cover up his involvement so that the crime scene looks like a murder-suicide, protecting his good name and marriage in the process. But a vitriolic cop (Sidney Toler), whom Stream had earlier gotten demoted over a traffic stop -- and who was on patrol in the vicinity of the crime -- involves himself in the case and gathers enough evidence to point the detectives and the press toward the wary tycoon. Though he must stand trial for Colima's death, Stream is supported in his ordeal by his suddenly attentive and affectionate wife.
~ Hal Erickson, All Movie Guide

The Man with Two Faces is based on The Dark Tower, a stage comedy-mystery by Alexander Woollcott and George S. Kaufman. Edward G. Robinson is at his hammy best as flamboyant, temperamental, but withal endearing theatrical actor-manager Dawson Wells. Mary Astor co-stars as Damon's beloved actress sister Jessica, making a stage comeback after a disastrously unhappy marriage. Alas, Jessica's caddish husband Stanley Vance (Louis Calhern) soon returns, exerting a Svengali-like hold on the poor girl and setting her back on the road to ruin. Unable to buy off Vance, Wells plots a clever revenge, and shortly afterward, Vance is visited by one Monsieur Chautard, an effusive European producer with murder on his mind. The central "gimmick" in Man With Two Faces, which was adroitly concealed in the original Dark Tower, is a bit more obvious on screen due to the dynamic personalities involved. Also, the play's ending, in which Vance's murderer is allowed to escape scot-free by a sympathetic detective, was obviously altered at the very last minute to appease the new Production Code. ~ Hal Erickson, All Movie Guide

Born on the proverbial wrong side of the tracks, Lady Lee (Barbara Stanwyck) rises to prominence as a professional gambler. Though she works in a somewhat shady casino, our heroine enjoys a reputation for utter honesty, refusing all entreaties to turn crooked. Impressed by this quality, wealthy young Garry Madison (Joel McCrea) falls in love with Lady Lee and asks her to become his wife. Madison's friends and family assume that Lady Lee is merely a gold-digger, but she proves them irrefutably wrong when she saves him from a murder charge. According to some sources, Tyrone Power can be spotted in a bit role in this "A-minus" Warner Bros. programmer. Gambling Lady would make an interesting double feature with the later Stanwyck vehicle The Lady Gambles. ~ Hal Erickson, All Movie Guide

Not even considered a good film back in 1935, Dangerous is held together by the mesmerizing performance of Bette Davis. The star is cast as alcoholic, self-destructive stage actress Joyce Heath, a character obviously based on Jeanne Eagels. Wealthy architect Don Bellows (Franchot Tone) becomes convinced that Joyce can be rehabilitated with the "right" stage vehicle, and begins pulling strings to bring her back to the footlights. She rises to the occasion, falling in love with Don in the process. But Joyce becomes convinced that she's a jinx to any man who gets near her, as proven by her spineless, dissolute husband, Gordon Heath (John Eldredge), who refuses to give her a divorce. Deliberately hurting Don's feelings so he will escape her "curse," Joyce determines to rid the world of both herself and her husband. But things don't work out that way, and as a result Joyce is left in an inextricable Ethan Frome-like dilemma at film's end, while Don finds happiness with his socialite Gail Armitage (Margaret Lindsay). It is generally conceded that Bette Davis won her Academy Award for Dangerous because she was denied the Oscar for her performance in the previous season's Of Human Bondage. Dangerous was remade (and considerably reshaped) in 1941 as Singapore Woman. ~ Hal Erickson, All Movie Guide

Errol Flynn makes his Hollywood screen debut as a corpse in this funny, fast-paced whodunit, the third of six Perry Mason vehicles produced by Warner Bros. from 1934 to 1937. Flynn's murder victim is one Gregory Moxley, the estranged and long-thought dead husband of Perry's client, Rhoda Montaine (Margaret Lindsey), who, in the meantime, has married a millionaire (Donald Woods) and is ripe for blackmail. Perry agrees to meet with Moxley, but finds him very much dead and this time for good. Rhoda naturally becomes the prime suspect, but, with the able assistance of his wisecracking secretary Della Street (Claire Dodd), Perry is able to reveal the identity of the real culprit, not in the courtroom this time, but at an elegant cocktail party. ~ Hans J. Wollstein, All Movie Guide

Clearly inspired by the success of Goldwyn's Barbary Coast, Warner Bros.' The Frisco Kid stars James Cagney as turn-of-the-century opportunist Bat Morgan. Heading to the gold fields of California, Bat is almost shanghaied in San Francisco but manages not only to escape his would-be captors but also to kill the infamous crime lord Shanghai Duck (Fred Kohler Sr.). The grateful citizens enable Bat to rise to wealth and power on the Barbary Coast. But he's less lucky in love, and it is his seemingly hopeless fascination with Nob Hill debutante Jean Barrat (Margaret Lindsay) that may well bring about Bat's downfall. The film is a festival of cliches, occasionally enlivened by barroom brawls and rowdy musical numbers. Featured as extras in Frisco Kid were several stars and directors of the silent era, a "generous" gesture made by Warner Bros. partly to stave off the inevitability of unionized actors. ~ Hal Erickson, All Movie Guide

In this rollicking adaptation of Ring Lardner's short story, Joe E. Brown plays an ace baseball player whose insistence upon making up excuses earns him the nickname "Alibi Ike." In the course of his first season with the Chicago Cubs, Brown also falls in love with Olivia De Havilland, sister-in-law of the team's manager. Brown's "alibi" habit prompts De Havilland to walk out on him, whereupon he goes into a slump-- which coincides with attempts by gamblers to get Brown to throw the World Series. The plot weaves its way towards a climax in which Brown escapes the gamblers by commandeering an ambulance and driving onto the ball field during the final Series game. Alibi Ike was the most successful of Joe E. Brown's "baseball trilogy" (which included Elmer the Great and Fireman Save My Child), and one the best baseball comedies of all time. ~ Hal Erickson, All Movie Guide

S. S. Van Dine's intelligent, insufferable amateur sleuth Philo Vance is the protagonist of The Casino Murder Case. Paul Lukas plays Vance, who is brought to the mansion of a wealthy, eccentric widow (Alison Skipworth) by a mysterious unsigned letter. Several murders are committed in the elderly woman's home, with the evidence pointing to various red herrings before the truth is revealed. Rosalind Russell plays the old lady's secretary (and Vance's object of affections); Eric Blore is Vance's droll valet; and Ted Healy is the obnoxious Sgt. Heath, ever willing to slap the cuffs on the wrong person. ~ Hal Erickson, All Movie Guide