Guy Kibbee Movies

The delightful Winnie Lightner was afforded her own movie vehicle in Side Show. Lightner stars as Pat, one of several members of a traveling carnival troupe managed by the eternally besotted Colonel Gowdy (Guy Kibbee). A Jill-of-all-trades, Pat does everything from high-diving to hula dancing, with time left over for a romance with meek-and-mild Sidney (Charles Butterworth), a man incapable of uttering an intelligent remark. There are moments of melodrama and pathos -- especially when Pat tries to save her younger sister, Irene (Evelyn Knapp), from a lecherous carny barker -- but comedy predominates throughout, culminating in a slapstick big-top finale. Unseen for many years, Side Show was resuscitated in the early '90s by the Turner Classic Movies cable service. ~ Hal Erickson, All Movie Guide

Blonde Crazy describes the perpetual mental state of James Cagney. A conniving bellhop, Cagney increases his bank account by using his blonde girlfriend Joan Blondell as a come-on to various "sugar daddies" whom he suckers out of their hard-earned cash. When the pair try their con game in New York, they fall victim to sharpster Louis Calhern. Angry that Cagney has lost their money, Blondell marries straight-arrow Ray Milland. Cagney tries to get back the dough by committing a holdup, and is promptly arrested. Blondell, realizing that Cagney has landed in jail because of her, throws over her husband and vows to wait for Cagney. As amoral as a bagful of alley cats, Blonde Crazy is good dirty fun from Hollywood's randy pre-code era. ~ Hal Erickson, All Movie Guide

Never one to hide his talent under a bushel basket, director Rouben Mamoulien proudly proclaimed that, while there were ten killings in his 1931 gangster drama City Streets, the audience never sees any of them. This was not the only innovation in this fascinating early talkie, in which straight-arrow movie hero Gary Cooper is cast as a racketeer known only as The Kid. He has chosen a life of crime out of love for Nan (Sylvia Sidney), the daughter of mob henchman Pop Cooley (Guy Kibbee). Eventually railroaded into prison by her crooked cohorts, Nan implores The Kid to give up the rackets, but he refuses. Things go downhill very rapidly after that, culminating with The Kid and Nan being taken "for a ride" by rival thugs. Cast in a role originally intended for Clara Bow, Sylvia Sidney does a magnificent job and was soon typecast as a downtrodden Depression victim, born with two strikes against her. Conversely, Gary Cooper never again played anything quite like "The Kid." ~ Hal Erickson, All Movie Guide

Nancy Carroll's popularity enabled her to survive the melodramatic excesses of Stolen Heaven with little if any damage to her career. Carroll plays Mary, the streetwalker sweetheart of born-loser Joe (Phillips Holmes). Engineering a $20,000 robbery, Mary and Joe draw up a pact to spend all the money foolishly and then commit suicide. But as time passes, they decide that they might as well live. Joe confesses to the robbery and willingly marches off to jail, secure in the understanding that Mary will await his return. Louis Calhern makes an excellent first impression as the film's nominal villain, only to completely disappear from view in the final scenes. The 1938 musical drama Stolen Heaven is not a remake. ~ Hal Erickson, All Movie Guide

About to die in the electric chair, John Allen (Edward G. Robinson) uses the last two seconds of his life to recall the events leading up to his present predicament. A $62.50-per-week riveter ("That's more than most college professors make!"), Allen gets drunk at a speakeasy and impulsively marries his steady date Shirley Day (Vivienne Osborne), who almost immediately begins cheating on him with dance-hall proprietor Tony (J. Carroll Naish). When his co-worker pal Bud Clark (Preston S. Foster) tries to warn him of this hanky-panky, Allen angrily takes a punch at Clark, whereupon the other man falls to his death from a skyscraper girder. Told by his "repentant" wife that she's been messing around with Tony so as to borrow money from him, Allen begins playing the horses, earning just enough money to pay off his debts. With money in hand, he heads to Tony's place, only to discover that Shirley has been lying to him all along. In a fit of jealousy, he kills Shirley and subsequently is sentenced to the chair. As the executioner pulls the switch, Allen philosophizes that he's been the victim of the "postman always rings twice" syndrome: He escaped prosecution for Clark's unjustified death, only to be punished for his justifiable murder of Shirley ("It isn't fair to let a rat live and kill a man!") Edward G. Robinson overacts outrageously throughout Two Seconds, but that's part of the charm of this fascinating antique. ~ Hal Erickson, All Movie Guide

A very young Loretta Young stars in this domestic drama in which a naïve department store clerk falls for an inveterate gambler. The clerk, Buster Green, falls in love with handsome Wallie Dennis (Norman Foster) at a dance and marries him after a whirlwind romance. But their wedded bliss is ruined by Wallie's gambling habit and a pregnant Buster is forced to return to the Mayfield Department Store counter. In an effort to salvage her crumbling marriage, Buster plays on a dark horse to win the Big Race but is cheated out of her prize by unscrupulous bookie Martie Happ (Noel Madison). An angered Wallie picks a fight with Happ and is arrested by the police. Buster, meanwhile, delivers a baby girl and Wallie, who has been released due to the happy circumstances, bets that their next child will be a boy. ~ Hans J. Wollstein, All Movie Guide

Sudden success can be a double-edged sword as this drama aptly proves. An aspiring musician finds success when his manager has him switch from playing the sax to vocals. He soon becomes a popular star. Unfortunately as his popularity swells, so does his head. His arrogance and megalomania cause his downfall. ~ Sandra Brennan, All Movie Guide

Based on the play New York Town by Ward Morehouse, Mervyn LeRoy directs the black-and-white 1932 comedy drama Big City Blues. A small-town innocent from Indiana, Bud Reeves (Eric Linden) inherits money and goes to New York to get in all sorts of trouble. He meets up with his cousin Gibby (Walter Catlett), who introduces him to chorus girl Vida Fleet (Joan Blondell). Bud and Gibby then throw a drunken hotel party with bootleg liquor that gets out of hand and a young woman (Josephine Dunn) is hit on the head and accidentally killed. Bud and Vida go gambling and drinking to escape the cops, but they are caught and arrested with everyone else from the party. Eventually, the police find the real killer and release everyone. Bud leaves for Indiana, but plans to go back, get his dog, and marry Vida. Humphrey Bogart appears in a brief uncredited role as Shep Adkins, a guy who gets into a fight with Lyle Talbot during the party. ~ Andrea LeVasseur, All Movie Guide

Based on Abel Kandel's 1931 play Hot Money, this delightfully daffy comedy from Warner Bros. is a typical example of that studio's turbo-charged dialogue and irreverent attitude. William Powell, at the top of his game here, plays Gar Evans, the "world's foremost promoter," hired by Jewish entrepreneur Ginsberg (George Sidney) to boost a new discovery that may turn sewage into artificial rubber. Unfortunately, after Evans and his minions have talked untold suckers into buying stocks in the dubious venture, the inventor (Harry Beresford) goes missing. The good professor turns up eventually but proves to be quite demented and the entire scheme is about to fall apart when Evans, more or less at the seat of his pants, manages to sweet-talk himself into an even better deal. William Powell is a marvel in this comedy, whether cheerleading a gaggle of would-be salesmen or attempting to persuade a disillusioned Francine (Evelyn Brent), his good luck charm, to stay onboard despite ever impending doom. Miss Brent, who usually had only one expression -- sullen hauteur -- is quite charming as Powell's long-suffering girlfriend; and Frank McHugh, whose comedy relief often proved more grating than funny, is more than tolerable this time around as Powell's rah-rah second lieutenant. And finally there is veteran dialectician George Sidney, whose worried entrepreneur offers some of High Pressure's best laughs. A French-language version, La Bluffeur, was produced later in 1932 featuring Andre Luget as the promoter and Danish comic Torben Meyer as Ginsberg. Warner Bros. remade the story under its original title, Hot Money, in 1936, this time featuring Ross Alexander and Joseph Cawthorn. ~ Hans J. Wollstein, All Movie Guide

Alfred E. Green directs the political satire The Dark Horse, starring Bette Davis early in her career. The progressive party nominates moronic candidate Zachary Hicks (Guy Kibbee) for governor. Party secretary Kay Russell (Davis) wants to hire her sweetheart, Hal Blake (Warren William), for campaign manager, even though he is in jail for not paying his alimony. Impressed with his slick behavior, the campaign committee bails him out of jail and he goes to work. He teaches Hicks to give cryptic answers to journalists and makes him memorize a speech by Abraham Lincoln. During the big debate, conservative opponent William A. Underwood (Berton Churchill) quotes Lincoln and Hicks calls him a plagiarist. Eventually, Blake's ex-wife, Maybelle (Vivienne Osborne) shows up demanding her alimony payments. The climactic scene involves a set-up at a rural mountain cabin and confusing marital arrangements. Also starring Frank McHugh as aide Joe and Sam Hardy as the conservative manager Mr. Black. Hollywood mogul Darryl F. Zanuck received co-writing credits for the screenplay under the pseudonymn Melville Crossman. ~ Andrea LeVasseur, All Movie Guide

Joe E. Brown plays a small town fireman who is also the town's star ballplayer--and an itinerant inventor on the side. Brown is offered a pitching contract with the St. Louis Cardinals; he accepts, reasoning that the money he'll earn will help finance his invention. While in spring training, Brown becomes entangled with a seductive "good time girl" (Noel Francis), which severely compromises his game playing ability and also strains his relationship with his hometown sweetheart (Evalyn Knapp). On the day of the Cardinal's World Series clincher, Brown arrives at the doorstep of the Zenith Fire Extinguishing company, which has invited Joe to demonstrate his invention, a baseball-shaped "extinguisher bomb." A mix-up in briefcases nearly causes Brown to burn down the Zenith company, but eventually he proves the efficiency of his invention. The local fire chief then rushes Brown to the big game, where he pitches his team to victory. Though just as much a "zany inventor" comedy as a baseball yarn, Fireman Save My Child qualifies as the first of Joe E. Brown's "baseball trilogy", followed by 1933's Elmer the Great and 1935's Alibi Ike. ~ Hal Erickson, All Movie Guide

A huge box office success and a key film in James Cagney's rise to stardom, this drama stars Cagney as Matt Nolan, a gritty New York City cab driver who is being squeezed by a monopolistic taxi trust which uses force to run him and other independent cabbies away from the most profitable locations. Nolan joins forces with Pop Riley (George Kibbee), whose cab is smashed by a truck when he refuses to cooperate with the syndicate. Kibbee is sent to prison for shooting at the truck driver. Nolan is dating his daughter, Sue (Loretta Young), and they enter a Peabody dance contest at a local nightclub. Cagney dances on screen for the first time, and so does George Raft as Willie Kenny, another dancing tough guy who was a friend of Cagney's, who pushed Warner Bros. to give Cagney the role. Nolan marries Sue Riley, and she tries to get him to cool down. But the taxi trust goons kill his brother Danny (Ray Cooke), and Nolan goes on a rampage. In several filmed gun battles, live machine-gun bullets are used, as they were in Cagney's famed The Public Enemy. This is the last time Cagney allowed that. ~ Michael Betzold, All Movie Guide

In her first film under contract to Warner Bros., Kay Francis plays Lois Ames, a magazine editor whose husband Fred (Kenneth Thomson) is too busy with his polo friends to pay her much attention. But when her secretary (Charlotte Merriam) suddenly leaves, Lois hires handsome Tom Sheridan (David Manners), who has arrived to demonstrate a new rowing machine. Sharing work brings boss and employee closer together and they soon fall in love. Tom's dumbbell fiancée, Ruth (Una Merkel), does not take this development very well and threatens to tell Fred. But the latter is discovered making love to the uppity Ann Le Maire (Claire Dodd) and Lois is able to obtain a divorce. ~ Hans J. Wollstein, All Movie Guide