Leleti Khumalo Movies

Controversial South African helmer Darrell James Roodt (Sarafina!, Yesterday), writes and directs the experimental melodrama Faith's Corner. The effort (which recalls and suggests influence by Ousmane Sembene's 1966 Borom Sarret) weaves the tale of an impoverished mother named Faith (Leleti Khumalo) who travels to a Johannesburg street corner each morning with her two sons, Siyabonga (Sibonelo Xulu) and Lucky (Thobani Khybeka), and begs for change - only to run head first into jeers and catcalls from the passersby. In time, Faith discovers the existence of a day care center that will take the boys in, but brings them back after learning that it lowers her alms. She is subsequently crushed by the escalating burden of grief and sorrow. Roodt filmed the picture with an ancient, hand-cranked camera and dated film stock to give it a yellowed aesthetic; he also avoids the use of all sync sound and works in title cards. Philip Glass scored the picture, and interlaces the music with sound effects to coincide with many of the images. ~ Nathan Southern, Rovi

Alan Paton's classic novel about two fathers coming to terms with personal loss and the emotional scars inflicted on South Africa during the era of apartheid was brought to the screen for a second time with this adaptation, the first major film produced in South Africa after Nelson Mandela's election ended mandatory white rule in that nation. Rev. Stephen Kumalo (James Earl Jones) is a minister from a poverty-stricken farming community who travels to Johannesburg for the first time in search of his son Absalom (Eric Miyeni), who moved to the city some time back and has gone missing. Kumalo regards the big city as a den of iniquity, and his low expectations are not betrayed; he is robbed and beaten shortly after he arrives, and when he visits his brother John (Charles S. Dutton), he discovers that Absalom has become a petty thief with a pregnant girlfriend, his sister Gertrude (Dambisa Kente) is a prostitute, and John has renounced his faith in God and advocates the violent overthrow of South Africa's white leadership. James Jarvis (Richard Harris) -- a wealthy white landowner from the same part of the country as Kumalo -- has also arrived in Johannesburg, also with sad personal business to attend to; his son, a well-liked activist for the rights of the city's black majority population, was killed during a robbery. ~ Mark Deming, Rovi