Evelyn Keyes Movies

Ex-nightclub chorine Evelyn Keyes was 18 when she was put under contract by Hollywood producer/director Cecil B. DeMille. Keyes played passive roles in DeMille's The Buccaneer (1938) and Union Pacific (1939) and a handful of Paramount "B"s. Her best opportunity came from outside the DeMille fold, when she was cast as the eternally jilted Suellen O'Hara in Gone With the Wind (1939). In 1940, she signed with Columbia, where she was featured in a handful of interesting "B"s like Boris Karlof's Before I Hang (1940) and Peter Lorre's Face Behind the Mask (1941, in which Keyes was terrific in a brief role as a blind girl). She was promoted to "A" leads with Here Comes Mr. Jordan (1941), and with 1947's Mating of Millie she finally got a film vehicle all her own. She also played the Ruby Keeler counterpart (named Julie Benson) in Columbia's The Jolson Story (1946). Like many 1940s leading ladies, Keyes found the going rough in the 1950s, save for a few worthwhile (if fleeting) parts such as Tom Ewell's vacationing wife in The Seven Year Itch (1955). She retired in 1956, making an unexpected return before the cameras in a brace of late-1980s Gothic melodramas. In sum total, Keyes' screen career was dwarfed by her colorful private life. Her four husbands included directors Charles Vidor and John Huston, and bandleader Artie Shaw. In 1971 she turned to writing. Her first book was a novel, I Am as Billboard; she followed this with two very candid autobiographies, Scarlet O'Hara's Younger Sister (1977) and I'll Think About That Tomorrow (1991). Keyes died in July 2008 of uterine cancer ~ Hal Erickson, All Movie Guide
1953  
 
Ernie Driscoll (John Payne) is an ex-fighter who came within seconds of winning the world championship. He's now forced to eke out a living driving a cab. A basically decent guy, he has lots of people who care about him, including Linda James (Evelyn Keyes), a slightly ditsy actress friend -- but Ernie also has a short fuse, especially where his wife Pauline (Peggie Castle) is concerned. His rage boils over when he spots her kissing another man, but her unfaithfulness turns out to be the least of his worries. The man she's seeing, Vic Rawlins (Brad Dexter), is a career criminal with both the police and his former partners after him, and he sees Ernie as the perfect fall-guy. The law and Rawlins' criminal associates are soon closing in on Ernie, while he tries desperately -- with Linda's help -- to buy the time he needs to unravel this nightmare. ~ Bruce Eder, All Movie Guide

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Starring:
John PayneEvelyn Keyes, (more)
1987  
 
A divorced dad and son attempt to build on their newly resurrected relationship by heading back to pop's hometown in up-state Maine. When he gets there, he finds that all the townspeople have turned into 300-year-old vampires. Some say that director Larry Cohen intended the vampire community to be a parody of old-blooded Republicans who so often rule in small-town America. ~ All Movie Guide

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Starring:
Michael MoriartyAndrew Duggan, (more)
1945  
 
Thousand and One Nights is an occasionally strident but generally successful satire of the popular Universal Jon Hall/Maria Montez epics. Cornel Wilde stars as a twentyish Aladdin, whose magic lamp yields two genies: Collosus-like Rex Ingram (repeated the role he played in 1940's Thief of Baghdad) and ravishing redhead Evelyn Keyes (who, like future TV genie Barbara Eden, was seemingly born without a navel). Wilde uses his new-found wealth and magical powers to woo princess Adele Jergens, but not without the opposition of villainous Dennis Hoey. Phil Silvers plays Wilde's comic sidekick, a man "born 2000 years ahead of his time" who wears glasses, spouts jive-talk ("Slip me some skin, Abdul!") and cracks anachronistic jokes. The final gag in Thousand and One Nights, in which the genie gives Phil Silvers the voice of Frank Sinatra, has been removed from many TV prints. ~ Hal Erickson, All Movie Guide

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Starring:
Cornel WildeEvelyn Keyes, (more)
1956  
G  
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Razzle-dazzle showman Michael Todd hocked everything he had to make this spectacular presentation of Jules Verne's 1872 novel Around the World in 80 Days, the second film to be lensed in the wide-screen Todd-AO production. Nearly as fascinating as the finished product are the many in-production anecdotes concerning Todd's efforts to pull the wool over the eyes of local authorities in order to cadge the film's round-the-world location shots--not to mention the wheeling and dealing to convince over forty top celebrities to appear in cameo roles. David Niven heads the huge cast as ultra-precise, supremely punctual Phileas Fogg, who places a 20,000-pound wager with several fellow members of London Reform Club, insisting that he can go around the world in eighty days (this, remember, is 1872). Together with his resourceful valet Passepartout (Cantinflas), Fogg sets out on his world-girdling journey from Paris via balloon. Meanwhile, suspicion grows that Fogg has stolen his 20,000 pounds from Bank of England. Diligent Inspector Fix (Robert Newton) is sent out by the bank's president (Robert Morley) to bring Fogg to justice. Hopscotching around the globe, Fogg pauses in Spain, where Passepartout engages in a comic bullfight (a specialty of Cantinflas). In India, Fogg and Passepartout rescue young widow Princess Aouda (Shirley MacLaine, in her third film) from being forced into committing suicide so that she may join her late husband. The threesome visit Hong Kong, Japan, San Francisco, and the Wild West. Only hours short of winning his wager, Fogg is arrested by the diligent Inspector Fixx. Though exonerated of the bank robbery charges, he has lost everything--except the love of the winsome Aouda. But salvation is at hand when Passepartout discovers that, by crossing the International Date Line, there's still time to reach the Reform Club. Will they make it? See for yourself. Among the film's 46 guest stars, the most memorable include Marlene Dietrich, Charles Boyer, Jose Greco, Frank Sinatra, Peter Lorre, Red Skelton, Buster Keaton, John Mills, and Beatrice Lillie. All were paid in barter--Ronald Colman did his brief bit for a new car. Newscaster Edward R. Murrow provides opening narration, and there's a tantalizing clip from Georges Méliès' A Trip to the Moon (1902). Offering a little something for everyone, Around the World in 80 Days is nothing less than an extravaganza, and it won 5 Oscars, including Best Picture and Best Cinematography. ~ Hal Erickson, All Movie Guide

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Starring:
David NivenCantinflas, (more)
1938  
 
In this musical sequel to the highly successful Artists and Models, Jack Benny plays Buck Boswell, the leader of a troupe of performers who end up broke and stranded in gay Paris. To rustle up a little cash, he decides to produce a musical fashion show. Boswell hires an American father and daughter to perform because he thinks they too are impoverished. Things happen, and Boswell nearly loses his show until his two Yanks reveal that they are loaded. ~ Sandra Brennan, All Movie Guide

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Starring:
Jack BennyJoan Bennett, (more)
1940  
 
Condemned to death for a mercy killing, Dr. John Garth (Karloff) continues to experiment in prison to develop a serum that will put at end to the ageing process. On the eve of his execution, he offers himself as guinea pig for his youth serum, which has recently been mixed with the blood of an executed psychopath. Miraculously, Garth does grow younger before the astonished eyes of kindly prison physician Ralph Howard (Edward Van Sloan). Alas, the serum has murderous side effects, which Howard discovers only as Garth strangles him to death. Pardoned from Death Row thanks to a script contrivance, Garth spends the rest of the film trying to carry on his humanitarian work despite embarrassing lapses into homicidal mania. Many observers regard Before I Hang as the best of Karloff's "Mad Doctor" series for Columbia. ~ Hal Erickson, All Movie Guide

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Starring:
Boris KarloffEvelyn Keyes, (more)
1941  
 
That "Peaceable Man," William "Wild Bill" Elliott, once again plays Wild Bill Hickock in this fine B-Western from Columbia Pictures. This time, sidekick Cannonball (Dub Taylor) discovers that two old enemies, swindlers Cord Crowley (Bradley Page) and Jeff Adams (Frank LaRue), are fooling the good folks of Lodestone into believing that they are solid citizens. When the banker, Jason Perry (John Dilson), refuses to heed Wild Bill's warning, the peaceable man is forced to show his hand. Adams is the first to blink and when confronted with his criminal record, the veteran crook commits suicide. Crowley proves a tougher nut to crack, but, as always, Wild Bill gets his man in the end. Taking a breather from the action, Dub Taylor performs his own "The West Gets Under My Skin," while suffering the consequences of a flee-ridden cowhide west. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Art MixBud Osborne, (more)
1953  
 
After her divorce from director John Huston, actress Evelyn Keyes divided her time between Hollywood and Europe. It was during one of her stopovers in France that Keyes starred in C'Est Arrive a Paris (It Happened in Paris). She is cast as vacationing heiress Pat, who is sick to death of the sightseeing tours arranged by her uncle (Paul Faivre). During one such excursion, she enjoys a romance with Russian prince Vlad (Henri Vidal). What Pat doesn't know is that her prince is a con artist, who is being bankrolled by two confederates in order to woo the girl and gain access to her inheritance. C'est Arrive a Paris was filmed in two versions, English and French; it was the English version which was released to American television in the late 1950s. ~ Hal Erickson, All Movie Guide

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Starring:
Evelyn KeyesHenri Vidal, (more)
1943  
 
Stalwart supporting actor Allyn Joslyn is afforded a rare leading role in the Columbia mystery meller Dangerous Blondes. Joslyn and Evelyn Keyes play Harry and Jane Craig, a road-company Nick and Nora Charles. A popular mystery writer, Harry occasionally indulges in amateur detective work, with wife Jane at his side; their friendly nemesis is Inspector Clinton (Frank Craven), who'd prefer that the Craigs would stay home and mind their own business. This proves impossible when Ralph McCormick (Edmund Lowe), the owner of a swank fashion studio, is accused of murdering his wife for the love of designer Julie Taylor (Anita Louise). Snooping around on their own, the Craigs find the real killer-and nearly wind up victims themselves. ~ Hal Erickson, All Movie Guide

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Starring:
Allyn JoslynEvelyn Keyes, (more)
1938  
 
In this drama, a gangster finds the woman of his dreams, but before he can have her he must frame her fiance. Meanwhile the Asian lover he dumped plots her revenge. ~ Sandra Brennan, All Movie Guide

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1948  
 
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Most of the story in this five-hanky British melodrama takes place over a 50 year period within a single London home, 99 Wiltshire Place, the birth place of a noted general who has not been back since he was a young man and had a terrible wrenching fight with his sister over his love for their adopted sister. Just before he stormed out, he vowed that he would never return until the troublesome sibling, who was always jealous of the beautiful orphan girl, died. Many years pass and the general now sits there alone with his old butler musing about his lost love. His American granddaughter, an ambulance driver for the war effort, shows up distraught. It seems she has fallen in love with the Canadian nephew of the general's old flame and is undecided whether she marry him right away or wait until after the war. He then tells her his tragic tale in hopes that she will change her mind. ~ Sandra Brennan, All Movie Guide

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Starring:
David NivenTeresa Wright, (more)
1942  
 
There are moments in Columbia's Flight Lieutenant that approach "high camp"; indeed, one is hard pressed to remember if any cliché is left unturned. Pat O'Brien plays air pilot Sam O'Doyle, who is professionally disgraced when he survives a crash in which his co-pilot is killed. He tries to get work elsewhere, but finds that he can't shake the onus of his apparent dereliction of duty (Even the newspapers conspire against him, trumpeting his humilitation in front-page headlines!) Finally O'Doyle escapes to the tropics, leaving his young son in the care of his best friend Sanford (Jonathan Hale). As the years pass, young Danny Doyle (Glenn Ford), an aviator himself, grows to despise his father's memory-especially since he has married Susie Thompson (Evelyn Ankers), the daughter of Sam's unfortunate co-pilot. When WW2 breaks out, Danny is promoted to flight lieutenant, whereupon his father enlists as an Army Air Corps private under Danny's command. The elder Doyle finally redeems himself when he knocks Danny out and takes over a suicidal test-pilot assignment (That darn fool kid-er, darn fool grownup!) ~ Hal Erickson, All Movie Guide

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Starring:
Pat O'BrienGlenn Ford, (more)
1998  
 
The history of color photography in motion pictures is lovingly detailed with vibrant film clips and first-person interviews in this 60-minute cable TV special. Beginning with such experimental processes as hand-tinting each frame of film (a specialty first of Edison, then perfected by the French Pathe company) and the "Kinemacolor" technique (a cumbersome procedure requiring special high-speed projectors and two separate strips of film), the special then moves on to the swaddling days of Technicolor, with rare vignettes from such silent films as The Toll of the Sea (1922), The Black Pirate (1926), and Ben-Hur. The two-color Technicolor process gives way in 1933 to an improved three-strip format, yielding such splendiferous results as Becky Sharp (1935), The Wizard of Oz (1939), and Gone With the Wind. But because of the dictatorial policies of Technicolor consultant Natalie Kalmus (who gained control of the company in a divorce proceeding), moviemakers were forced to adhere to firmly controlled policies of how the colors could be arranged and toned, with no wiggle room for individual creativity. Fortunately, Kalmus did not wield as much power over British filmmakers like Michael Powell and Emeric Pressburger who freed the Technicolor process from the shackles of conformity and corporate thinking in the 1940s, yielding such visual feasts as The Red Shoes and Black Narcissus. The special concludes with the final years of the three-strip format in the early '50s, with interviews from such Technicolorful stars as Esther Williams and Arlene Dahl. Drawing heavily from Turner's vast MGM film library, Glorious Technicolor originally aired over the Turner Classic Movies service. ~ Hal Erickson, All Movie Guide

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1939  
G  
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Gone With the Wind boils down to a story about a spoiled Southern girl's hopeless love for a married man. Producer David O. Selznick managed to expand this concept, and Margaret Mitchell's best-selling novel, into nearly four hours' worth of screen time, on a then-astronomical 3.7-million-dollar budget, creating what would become one of the most beloved movies of all time. Gone With the Wind opens in April of 1861, at the palatial Southern estate of Tara, where Scarlett O'Hara (Vivien Leigh) hears that her casual beau Ashley Wilkes (Leslie Howard) plans to marry "mealy mouthed" Melanie Hamilton (Olivia de Havilland). Despite warnings from her father (Thomas Mitchell) and her faithful servant Mammy (Hattie McDaniel), Scarlett intends to throw herself at Ashley at an upcoming barbecue at Twelve Oaks. Alone with Ashley, she goes into a fit of histrionics, all of which is witnessed by roguish Rhett Butler (Clark Gable), the black sheep of a wealthy Charleston family, who is instantly fascinated by the feisty, thoroughly self-centered Scarlett: "We're bad lots, both of us." The movie's famous action continues from the burning of Atlanta (actually the destruction of a huge wall left over from King Kong) through the now-classic closing line, "Frankly, my dear, I don't give a damn." Holding its own against stiff competition (many consider 1939 to be the greatest year of the classical Hollywood studios), Gone With the Wind won ten Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actress (Vivien Leigh), and Best Supporting Actress (Hattie McDaniel, the first African-American to win an Oscar). The film grossed nearly 192 million dollars, assuring that, just as he predicted, Selznick's epitaph would be "The Man Who Made Gone With the Wind." ~ Hal Erickson, All Movie Guide

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1954  
 
Hell's Half Acre was written directly for the screen by Steve Fisher, whose I Wake Up Screaming remains one of the definitive "film noirs". The scene is a rundown section of Honolulu, where there dwells a group of wannabes, hasbeens and never-weres. While trying to go straight in this environment, ex-racketeer Chet Chester (Wendell Corey) is shaken down by his former criminal cohorts. Chester's girl friend Rose (Nancy Gates) kills one of his tormentors, whereupon Chester takes the blame, assuming that he's still got enough pull to get off with a light sentence. Meanwhile, Dona Williams (Evelyn Keyes) arrives on the scene, certain that Chester is her long-lost husband. When Rose is murdered, Chester escapes from jail, intending to prove Dona's innocence--and to square accounts with the 10-year-old son he never knew he had. Elsa Lanchester provides much-needed laughs as a dotty cabdriver. Dismissed upon its first release, Hell's Half Acre is now considered one of the most durable of Republic's mid-1950s features. ~ Hal Erickson, All Movie Guide

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Starring:
Wendell CoreyEvelyn Keyes, (more)
1941  
 
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Robert Montgomery plays saxophone-playing boxer Joe Pendleton, who insists upon piloting his own plane, much to the consternation of his manager Max Corkle (James Gleason). Just before a championship bout, Joe's plane crashes. When he revives, he finds he has been whisked away to Heaven by the overanxious Messenger #7013. Checking with the man in charge, one Mr. Jordan (Claude Rains), Pendleton discovers that he isn't scheduled to die for another 50 years. Joe heads back to earth, only to learn to his chagrin that his body has been cremated. Mr. Jordan is obliged to find Joe a new body; the "candidate" is a business mogul named Farnsworth, who is in the process of being murdered in his bath by his wife (Rita Johnson) and her lover (John Emery). Joe takes over Farnsworth's body, astonishing the murderers by emerging from the bathroom, very much alive (while Joe still looks like Joe to himself and the audience, he looks like Farnsworth to everyone else). Still desirous of winning the upcoming championship, Joe begins to whip Farnsworth's body into shape, even hiring Max Corkle to manage him. It takes some doing, but Joe convinces Max that he is indeed Joe and not Farnsworth (their scenes together are priceless, far better seen than described). Meanwhile, Joe has fallen in love with Bette Logan (Evelyn Keyes), a woman whose father had been ruined by the real Farnsworth. For her sake, he pays back millions of dollars that the crooked Farnsworth had finagled out of his investors. This prompts Mrs. Farnsworth and her lover to kill "Farnsworth" again, and once more Joe Pendleton is without a body. How Mr. Jordan arranges for Joe to win the championship, expose the murderers and walk off arm and arm with Bette is a bit too complex to detail here. Here Comes Mr. Jordan is one of the most consistently clever romantic comedies of the 1940s, and richly deserving of the Oscars won by screenwriters Sidney Buchman, Seton I. Miller and Harry Segall. A sequel, Down to Earth, was filmed in 1947, with Roland Culver as Mr. Jordan; and in 1978, the original Jordan was remade by Warren Beatty as Heaven Can Wait. ~ Hal Erickson, All Movie Guide

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Starring:
Robert MontgomeryEvelyn Keyes, (more)
1947  
 
Three years after song-and-dance man Dick Powell reshaped his nice-guy image by playing hard-boiled gumshoe Phillip Marlowe in Murder My Sweet, he returned to film noir with this crime-based thriller. Johnny O'Clock (Dick Powell) and his partner Pete Marchettis (Thomas Gomez) operate a gambling casino that has seen better days. Chuck Blayden (Jim Bannon), a cop on the take, wants in on the casino, and he makes friends with Pete while trying to convince him that Johnny, the smarter of the two, should go. When Chuck's girlfriend Harriet (Nina Foch) is found dead, a supposed suicide, his sister Nancy (Evelyn Keyes) smells a rat, especially after Chuck skips town. Nancy is convinced that her sister was murdered, and she asks Johnny to help her prove it. Johnny, who already has a number of women in his life -- including Nelle (Ellen Drew), Pete's wife -- figures that one more can't hurt and agrees to help her. But Police Inspector Koch (Lee J. Cobb), convinced that Johnny and Pete were behind Harriet's death, is making it hard for Johnny to do much investigating, and matters get worse when Chuck's body is found floating in the river. Screenwriter Robert Rossen made his directorial debut with this film, 14 years later, he would return to this film's tough, gritty style for his best picture, The Hustler. ~ Mark Deming, All Movie Guide

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Starring:
Dick PowellEvelyn Keyes, (more)
1941  
 
In this taut, creepy melodrama, a housemaid works as the companion of an aging, retired British actress. One day the maid (Ida Lupino) is visited by her two looney half sisters. The actress finds the slightly mad sisters intolerable and demands that they leave. Unfortunately, the maid realizes that if the sisters are sent away they will end up involuntarily committed to an insane asylum and so the maid kills the actress and lets the sisters stay. Things go well until a suspicious relative shows up and starts to investigate. Nominated for Oscars for Best Interior Decoration and Best Score, Ladies in Retirement is based upon a stage play that was in turn based upon the true story from 1886. ~ Sandra Brennan, All Movie Guide

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Starring:
Ida LupinoLouis Hayward, (more)
1938  
 
Brash and vigorous director William Wellman always had a place in his filmography for movies glorifying the early years of aviation -- from the start of his career (Wings), until the end (Lafayette Escadrille). But, perhaps, never has his devotion to aviation been made more vivid than in his 1938 drama Men With Wings. Wellman, in this film, attempts to dramatize the history of aviation from the early days of the Wright Brothers until the 1930s, when airline transportation first became viable. The story centers upon two contrasting aviation types: the barnstormer, Pat Falconer (Fred MacMurray), and the methodical scientist of flight, Scott Barnes (Ray Milland). Through these two archetypes, Wellman follows Pat and Scott from childhood to adulthood. Pat marries childhood sweetheart Peggy Ransom (Louise Campbell) and they have a child. Scott, who had always loved Peggy, remains in the background, not wanting to break up his solid friendship with Pat. But Pat is clearly doomed by his recklessness and breakneck individuality. After fighting in the skies during World War I, he refuses to sit back and do the methodical work of flight research like Scott. Always searching for another war to fight, Falconer leaves Scott and Peggy behind, taking off for China to help the Chinese fight Japanese invaders. ~ Paul Brenner, All Movie Guide

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Starring:
Fred MacMurrayRay Milland, (more)
1949  
 
Returning from WW II, gambler Joe Miracle (Glenn Ford) discovers that his partner is dead, his gaming house has been sold, and his fortune has been claimed by others. Forced to steal back money which is rightfully his, Joe takes refuge in a settlement house run by social worker Jenny Jones (Evelyn Keyes). The girl hopes to reform Joe; he plays along, intending to skedaddle when the heat is off. Not unexpectedly, Joe begins to mellow as he learns the satisfaction of doing good for others. Meanwhile, investigative reporter "Early" Byrd (John Ireland) bides his time, hoping to expose Joe as a wanted fugitive and thus attain a big scoop. Two directors were credited for Mr. Soft Touch, though it's hard to discern where one ended and the other began. The film was released in England as House of Settlement. ~ Hal Erickson, All Movie Guide

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Starring:
Glenn FordEvelyn Keyes, (more)
1949  
 
Dick Powell stars as Canadian Mountie Sgt. Mike Flannagan. When Boston-bred Kathy O'Fallon (Evelyn Keyes) marries Mike, she is immediately nicknamed "Mrs. Mike" by her new friends and neighbors. Unprepared for the hardships of life in the Great White North, Mrs. Mike nonetheless perseveres through minor inconveniences and major tragedies, including the death of her child during an epidemic. The film lays on the sentiment rather heavily, but stars Dick Powell and Evelyn Keyes manage to cut through the treacle with their first-rate thesping. Based on a true story, Mrs. Mike was adapted from the best-selling novel by Benedict & Nancy Freedman. ~ Hal Erickson, All Movie Guide

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Starring:
Dick PowellEvelyn Keyes, (more)
1993  
 
Molly Hagan is cast as Dana Ballard, a former research assistant of Jessica Fletcher (Angela Lansbury)--and a pathological liar. When Dana's current employer is killed and she is accused of the crime, she begs Jessica to clear her name. But Jessica can't help wondering if Dana is merely weaving another web of lies...and that, in direct opposition to the standard Murder, She Wrote formula, she is guilty after all. ~ Hal Erickson, All Movie Guide

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1987  
 
A terminally ill nun apparently commits suicide--which of course is a mortal sin in the eyes of the Catholic church. In order to prove that the nun did not die by her own hand, the dead woman's Mother Superior (Jane Powell) prevails upon her old friend Jessica Fletcher (Angela Lansbury) to follow the trail of clues--one of which reveals some disturbingly sordid details. This episode is distinguished a particularly stellar cast of veteran actors, including Audrey Totter in her last role before retirement. ~ Hal Erickson, All Movie Guide

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1985  
 
When Cabot Cove resident Beverly Garrett is electrocuted in her own bathtub in a locked bathroom, Sheriff Amos Tupper (Tom Bosley) is willing to write the tragedy off as an accident; Tupper, you see, is thinking about retirement, and has already hand-picked his successor. But Jessica (Angela Lansbury) can't shake the belief that Beverly was murdered, prompting the long-suffering Tupper to dare Jessica to prove it! Adding to the intrigue is a controversial land sale, a vicious poison-pen campaign that has spread throughout town, and Jessica's mounting frustration over playing hostess to a visiting travel writer. ~ Hal Erickson, All Movie Guide

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1944  
 
Nine Girls stars several of Columbia's loveliest contract actresses as sorority sisters at an exclusive California college. None of the girls is fond of nasty student Anita Louise--in fact, sometime dislikes her enough to kill her. Police detectives William Demarest and Willard Robertson are called in to solve the mystery, and as in most films of this type, there are plenty of suspects to choose from. The solution of the crime will be obvious to hardened movie buffs, simply by checking out the name of the film's top-billed actress. For the record, the Nine Girls of the title are Anita Louise, Evelyn Keyes, Jinx Falkenberg, Leslie Brooks, Lynn Merrick, Miss Jeff Donnell (as she was usually billed), Nina Foch, Marcia Mae Jones, and Shirley Mills. ~ Hal Erickson, All Movie Guide

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Starring:
Ann HardingEvelyn Keyes, (more)

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