Maurice Baquet Movies

In this 122-minute sequel to the 47-minute Versilles -- Rive Gauche (1991), the brothers Bruno and Denis Podalydes provide the central installment of their trilogy of films named after different Versailles train stations. Awkward Albert (Denis Podlydes), a balding nerdy sort, is a soundman working on a political campaign spot in Toulouse where Albert and his buddy Otto (Jean-Noel Broute) donate blood in order to connect with attractive nurse Sophie (Isabelle Candelier). Attending a nature-film premiere in Paris, Albert becomes so shaken by his desire for journalist-filmmaker Anna (Jeanne Balibar) that he begins vomiting, interpreted by Anna as a compliment. Cop Corinne (Cecile Gouillot) is also attracted to Albert. Shown at the 1998 Locarno Film Festival. ~ Bhob Stewart, All Movie Guide

In this semi-autobiographical comedy by Francis Perrin, he plays a character partially based on himself in the guise of Francois Veber, a lowly electrician from the provinces who finds success as an actor in the Comedie-Francaise. Veber/Perrin goes to study acting at the Paris Conservatoire and has some fine teachers who help to hone his latent comic abilities. After coming to the attention of his superiors as an excellent student (he won a Conservatoire competition with a monologue from "The Marriage of Figaro"), Veber/Perrin is accepted into the prestigious Comedie-Francaise. Defying the judgment of its administrator, he pulls off a rousing interpretation of Moliere's Scapin. ~ Eleanor Mannikka, All Movie Guide

The crimes and tragedies that tear apart one family seem overblown in the telling, yet this psychological drama about the miseries of one French policeman is compelling throughout. Jean (Pierre Arditi) is a cop and also a failed novelist who was abandoned by his father, brother, and sister after his mother died. The trio move to Paris where they set up an art scam that nets them considerable cash -- something Jean begins to figure out when he joins them for a family reunion. Little by little, he learns that his father is an expert forger, his stepmother's art gallery seems to be involved in the scam, his brother is a derelict and into drugs, his stepmother is a hooker in addition to all of this, and his sister runs an exercise gym for keeping prostitutes in shape. Things get worse -- just when everything seems bad enough, the stepmother is murdered and it is up to Jean to find the killer. ~ Eleanor Mannikka, All Movie Guide

In this charming, semi-autobiographical look at his politicized past, director Gerard Mordillat focuses on the ironic, the wistful, and the sometimes ludicrous events that spin off from the Communist/anarchist upbringing of his main character, Maurice Decques (François Cluzet). Maurice's tendency to swing over to the bourgeosie in his adult career as a caterer to social gatherings of varying stature is also reflected in the woman he marries - a Czech whose family chose Paris over Moscow "because the USSR has concentration camps" as she told her shocked Communist father-in-law. When Maurice is caught in the 1968 student demonstrations in Paris, the officer who hauls him off is soon recognized as an old childhood buddy, and instead of heading to jail, the policeman/friend takes Maurice home. As the police van drives out of view, the two buddies are seen as young kids, sitting on the hood of a car and dreaming about the future. These flashbacks to his childhood occur throughout the film, with Maurice sometimes walking into and out of the scenes, as though there were no gap in time at all. ~ Eleanor Mannikka, All Movie Guide

In this rambling comic tale about a man and a wife, with four children, who calmly announce to the children that they want to divorce one another, it is impossible to tell who is dissatisfied with whom about what. They had seemed to be a perfect couple. Their flabbergasted children have mixed feelings, and the most difficult thing about the divorce, besides understanding why it is taking place at all, is deciding what will happen with the couple's numerous pets. ~ Clarke Fountain, All Movie Guide

Z is one of the most politically insightful films ever made, exposing government hypocrisy and cover-up in the wake of a political assassination. Zei (Yves Montand) is a scientist who is scheduled to give a speech against the use of the atomic bomb. On the way to the event, he is attacked outside the auditorium by a group of right-wing extremists with political ties to the government as the police stand by and do nothing to intervene. He recovers long enough to make the speech but is later clubbed again and must undergo several surgeries, then dies during one of the procedures. A newspaper reporter finds a witness to the event and a judge willing to hear the case despite government protests. The ensuing trial reveals a government conspiracy, but the results of the trial are thrown out when a new government is formed by a military coup, which results in the intolerance that outlaws long hair, the Beatles, and any peaceful protests. Director Costa-Gavras used actual trial transcripts of the investigation into the May 22, 1963, assassination of Greek pacifist leader Gregoris Lambrakis, which proved a government conspiracy in his death. Yves Montand gives the best dramatic performance of his life, and Irene Papas stars as his wife, Helena. Z won the Oscar for Best Foreign Film of 1969, was 14th in terms of box-office success, and hit an international nerve in the age of social unrest, government cover-up, and political assassinations. All those involved worked on the film for a reduced rate with an option for royalties based on earnings at the theater window. The letter Z in the Greek alphabet means "he is alive." ~ Dan Pavlides, All Movie Guide

Innocents in Paris is a series of anecdotes bundled together by geography. First we see the efforts by British diplomat Alastair Sim to loosen up Soviet-agent Peter Illing long enough to forge an economic plan between Russia and England. Then we watch as dotty artist Margaret Rutherford purchases a copy of the Mona Lisa. Next we see British officer Jimmy Edwards go off on a toot in a Parisian bistro. The next vignette involves impressionable Claire Bloom, who is swept off her feet by a local rake (the human variety, not the garden implement). And so it goes for 102 minutes in the British version of Innocents in Paris, and 93 minutes in the American print. ~ Hal Erickson, All Movie Guide

Spanish singing sensation Luis Mariano is the star of Andalousie. The story finds Mariano cast as an amorous bullfighter named Juanito. When he's not waving the red flag and shouting "Toro! Toro!", Our Hero is wooing such European lovelies as Dolores (Carmen Sevilla) and Fanny (Arlette Poirier). The singing and dancing numbers hold far more interest than the bullfighting sequences. Andalousie was decked out in an attractive Euro-based process called Gevacolor. Director Robert Vernay co-authored the screenplay with J. Feydeau. ~ Hal Erickson, All Movie Guide