Sara Kestelman Movies

The dramatic short feature Ex Memoria pulls the audience, visually and aurally, into the mind of an elderly woman suffering from Alzheimer's Disease. The work, which relies heavily on extreme close-ups of the woman's face, was influenced by Dreyer's Passion of Joan of Arc. ~ Nathan Southern, All Movie Guide

Lady Jane Grey, the 16-year-old girl who for nine days in the 16th century was Queen of England, is here portrayed by Helena Bonham Carter. Lady Jane Grey's sickly cousin, who becomes Edward VI upon the death of Henry VIII, is on the threshold of death himself. The Protestant powers-that-be, fearing that England will fall under Catholic rule, contrive to marry off Edward VI's most likely successor Lady Jane to the wastrelly Guilford Dudley (Cary Elwes), the future Duke of Suffolk. The dying Edward is coerced into naming Jane as his successor. Jane is forced to assume the throne, attempting to impose reforms on the corrupt Protestant government during her brief reign. A coup led by Jane's cousin Princess Mary (Jane Lapotaire) results in the ouster, and eventual execution, of Queen Jane and her consort. The story is told through anti-establishment themes; teen-agers Lady Jane and Guilford Dudley are seen as the only hope for a brighter future, making their deaths all the more tragic. An earlier version of the same story, Tudor Rose, was filmed in 1936. ~ Hal Erickson, All Movie Guide

This Australian drama, set in 1915, follows a restless ex-soldier's journey through self discovery. He is currently the editor of a small town newspaper. Though once a thriving gold-mining town, his home is now rundown and sleepy. The editor lives with his pregnant wife. He walks with a limp as he was crippled while serving in the Australian army. He was part of the Gallipoli landings in 1915. His disability is the source of his difficulties at home and in the community. He seldom talks meaningfully to his wife. Instead, he prefers to hobble off to the river every morning before work. There he remembers his childhood. At the river he meets a beautiful painter; they soon become involved. He goes to a picnic with her and her urban pals, but he feels intimidated by them. He gets drunk and stumps off sans cane. He falls into an old mine shaft, and there, relives Gallipoli. He remembers that he crippled himself, and he also sees that the painter can live without him. He therefore, comes to a certain peace and returns to his normal life. ~ Sandra Brennan, All Movie Guide

This audacious, vulgar, freewheeling fantasia on the life of pianist Franz Liszt ranks among director Ken Russell's most outrageous efforts. Roger Daltrey, lead singer for The Who, is awkward yet likeable as the flamboyant piano performer with a bevy of fetching mistresses and groupies, while Paul Nicholas is completely outlandish as the scheming opera composer Richard Wagner. There's no nod to reality here: Liszt and Wagner were in fact friends, and Liszt, who became Wagner's father-in-law, actually assisted in the production of Wagner's opulent productions. Russell, on the other hand, presents Wagner as Liszt's jealous rival ready to wreak havoc on the world by unleashing a cryogenic Viking (Yes keyboardist Rick Wakeman) and a horde of machine-gun wielding robot Nazis. In a finale out of Flash Gordon serials, Liszt saves the day after surviving a guillotine designed for phallic dismemberment. The film is fast and loud and wildly undisciplined, much like one of Liszt's Hungarian Rhapsodies. Look fast and you'll see Ringo Starr as the pope. ~ Les Stone, All Movie Guide