Brian Kerwin Movies

This made-for-TV actioner was designed as the pilot for a series based on the popular Walking Tall films of the 1970s. This time out, a young Brian Dennehy is cast as the stick-wielding, scrupulously honest Tennessee sheriff Buford Pusser (played in the films by Joe Don Baker and Bo Svenson), with Forrest Tucker repeating his role from Walking Tall: The Final Chapter as Pusser's father. After chasing down a speeding car, Pusser is disgusted to find that its teenaged occupants (two of them dead, two blinded for life) are stoned out of their minds on bad bootleg hooch. Bypassing due process and other such legal niceties, Pusser goes on a one-man rampage of destruction in order to square accounts with the evil disco owner-cum-moonshiner responsible for the tragedy. Making things difficult is the fact that one of the villains of the piece is also one of Buford's oldest pals. A Real American Hero made its CBS debut on December 9, 1978. ~ Hal Erickson, All Movie Guide

In a sequel to the superior movie entitled The Incident, a small-town lawyer goes against the State of Maryland, suing on behalf of an institutionalized mental patient for release. ~ Tana Hobart, All Movie Guide

To paraphrase the late, great NBC programming executive Brandon Tartikoff, the television industry is comprised of two different groups of people: The "beggars," those actors, writers, directors, and producers who tirelessly and relentlessly package and pitch ideas, concepts, and premises for new TV series; and the "choosers," those elite network chieftans who make the final decisions as to what will or will not be seen on the air. With this in mind, Beggars and Choosers was the perfect title for a raunchy, ribald cable-TV satirical sitcom, set behind the walls of a major (but not too major) television network. The setting for this weekly, 60-minute series was the headquarters of the LGT network, which, though it ran a distant last to such prestigious webs as ABC, CBS, and NBC, still managed to score a few ratings successes, notably the Seinfeld clone "Peter's Pals" and the ethnic soaper "Puerto Vallarta." Like most contemporary entertainment-manufacturing concerns, LGT was a hotbed of betrayals, double-crosses, backstabbings, dark intrigues, covert conspiracies, and sexual shenanigans. Heading the huge cast of regulars and recurring characters was Brian Kerwin as youthful LGT president Brian Kerwin, who manfully kept his wits about him while swimming with sharks at the workplace and dealing with domestic problems engendered by his demanding wife Cecile (Isabella Hoffman) and his troublesome teenaged children Audrey (Keegan Connor Tracy) and Cary (Kaj-Erik Eriksen). Co-starring with Kerwin was Charlotte Ross as Lori Vopone, LGT's barracuda-like vice president of development, who would stop at literally nothing to get bigger ratings and advance her own career. Others in the cast included Tuc Watkins as the network's closeted homosexual casting executive Malcolm Laffley, who spent most of the first season trying to work up the courage to "out" himself; William McNamara as supercilious talent agent Brad Advail, who was convinced that his success hinged upon which pair of socks he wore on any given day; Christopher Kennedy as Marty Hertz, LGT's bean-counting head of business affairs; and Sheila Moore as the network's hypersensitive vice president of standards and practices. Initially, LGT was owned by the senile, semi-comatose E. L. Ludden (Bill Morey) and his scheming trophy wife Lydia (Carol Kane). During a bitter power struggle between Mr. and Mrs. Ludden, control of the network was seized by flaky dot.com billionaire Dan Falco (Beau Bridges), who shortly thereafter turned the business over to his nitwit brother Freddie (James Belushi). The gloriously uninhibited and diabolically clever Beggars and Choosers debuted over cable's Showtime network on June 19, 1999, remaining in first-run for the next two seasons. ~ Hal Erickson, All Movie Guide

Season two of the uninhibited, uncensored satirical cable sitcom Beggars and Choosers begins with yet another vicious power play between E.L. Luddin (Bill Morey), doddering owner of the LGT television network, and his avaricious trophy bride Lydia (Carol Kane). In the final analysis, both Luddins lose out when 53 percent of the network's stock is scooped up by flaky dot.com billionaire Dan Falco (Beau Bridges). This upheaval inspires LGT's predatory vice president of development Lori Volpone (Charlotte Ross) to put her romance with poetry-spouting Russian gangster Nicky Krasnakov (Rudolf Martin) on hiatus while she plays up to the fabulously wealthy Falco. Before long, however, Falco has departed the country to enter a Bhuddist monastery, leaving the network in the hands of his dimwitted brother Freddie (James Belushi), whose "experience" in television consists largely of turning his set on and off and changing the channels. Despite Freddie's ineptitude, popular LGT star Sandra Cassandra (Samantha Ferris) figures it is in her best interest to inaugurate an affair with the younger Falco. Meanwhile, long-suffering LGT president Rob Malone (Brian Kerwin) is given all sorts of new reasons to bash his head against the wall, not least of which is the breakup of his marriage to the demanding Cecile (Isabella Hofmann). Elsewhere, the network's "outed" cast director Malcolm (Tuc Watkins) once again stirs up negative publicity when he casts a gay actor in a straight role; Nicky Krasnakov makes a talk show appearance and manages to offend a powerful minority group; the inherent bitterness and backstabbing at LGT gets really up close and personal when the police seal off the network's headquarters during a bank robbery; and the sperm bank containing the "legacy" of late sitcom star Parker Meridian suffers a freezer breakdown. One of the most persistent of the season's many subplots involves a case of industrial espionage, when it appears that a "mole" in the network is leaking LGT's best series ideas to rival web NBC. Intimately involved in this intrigue are two of LGT's newest hires, bed-hopping staff assistant Kelly Kramer (Christina Hendricks) and opportunistic Britisher Nigel Gibney (Justin Carroll). ~ Hal Erickson, All Movie Guide

Bluegrass was a two-part TV movie that resurrected virtually every "racetrack" cliche known to man. Widowed Cheryl Ladd heads to Kentucky to start up a horse farm. Her wicked neighbor is Wayne Rogers who seeks Ladd's downfall. Faithful farm manager Brian Kerwin won't let Rogers stand in the way of Ladd's dream. Anthony Andrews hangs around as a Harlequin romance-style Irish rake with a Dark Secret. And what would a horse-farm movie be without Mickey Rooney? Part One of Bluegrass raised a stir upon its February 28, 1988 debut, with a brief shot of horses mating. But it was the foaling sequence in Part Two that really made the headlines. All tangled plotlines knot together in the second half of Bluegrass. Part Two, first telecast on Leap Year day in 1988, Ladd literally bets the ranch on the Kentucky Derby, while mysterious Irish stranger Anthony Andrews reveals his (gasp!) terrible secret. One of the film's highlights was the genuine birth of a foal. The poor animal looked so shaky that the network issued an official statement insisting that the newborn horse survived. When the truth came out (the foal didn't make it), the producers were heartily condemned by animal activist groups--which may be why all current films bear the closing disclaimer about no animals being injured during shooting. Bluegrass was directed by Simon Wincer, who later helmed the epic miniseries Lonesome Dove. ~ Hal Erickson, All Movie Guide

A group of former CIA agents team up to ransom the entire world by staging an international crisis in the Orient. Only one man (Brian Kerwin), also an agent, can stop them. ~ John Bush, All Movie Guide

An unplanned pregnancy throws a monkey wrench into the carefully orchestrated plans of a financially struggling young couple. They already have two children, and having another baby would force the mother to drop out of college and would be a terrible financial strain on the family. While trying to decide whether or not to terminate the pregnancy, the poor wife finds herself caught in the middle of an increasingly heated debate between pro-choice and anti-abortion factions. ~ Sandra Brennan, All Movie Guide

Lucas Black and Ellen Burstyn star in this made-for-TV movie from Disney, in which a poor boy dreams of owning a horse named Flash. The boy's father can't afford to buy the animal and it falls into the hands of an unscrupulous trainer, much to the boy's sorrow. ~ Mark Deming, All Movie Guide

In the concluding half of Frasier's ninth-season opener, Frasier (Kelsey Grammer) continues mulling over the past loves of his life as he tries to choose between his current amours Claire (Patricia Clarkson) and Lana (Jean Smart). In a surrealistic climax, virtually all of Frasier's women from past episodes (most of them played by the actresses who originated the roles) converge upon him -- including his late mother. Originally telecast as a one hour-special (and moved from September 18, 2001, to September 25 due to network coverage of the 9/11 tragedy), this episode has since been reedited as two half-hours for syndication. ~ Hal Erickson, All Movie Guide

When the drug craze of the '60s invades the straight-laced world of a military academy, a group of young cadets turn the school upside down. ~ Iotis Erlewine, All Movie Guide

A teen from Los Angeles and her recently widowed mother move back to the family's Pacific Northwest home in 1980 to try to reassemble their lives. Young teen Beth at first hates country living, but then she meets the outspoken, defiant Jody and the two become fast friends. Jody has quite a reputation and has had to deal with the shame of having an alcoholic mother. Beth and Jody both adore Winnie the Pooh, and share an adventurous spirit. This spirit gets them into trouble when they decide to go explore the mysterious caves beneath Bear Mountain. Legend has it that in one of those caves, a very lucrative, 100-year-old lost gold mine can be found. This adventure chronicles Beth and Jody's experiences beneath the great mountain. ~ Sandra Brennan, All Movie Guide

William Petersen's High Horse Films produced this romantic comedy that endeavors to recall the glory days of Cary Grant and Irene Dunne. Petersen stars as Joey Coalter, a roving adventurer who has been married to his wife Chris (Sissy Spacek) for almost thirteen years but has rarely been home. During that time Chris has become fed up with Joey's cavalier ways. But it comes as a complete shock to Joey when, while talking to a group of cowpokes about Tahitian women somewhere on the prairie, he receives a wedding invitation sent by his daughter Beth (Olivia Burnette) that announces the wedding of Chris to dull business man Walter Humphrey (Brian Kerwin). Beth hopes the surprise wedding invitation will prod Joey to try to get back together with Chris. Chris hopes so too, as Joey drops what he is doing and takes off to stop Chris's pending nuptials. ~ Paul Brenner, All Movie Guide