J.M. Kerrigan Movies

In this western, a pacifistic store owner does all he can to avoid association with his father, a notorious gunfighter. One day he gets drunk and shows off his own considerable skills with a pistol. Unfortunately, this attracts the attention of the man who fancies himself the town's fastest draw and he heads to the store for a little confrontation. ~ Sandra Brennan, Rovi

This 1954 Disney version of Jules Verne's 20,000 Leagues Under the Sea represented the studio's costliest and most elaborate American-filmed effort to date. Kirk Douglas plays a trouble-shooting 19th century seaman, trying to discover why so many whaling ships have been disappearing of late. Teaming with scientist Paul Lukas and diver Peter Lorre, Douglas sets sail to investigate--and is promptly captured by the megalomaniac Captain Nemo (James Mason), who skippers a lavish, scientifically advanced submarine. The film's special effects, including a giant squid, were impressive enough in 1954 to win an Academy Award. ~ Hal Erickson, Rovi

Olivia de Havilland and Richard Burton star in this adaptation of Daphne du Maurier's gothic novel. In a reversal of Jane Eyre, it is the hero who arrives at the home of a mysterious woman. Rachel (de Havilland) is the widow of a Cornish man of property (John Sutton), who died in suspicious circumstances. Philip Ashley Burton is the dead man's cousin, who in probing his relative's demise immediately suspects Rachel -- and goes on suspecting her even after he falls in love with her. Going against the inheritance laws of the era, Burton turns over his cousin's estate to Rachel, but she refuses his entreaties of marriage. He soon falls ill, and it is whispered that Rachel has poisoned him. ~ Hal Erickson, Rovi

In 1880s New York City, newspapers were engaged in a free-for-all competition, with the respectable practitioners such as Joseph Pulitzer leading a horde of sheets that included every kind of yellow rag imaginable. Newspaperman Phineas Mitchell (Gene Evans) is so appalled by the brand of journalism practiced by The Star, the newspaper where he works, and its publisher, Charity Hackett (Mary Welch), that he gets himself fired. But instead of looking for another job, he decides to start up his own newspaper, The Globe, which will adhere to principals he has developed across his career. This immediately puts him on a head-to-head collision with The Star and Hackett, who scoffs at Mitchell's ideals but is frightened of his resourcefulness and ideas -- all of which combine to make the feisty little under-financed newspaper a more honest and exciting read than her own publication. And Mitchell's embrace of cutting-edge technology, such as the Linotype machine, and innovations such as by-lines and newsstands only heighten her mixed feelings of admiration and fear. When Mitchell seizes upon the Statue of Liberty, newly-delivered from France but without a base to stand on (or an appropriation from Congress for the money to build one), The Globe takes on this cause. A circulation war -- and then an all-out war -- breaks out between the two newspapers, with fraud, violence, bombings, and other mayhem visited on Mitchell's enterprise. ~ Bruce Eder, Rovi

Sealed Cargo was based on The Gaunt Woman, a novel by Edmund Gilligan. Dana Andrews stars as Pat Bannon, a Newfoundland fishing-boat captain during WW II. Coming to the rescue of an endangered vessel, Bannon finds himself in the middle of a nest of Nazi spies. Reasoning that he'll never be able to alert the authorities, Bannon takes it upon himself to scuttle an impending large-scale German submarine attack. Claude Rains is the personification of cultured evil as the head Nazi naval officer, while Carla Balenda co-stars as an innocent bystander who may well lose her life as a result of Bannon's planned heroics. Sealed Cargo was one of several moneymaking films released by RKO Radio during one of the studio's most profitable years. ~ Hal Erickson, Rovi

Dick Powell stars as Canadian Mountie Sgt. Mike Flannagan. When Boston-bred Kathy O'Fallon (Evelyn Keyes) marries Mike, she is immediately nicknamed "Mrs. Mike" by her new friends and neighbors. Unprepared for the hardships of life in the Great White North, Mrs. Mike nonetheless perseveres through minor inconveniences and major tragedies, including the death of her child during an epidemic. The film lays on the sentiment rather heavily, but stars Dick Powell and Evelyn Keyes manage to cut through the treacle with their first-rate thesping. Based on a true story, Mrs. Mike was adapted from the best-selling novel by Benedict & Nancy Freedman. ~ Hal Erickson, Rovi

In this documentary-inspired thriller, P.J. McNeal (James Stewart) is a reporter who is asked by his editor to look into a potential story: their newspaper has been carrying an ad offering a substantial reward for information regarding the murder of a policeman that occurred eleven years ago. It turns out the ad was placed by a cleaning woman named Tillie Wiecek (Kasia Orzazewski); her son Frank (Richard Conte) was convicted of the crime, but she is thoroughly convinced her son had nothing to do with the killing. McNeal doesn't believe for a moment that Frank could be innocent, but he sees a good human interest story in Tillie and writes a piece that receives a great deal of favorable attention. Brian Kelly (Lee J. Cobb), McNeal's editor, thinks there might be more to this story and asks P.J. to look into the original murder case. To McNeal's surprise, Frank passes a lie detector test in which he proclaims his innocence, and the more he digs into records on the case, the more he finds wrong with the original investigation; some evidence is missing, much is inconclusive, and the reporter begins to wonder if Frank might have been railroaded after all, or if the police might be trying to keep something quiet. Call Northside 777 was based on a true story. ~ Mark Deming, Rovi

Black Beauty, Anna Sewell's classic tale of a beautiful horse is adapted in a disappointingly flat fashion by independent producer Edward L. Alperson. Unlike the novel, which is told from the horse's point of view, the film concentrates on the animal's first owner, a young English girl (Mona Freeman). Raising the horse into a prize-winner called "Black Beauty," the motherless girl is thrown into a panic when Beauty disappears. She locates the horse in a barn that is about to catch fire; knocked unconscious, the girl is saved by the valiant Beauty. The film's script utilizes only one of the many episodes in Sewell's 1879 novel, and not the most fascinating one at that. Had Black Beauty been produced by 20th Century-Fox instead of merely being released by the studio, the film might have had the saving grace of Technicolor photography. ~ Hal Erickson, Rovi

Tarzan (Johnny Weissmuller) must once more contend with outsiders who invade his jungle domain to hunt for gold. Guarding the valuable ore is a tribe of hostile Amazons, led by Maria Ouspenskaya. The Amazons regard every man as their enemy, and very nearly kill Tarzan before he can rescue them from the villains. Also in the cast are Brenda Joyce as a blonde Jane, Johnny Sheffield as Boy, Barton MacLaine as the principal heavy, and "cult" horror star Aquanetta as an Amazon maiden. Tarzan and the Amazons was Johnny Weissmuller's ninth appearance as the Lord of the Apes. ~ Hal Erickson, Rovi

MGM's newest romantic team of James Craig and Frances Gifford head the cast of the glossy "B"-picture She Went to the Races. Gifford plays beautiful professor Ann Wotters, who develops a scientific method of picking winners at the race track. Craig portrays horsetrainer Steve Confield, who thinks that Ann's theories are all wet. Falling in love with Steve, Ann gets mixed up in a romantic triangle, the apex of which is socialite Hilda Spotts (Ava Gardner, who steals the picture). Edmund Gwenn, Sig Ruman and Reginald Owen provide screwball-comedy relief as three pedants who are subsidizing Ann's equestrian research. ~ Hal Erickson, Rovi

Producer Darryl F. Zanuck had high hopes that Wilson would immortalize him in the manner that Gone With the Wind did for David O. Selznick. The notion of bringing the life story of Woodrow Wilson, 28th president of the United States, to the big screen was a labor of love for Zanuck, and accordingly the producer lavished all the technical expertise and production values he had at his disposal. Though Alexander Knox seems a bit too robust and overnourished for Wilson, his is a superb performance, evenly matched by those of Ruth Nelson as Wilson's first wife Ellen, Geraldine Fitzgerald as second wife Edith, Thomas Mitchell as Joseph Tumulty, Sir Cedric Hardwycke as Henry Cabot Lodge, Vincent Price as William Gibbs McAdoo, Sidney Blackmer as Josephus Daniels, and the rest of the film's enormous cast. The story begins in 1909, a time when Wilson is best known as the head of Princeton University and the author of several books on the democratic process. Urged into running for Governor of New Jersey by the local political machine, Wilson soon proves that he is his own man, beholden to no one-and that he is dedicated to the truth at any cost. From the governor's office, Wilson is nominated as the Democratic presidential candidate, an office he wins hands-down over the factionalized Republicans. The sweetness of his victory is soured by the death of his wife Ellen, but Wilson ultimately finds lasting happiness with Edith Galt. When World War I breaks out in Europe, Wilson vows to keep America out of the conflict, despite pressure from such political foes as Henry Cabot Lodge (who is depicted as a thoroughly unsympathetic power broker). After being elected for a second term, however, Wilson finds it impossible to remain neutral, especially in the wake of the Lusitania sinking. Reluctantly, he enters the war in April of 1917. Deeply disturbed by the mounting casualties, Wilson decides that, after the Armistice, he will press for a lasting peace by helping to organize a League of Nations. Unfortunately, the isolationist congress, urged on by Lodge and his ilk, refuses to permit America's entry into the League. His health failing, Wilson nonetheless embarks on a whistle-stop tour, imploring the public to support the League of Nations and Wilson's 12-point peace program. During this campaign, he is felled by a stroke, whereupon Mrs. Wilson begins acting as liason between the president and the rest of the country (the commonly held belief that Edith Galt Wilson virtually ran the nation during this crisis is soft-pedalled by Lamar Trotti's script). All hopes for America's joining the League of Nations are dashed when, in the 1920 election, the Republicans gain control of the White House. The film ends as the ailing but courageous Woodrow Wilson bids farewell to his staff and walks through the White House doors for the final time. Idealistically ignoring the negative elements of the Wilson regime (notably his attitudes toward racial relationships), Wilson is not so much a biography as a paean to the late president. Though too long and overproduced, the film survives as one of Hollywood's sturdiest historical films of the 1940s. However, audiences did not respond to Wilson as Zanuck had hoped; the film was a terrific flop at the box office, so much so that it was for many years forbidden to speak of the project in Zanuck's presence. Still, Wilson garnered several Academy Awards: best original screenplay, best color art direction (Wiard Ihnen), best color cinematography (Leon Shamroy), best sound recording (E. H. Hansen), best film editing (Barbara McLean) and best color set decoration (Thomas Little). ~ Hal Erickson, Rovi

The Fighting Seabees is Republic Pictures' rip-roaring tribute to the US Navy's Construction Batallions (C.B.), without whom no plane would ever have gotten off the ground during WW2. John Wayne stars as Wedge Donovan, head of civilian construction company stationed in a pre-Pearl Harbor South Pacific war area. Despite Donovan's pleas to the Navy brass, he is denied permission to train his men for combat, the better to stave off imminent Japanese attack. Only after incurring heavy losses is Donovan given a commission and his men officially enlisted in the Navy. The self-sacrifical climax, as Donovan destroys a Japanese tank batallion at the cost of his own life, is one of the best-staged action highlights of its kind. As Constance Chesley, Susan Hayward finds herself in the unenviable position of being the apex in a romantic triangle involving herself, Wedge Donovan and Lt. Cmdr. Robert Yarrow (Dennis O'Keefe); her climactic speech, explaining how it's possible to love two men equally, is so well delivered that it transcends its essential corniness. Of the supporting cast, William Frawley stands out as Irish seabee Eddie Powers, who virtually signs his own death warrant when he begins singing happily just before an enemy sneak attack. ~ Hal Erickson, Rovi

One of Cary Grant's most financially successful 1940s vehicles, Mr. Lucky finds Grant atypically cast as a shifty, out-for-number-one gambler. Having dodged the draft by adopting the identity of a dead man, Grant sets his sights on purchasing a fancy gambling ship. To raise the necessary funds, he pretends to be working hand in glove with the American War Relief society. Once he meets Laraine Day, however, Grant is seized by an uncontrollable bout of honesty. It takes him awhile, but he finally does the right thing. The film is framed in flashback, as old seaman Charles Bickford explains why a tearful Laraine Day waits at the dock each evening for a certain ship to come in. Also in the cast is Paul Stewart as a cold-eyed but nonetheless semi-comic hoodlum, and Kay Johnson and Gladys Cooper as elegant but gullible society women. The best aspect of this breezy comedy-drama is Grant's cockney propensity for "rhyming slang," a running gag better heard than described. Mr. Lucky was later adapted into a TV series in 1959, with John Vivyan in the Cary Grant part and with Blake Edwards at the production controls. ~ Hal Erickson, Rovi